CD Discography

Abel, Carl Friedrich. (1723-1787)

• 6 Symphonies, op. 17/1-6.
  1. E flat major. 2. B flat major. 3. D major. 4. C major. 5. B flat major. 6. F flat major.
  The Hanover Band. Anthony Halstead, harpsichord and director.
  cpo 999 214-2 A1884

Adam, Adolphe. (1803-1856)

• Le Corsaire. Libretto by Jules-Henri Vernoy de Saint-Georges.
  note: loosely based on a poem The Corsaire by Lord Byron.
  note: ballet with additional music by Cesare Pugni, Léo Delibes, Riccardo Drigo (pas de deux) and Prince Oldenbourg in revisions by Marius Petipa including Pyotr Gusev's revision in 1955 of Marius Petipa as staged in Oleg Vinogradov's production for the Kirov Ballet in 1989 and filmed on DVD.
  note: music (re-entitled Pas d'esclave) excerpted from Prince Oldenbourg's ballet La Rose, la violette, et le papillon, was incorporated in Marius Petipa's revision of 1858 and maintained in later revisions including Pyotr Gusev's revision of 1955.
  Kirov Theater Orchestra. Victor Fedotov, conductor.
  KULTUR DVD D2848 A559

• Giselle. Libretto by Jules-Henri Vernoy de Saint-Georges and Théophile Gautier.
  note: based on a prose passage about the Wilis from De L'Allemagne by Heinrich Heine and on a poem Fantômes by Victor Hugo.
  note: includes the pas de deux in Act I for two peasants by Friedrich Burgmüller interpolated by choreographer Maurius Petipa in the original production and maintained in productions ever since; includes also two later insertions, the waltz variation (possibly by Ludwig Minkus) for Giselle in Act I and a waltz version in Act II of Giselle's and Albrecht's love music from Act I.
  Orchestra of the Royal Opera House, Covent Garden. Richard Bonynge, conductor.
  Decca 452 185-2 A502

• "Minuit, Chrétien." Cantique de Noël. Text by Placide Cappeau.
  Plácido Domingo, tenor; Diana Ross, singer; José Carreras, tenor.
  Gumpoldskirchner Kinderchor. Elisabeth Ziegler, chorus master. Vienna Philharmonic Orchestra. Vjekoslav Šutej, conductor.
  SONY CLASSICAL SK 53 358 P125

• "Minuit Chrétiens." Cantique de Noël. Text by Placide Cappeau.
  Luciano Pavarotti, tenor.
  National Philharmonic Orchestra. Kurt Herbert Adler, conductor.
  London 414 044-2 A1624

• "Minuit Chrétiens." Cantique de Noël. Text by Placide Cappeau.
  Pol Plançon, bass.
  note: historical Victor recordings, 1903 with piano and 1906 with orchestra.
  Romophone 82001-2 A1239
  • O Holy Night. Cantique de Noël.
    note: sung in Swedish, Julsång. O helga natt.
    Jussi Björling, tenor.
    Royal Orchestra. Nils Grevillius, conductor.
    EMI Classics 7243 5 75900 2 0 A300

  • O Holy Night. Cantique de Noël. Arranged by Steve Mac and Dave Arch.
    Susan Boyle, singer.
    (The Gift, track 10)
    SYCOmusic 88697 59829 2 P189

  • O Holy Night. Arranged by David Foster and Jeremy Lubbock.
    Celine Dion, singer.
    Sony Music Entertainment BK 69523 P259

  • O Holy Night. Arranged by Totzauer.
    Leontyne Price, soprano.
    Vienna Philharmonic Orchestra. Herbert von Karajan, conductor.
    London 421 103-2 A73

  • O Holy Night. Arranged by Douglas Gamley.
    Joan Sutherland, soprano.
    Ambrosian Singers. New Philharmonia Orchestra. Richard Bonynge, conductor.
    Decca 289 467 914-2 A229

Adam de la Halle. (1245/1250-1285/1288 or after 1306)

• Assenés chi, Grievilier.
  note: Jeu parti.
  Henry Wickham, baritone.
  Gothic Voices. Christopher Page, director.
  helios CDH55282 A444

• Fines amouretes ai, virelai.
  James Bowman, countertenor.
  David Munrow, recorder. Mary Remnant, portative organ.
  The Early Music Consort of London. David Munrow, director.
  ELEKTRA NONESUCH 9 71326-2 A1353

• Le Jeu de Robin et de Marion/1-45. (ca. 1280)
  note: aka Li Jus de Pelerin and Li Gieus de Robin et de Marion
  note: may be the earliest surviving combination of music and secular drama [opera]
  note: edited and arranged by Antony Pitts, Rebecca A. Balzer and Tonus Peregrinus.
  note: the sections are made up of chants, songs, spoken texts including jeux-partis (a genre of lyric poetry, aka partimen or partia, in Occitan and Old French), motets, and instrumental pieces including rondeaux.
  1. Mout/Robins m'aime/PORTARE. 2. Pilgrim's Prologue, based on Li Jus Du Pelerin. 3. Robins m'aime. (Marion) 4. Je me repairoie. (Knight) 5. Hé Robin. (Marion) 6, 8, 10, 15, 17, 19, 21, 22, 24, 26, 28, 30, 32, 34-35, 37, 39, 41, and 43 are spoken texts. 7. Vous perdès vo paine, motet. (Marion) ... 9. Bergeronnete sui. (Marion) ... 11. Trairi deluriau. (Marion + Knight) 12. Rondeau II: Li dous regars. 13: Rondeau XV: Tant con je vivrai. 14. Hé Robechon leure leure va. (Marion + Robin) ... 16. Vous l'orrés bien dire. (Robin) ... 18. Bergeronnete douche baisselete. (Robin + Marion) ... 20. Robin par l'ame. (Marion + Robin) ... 23. Motet II: De ma dame/Dieus/OMNES, based on the Viderunt Omnes chant. 25. Motet: Mout/Robins/m'aime/PORTARE ... 27. J'oi Robin flagoler. (Marion) ... 29. Hé resveille toi Robin. (Gautiers li Testus) ... 31. Rondeau III: Hareu. ... 33. Aveuc tele compaignie. (tous) ... 36. J'ai encore un tel pasté. (Robin) ... 38. Que jouai un tel capon. (Robin) ... 40. Motet I: A Dieu/Adam/SUPER ... 42. Audigier. (Gautiers li Testus) ... 44. Venés apres moi. (Robin et al) 45. Motet: Mout/Robins m'aime/PORTARE.
  Tonus Peregrinus: John Crook (Adam il Bochus/Pilgrim/Narrator), voices; Alexander Hickey (Aubert li Chevaliers/Sir Albert), tenor; Richard Etison (Baudons/Baldwin), tenor, coconuts; Francis Brett (Gautier li Testus/Walter the Mule), bass; Joanna Forbes (Huars/Howard), soprano; Kathryn Oswald (Marion), alto; Rebecca Hickey (Péronnelle), soprano; Alexander I. Estrange (Robin), countertenor, tambourine; Antony Pitts (Rogaus/Roger), bagpipe drone, copy of Billingsgate trumpet, cowhorns, portative organ, tambourine; Mary Remnant, bells, drum, fiddle, gittern, citole, harp, pipe and tabor, rebec, shawm, copy of Whitecastle pipe.
  Anthony Pitts, director.
  Naxos 8.557337 A1345

• Mout/Robins m'aime/PORTARE, motet.
  note: tracks 1, 25, 45 of Le Jeu de Robin et Marion, Naxos 8.557337.
  Tonus Peregrinus (for singers, voices, and intrumentists, see entry under Le Jeu de Robin et Marion).
  Anthony Pitts, director.
  Naxos 8.557337 A1345

• The Play of the Pilgrim, prologue. Le Jus de Pelerin.
  note: track 2 of Le Jeu de Robin et Marion, Naxos 8.557337.
  note: this chant formed the basis of many of the earliest notated polyphony of the ninth C., as well as this 13th C. version, to be prologue to Le Jeu de Robin et Marion.
  Tonus Peregrinus (for singers, voices and instrumentalists, see entry under Le Jeu de Robin et Marion)
  Anthony Pitts, director.
  Naxos 8.557337 A1345

• Tant con je vivrai, rondeau.
  James Bowman, countertenor.
  Mary Remnant, medieval fiddle. Oliver Brookes, viola da gamba. Christopher Hogwood, nakers.
  The Early Music Consort of London. David Munrow, director.
  ELEKTRA NONESUCH 9 71326-2 A1353

Adams, John. (1947-

• Berceuse élégiaque, (Ferruccio Busoni) arranged by John Adams for chamber orchestra. (1989)
  London Sinfonietta. John Adams, conductor.
  Nonesuch 79359 2 A1442

• The Black Gondola. La lugubre gondola, (Franz Liszt) orchestrated by John Adams. (1989)
  London Sinfonietta. John Adams, conductor.
  Nonesuch 79359 2 A1442

• Century Rolls, [concerto] for piano and orchestra. (1996)
  Emanuel Ax, piano.
  The Cleveland Orchestra. Christoph von Dohnányi, conductor.
  Nonesuch 79607-2 A1443

• The Chairman Dances. (1985)
  BBC Concert Orchestra. Barry Wordsworth, conductor.
  BBC Music vol. II No. 2 A1025

• Violin Concerto. (1993)
  Gidon Kremer, violin.
  London Symphony Orchestra. Kent Nagano, conductor.
  Nonesuch 79360-2 A1441

• El Dorado, for orchestra/1-2. (1991)
  Part I. A Dream of Gold. Part II. Soledades.
  The Hallé Orchestra. Kent Nagano, conductor.
  Nonesuch 79359 2 A1442

• Gnarly Buttons, for clarinet and chamber orchestra. (1996)
  Michael Collins, clarinet.
  London Sinfonietta. John Adams, conductor.
  Nonesuch 79465-2 A1440

• Harmonielehre. (1985)
  Part I. Part II. The Anfortas Wound. Part III. Meister Eckart and Quackie.
  San Francisco Symphony. Edo De Waart, conductor.
  Nonesuch Digital 9 79115-2 A622

• Harmonium. Texts by *John Donne and **Emily Dickinson. (1980-81)
  *1. Negative Love. **2. Because I Could Not Stop For Death. **3. Wild Nights.
  BBC National Orchestra & Chorus of Wales. Bournemouth Symphony Chorus. Grant Llewellyn, conductor.
  BBC Music vol. II No. 2 A1025

• John's Book of Alleged Dances, for string quartet and recorded prepared piano. (1994)
  Kronos Quartet: David Harrington, violin. John Sherba, violin. Hank Dutt, viola. Joan Jeanrenaud, cello.
  Nonesuch 79465-2 A1440

• Lollapalooza. (1995)
  The Hallé Orchestra. Kent Nagano, conductor.
  Nonesuch 79607-2 A1443

• Nixon in China, an opera in 3 acts. Libretto by Alice Goodman. 3 discs. (1987)
  note: based on President Nixon's trip to China in 1972.
  Disc 1: Act I, Scene 1:1. beginning (orchestra) ... 6. News has a kind of mystery. (Nixon, Chou, Kissinger, Chorus) Act I, Scene 2:7. beginning (Mao, Nixon, Chou, Kissinger, secretaries) ... 12. Like the Ming tombs (Nixon, secretaries, Mao, Chou) Act I, Scene 3:13 beginning (Nixon, Pat, Chou, Kissinger, Chorus) ... 16. Cheers! (Chorus, Nixon, Chou, Pat, Kissinger) Disc 2: Act II, Scene 1: 1. Beginning (Pat) ... 4. At last the weather's warming up. (Pat, Chorus) Act II, Scene 2:5 beginning (secretaries) ... 12. I am the wife of Mao Tse-tung (Chiang Ch'ing, Chorus. Disc 3: Act III: 1. Beginning (orchestra) ... 13. I an old and cannot sleep. (Chou).
  Robert Orth (President Richard Nixon), baritone; Maria Kanyova (First Lady, Pat Nixon), soprano; Thomas Hammons (Henry Kissinger, National Security Advisor), bass; Mark Heller (Mao Tse-tung, chairman of the Chinese Communist Party) [Mao Zedong], tenor; Tracy Dahl (Chiang) [Ch'ing] (Madame Mao) [Jiang Qing], coloratura soprano; Chen-Ye Yuan (Chou En-lai, Premiere of the Republic of China) [Zhou Enlai], baritone; Melissa Malde (Nancy T'ang, 1st secretary to Mao), mezzo-soprano; Julie Simson (2nd secretary to Mao), alto; Jennifer DeDominici (3rd secretary to Mao), contralto.
  Opera Colorado Chorus. Douglas Kinney Frost, chorus master. Colorado Symphony Orchestra. Martin Alsop, conductor.
  Naxos 8.669022-24 A2059

• On the Transmigration of Souls. (2002)
  note: co-commissioned by The New York Philharmonic and Lincoln Center Great Performers in honor of the heroes and in memory of the victims of the attacks of September 11, 2001.
  New York Choral Artists. Joseph Flummerfelt, director. Brooklyn Youth Chorus. Diane Berkun, director. Philip Smith, solo trumpet. Preben Antonson, boy's voice. Other voices: Sam Adams, Emily Adams, Ditsa Pines, Deborah O'Grady, Morgan Staples.
  New York Philharmonic. Lorin Maazel, conductor.
  Nonesuch 79816-2 A1430

• Phrygian Gates, for piano. (1977)
  Emanuele Arciuli, piano.
  Stradivarius STR 33735 A2025

• Shaker Loops, for string orchestra/1-4. (1977-1983)
  note: originally scored for string septet.
  1. Shaking and Trembling. 2. Hymning Slews. 3. Loops and Verses. 4. A Final Shaking.
  Orchestra of Saint Lukes. John Adams, conductor.
  Nonesuch 79360-2 A1441

• Short Ride In A Fast Machine. (1986)
  BBC National Orchestra of Wales. Mark Elder, orchestra.
  BBC Music vol. II No. 2 A1025

• Slonimsky's Earbox. (1996)
  The Hallé Orchestra. Kent Nagano, conductor.
  Nonesuch 79607-2 A1443

Adams, John Luther. (1953-

• In the White Silence, for orchestra.
  The Oberlin Contemporary Music Ensemble. Tim Weiss, conductor.
  New World Records 80600-2 A1361

Adams, Stephen. (1844-1913)

• The Holy City. "Last night I lay a-sleeping." Text by Frederic Weatherly.
  Thomas Allen, baritone. Malcolm Martineau, piano.
  hyperion CDA67290 A1511

Adès, Thomas. (1971-

• Asyla, for orchestra, op. 17. (1997)
  City of Birmingham Symphony Orchestra. Sir Simon Rattle, conductor.
  EMI 7243 5 56818 2 A1362

• ... but all shall be well, for orchestra, op. 10. (1993)
  City of Birmingham Symphony Orchestra. Thomas Adès, conductor.
  EMI 7243 5 56818 2 A1362

• Chamber Symphony, for 15 players, op. 2.
  Birmingham Contemporary Music Group. Thomas Adès, conductor.
  EMI 7243 5 56818 2 A1362

• Concerto Conciso, for piano and chamber ensemble, op. 18. (1997/98)
  Birmingham Contemporary Music Group. Thomas Adès, conductor.
  EMI 7243 5 56818 2 A1362

• The Fayrfax Carol. (1997) Text Fayrfax MS (ca. 1500)
  Benjamin Bayl, organ. Choir of King's College, Cambridge. Stephen Cleobury, director of music.
  EMI Classics 7243 5 73693 2 A234

• These Premises Are Alarmed, for large orchestra, op. 16. (1996)
  City of Birmingham Symphony Orchestra. Thomas Adès, conductor.
  EMI 7243 5 56818 2 A1362

Agapkin, Vasily Ivanovich. (1884-1964)

• Proshaniye Slavyanka. Farewell to a Slavic Woman.
  United States Marine Band. Colonel John R. Bourgeois, director.
  Musical Heritage Society 515567K A1150

Agricola, Alexander. (?1445/6-1506)

• A la mignonne de fortune. Virelai.
  Ensemble Unicorn. Michael Posch, director.
  Naxos 8.55380 A496

• Adieu m'amour. I.
  Ensemble Unicorn. Michael Posch, director.
  Naxos 8.55380 496

• Adieu m'amour. II.
  Ensemble Unicorn. Michael Posch, director.
  Naxos 8.55380 496

• Allez regretz.
  Ensemble Unicorn. Michael Posch, director.
  Naxos 8.55380 496

• Ay je rien fet.
  Ensemble Unicorn. Michael Posch, director.
  Naxos 8.55380 496

• Cecus non iudicat de coloribus.
  Ensemble Unicorn. Michael Posch, director.
  Naxos 8.55380 496

• De tous bien plaine. I. (Hayne van Ghizeghem's original 3-part chanson) Arranged by Alexander Agricola.
  Ensemble Unicorn. Michael Posch, director.
  Naxos 8.55380 496

• De tous bien plaine. Rondeau. 3-part instrumental version I. (Hayne van Ghizeghem's original 3-part chanson) Arranged by Alexander Agricola.
  The Early Music Consort of London. David Munrow, director.
  (The Art of the Netherlands)
  Virgin veritas 7243 5 61335 2 5 A497

• De tous bien plaine. II. (Hayne van Ghizeghem's original 3-part chanson) Arranged by Alexander Agricola.
  Ensemble Unicorn. Michael Posch, director.
  Naxos 8.55380 496

• De tous bien plaine. Rondeau. 3-part instrumental version II. (Hayne van Ghizeghem's original 3-part chanson) Arranged by Alexander Agricola.
  The Early Music Consort of London. David Munrow, director.
  (The Art of the Netherlands)
  Virgin veritas 7243 5 61335 2 5 A497

• De tous bien plaine. III. (Hayne van Ghizeghem's original 3-part chanson) Arranged by Alexander Agricola.
  Ensemble Unicorn. Michael Posch, director.
  Naxos 8.55380 496

• Et qui la dira.
  Ensemble Unicorn. Michael Posch, director.
  Naxos 8.55380 496

• Fortuna desperata.
  note: 6-part version of 3-part chanson by Antoine Busnois.
  Ensemble Unicorn. Michael Posch, director.
  Naxos 8.55380 496

• Guarde votre visage I.
  Ensemble Unicorn. Michael Posch, director.
  Naxos 8.55380 496

• Guarde votre visage II.
  Ensemble Unicorn. Michael Posch, director.
  Naxos 8.55380 496

• Guarde votre visage III.
  Ensemble Unicorn. Michael Posch, director.
  Naxos 8.55380 496

• J'ay beau huer.
  Ensemble Unicorn. Michael Posch, director.
  Naxos 8.55380 496

• S'il vous plaist.
  Ensemble Unicorn. Michael Posch, director.
  Naxos 8.55380 496

• Soit loing ou pres.
  Ensemble Unicorn. Michael Posch, director.
  Naxos 8.55380 496

• Sonnes muses melodieusement.
  Ensemble Unicorn. Michael Posch, director.
  Naxos 8.55380 496

Albéniz, Isaac. (1860-1909)

The Alhambra, suite,
see: La vega.
note: La vega was the first and only piece composed for the intended suite, The Alhambra.
• Azulejos. (Tiles/Mosaics) B50/1.
  note: incomplete, only 1 piece composed; it was completed by Enrique Granados.
  1. Prélude in A major.
  Guillermo González, piano.
  Naxos 8.570553 A1640

• España: 6 hojas de album, op. 165/1-6. B37/1-6.
  1. Preludio. 2. Tango. 3. Malagueña. 4. Serenata. 5. Capricho Catalán. 6. Zortzico.
  Daniel Barenboim, piano.
  TELDEC 8573-81703-2 A889
  • 2. Tango in D major.
    Alicia de Larrocha, piano.
    London 443 810-2 A55
    • 3. Malagueña. Arranged by Fritz Kreisler.
      Itzhak Perlman, violin. Samuel Sanders, piano.
      EMI CDM 7 63533 2 A728

• España: Souvenirs. B45/1-2.
  1. Preludio. 2. Asturias.
  Guillermo González, piano.
  Naxos 8.570553 A1640

• España: Souvenirs. B45/1-2.
  1. Preludio. 2. Asturias.
  Marc-André Hamelin, piano.
  Hyperion CDA67476/7 A916

• Iberia, suite. B47/1-12.
  Book 1: 1. Evocación in A flat minor. 2. El Puerto in D flat major. 3. Corpus in Sevilla (Fête-Dieu à Sevilla) in F sharp minor. Book II: 4. Rondeña in D major. 5. Almería in G major. 6. Triana in F sharp minor. Book III: 7. El Albaicín in B flat minor. 8. El Polo in F minor. 9. Lavapiés in D flat major. Book IV: 10. Málaga in B flat major. 11. Jérez in A minor. 12. Eritaña in E flat major.
  Guillermo González, piano.
  Naxos 8.554311-12 A1643

• Iberia, suite. B47/1-12.
  Book 1: 1. Evocación in A flat minor. 2. El Puerto in D flat major. 3. Corpus in Sevilla (Fête-Dieu à Sevilla) in F sharp minor. Book II: 4. Rondeña in D major. 5. Almería in G major. 6. Triana in F sharp minor. Book III: 7. El Albaicín in B flat minor. 8. El Polo in F minor. 9. Lavapiés in D flat major. Book IV: 10. Málaga in B flat major. 11. Jérez in A minor. 12. Eritaña in E flat major.
  Marc-André Hamelin, piano.
  Hyperion CDA67476/7 A916
  • Book 1: 1. Evocatión in A flat minor. 2. El Puerto in D flat major. 3. Corpus en Sevilla (Fête-Dieu à Sevilla) in F sharp minor. Book II: 4. Rondeña in D major. 5. Almería in G major. 6. Triana in F sharp minor.
    Daniel Barenboim, piano.
    TELDEC 8573-81703-2 A889

• Navarra. B49.
  note: completed by Déodat de Séverac.
  Guillermo González, piano.
  Naxos 8.570553 A1640

• Navarra. B49.
  note: completed by William Bolcom.
  Marc-André Hamelin, piano.
  Hyperion CDA67476/7 A916

• Piezas características, for piano, op. 92/1-12. B29/1-12.
  1. Gavota in G major. ... 12. Torre Bermeja, serenata in E major.
  • 12. Torre Bermeja, serenata in E major.
    • Torre Bermeja, serenata. Arranged by Celedonio Romero for guitar.
      Pepe Romero, guitar.
      Philips G2 42150 A1835

• Recuerdos de viaje, op. 71/1-7. B18/1-7.
  1. En el mar, barcarola. 2. Leyenda, barcarola. 3. Alborada. 4. En la Alhambra. 5. Puerta de Tierra, bolero. (published as Andalucia) 6. Rumores de la Caleta, malagueña. 7. En la playa.
  Guillermo González, piano.
  Naxos 8.570553 A1640
  • 5. Puerta de Tierra.
    Alicia de Larrocha, piano.
    London 443 810-2 A55

  • 6. Rumores de la Caleta, malagueña.
    
    • 6. Rumores de la Caleta, malagueña. Arranged for guitar.
      Christopher Parkening, guitar.
      Angel CDC-7 47194 2 A1102

• Suite Española no. 1, for piano, op. 47/1-8. B7/1-8.
  1. Granada, serenada 2. Cataluña, corranda. 3. Sevilla, sevillanas. 4. Cádiz, canción. 5. Asturias, leyenda. 6. Aragón, fantasía. 7. Castillas, seguedillas. 8. Cuba, capricho.
  Guillermo González, piano.
  Naxos 8.554311-12 A1643
  • 3. Sevillanas.
    Alicia de Larrocha, piano.
    London 443 810-2 A55
    • 3. Sevillanas.
      Jascha Heifetz, violin.
      note: historic recording, 2/1934.
      Pearl GEMM CD 9023 A247

  • 5. Asturias.
    • 5. [Asturias,] leyenda. Transcribed for guitar by Andrés Segovia.
      Christopher Parkening, guitar.
      Angel CDC-7 47194 2 A1102

• Suite Española no. 2, for piano. B32/1-2. (before 1890)
  1. Zaragoza, capricho. 2. Sevilla, capricho.
  Guillermo González, piano.
  Naxos 8.554311-12 A1643

• La vega in A flat minor. B46.
  note: no. 1 and the only piece composed for the intended suite, The Alhambra.
  Guillermo González, piano.
  Naxos 8.570553 A1640

• La vega in A flat minor. B46.
  note: no. 1 and the only piece composed for the intended suite, The Alhambra.
  Marc-André Hamelin, piano.
  Hyperion CDA67476/7 A916

• Yvonne en visite! B48/1-2.
  1. La révérence. 2. Joyeuse recontre et quelques pénibles événements!!
  Marc-André Hamelin, piano.
  Hyperion CDA67476/7 A916

Albinoni, Tomaso Giovanni. (1671-1751)

• Adagio in G minor.
  note: Remo Giazotto (20th Century composer) initially claimed he had transcribed this from a manuscript fragment (never found) by Albinoni, but later admitted that he had composed it.
  • Adagio in G minor. Arranged by Remo Giazotto.
    Royal Liverpool Philharmonic Orchestra. Sir Charles Groves, conductor.
    EMI CDZ 7 62526 2 A125

  • Adagio in G minor. Arranged by Remo Giazotto.
    Stuttgart Chamber Orchestra. Karl Munchinger, conductor.
    London 430 411-2 A96

  • Adagio in G minor for strings and organ. Arranged by Remo Giazotto.
    David Bell, organ. Leon Spierer, violin.
    Berlin Philharmonic Orchestra. Herbert von Karajan, conductor.
    Deutsche Grammophon 413 309-2 A122

  • Adagio in G minor for organ and strings. Arranged by Remo Giazotto.
    Eduard Kaufmann, organ.
    Lucerne Festival Strings. Rudolf Baumgartner, conductor.
    Deutsche Grammophon 289 469 607-2 A1215

    note: 12 Concerti a 5 for solo violin, 1 or 2 oboes, 2 violins,viola, cello and b. c., op. 7/1-12 and op. 9/12.
    The concerti that comprise opus 7 and opus 9, if held, are listed separately.

• Concerto in G major for flute, strings, and b. c.
  Hans-Martin Linde, flute.
  Collegium Musicum Zürich. Paul Sacher, conductor.
  Deutsche Grammophon 289 469 607-2 A1215

• Concerto for oboe, strings and b. c. in C major, op. 7/5.
  Heinz Holliger, oboe. Hans Elhorst, oboe.
  Camerata Bern. Alexander van Wijnkoop, conductor.
  Deutsche Grammophon 289 469 607-2 A1215

• Concerto for oboe, strings and b. c., in D major, op. 7/6.
  Heinz Holliger, oboe. Hans Elhorst, oboe.
  Camerata Bern. Alexander van Wijnkoop, conductor.
  Deutsche Grammophon 289 469 607-2 A1215

• Concerto for oboe, strings and b. c. in F major, op. 7/9.
  Heinz Holliger, oboe. Hans Elhorst, oboe.
  Camerata Bern. Alexander van Wijnkoop, conductor.
  Deutsche Grammophon 289 469 607-2 A1215

• Concerto for oboe, strings and b. c. in C major, op. 7/12.
  Heinz Holliger, oboe. Hans Elhorst, oboe.
  Camerata Bern. Alexander van Wijnkoop, conductor.
  Deutsche Grammophon 289 469 607-2 A1215

• Concerto for oboe, strings and continuo in D minor, op. 9/2.
  Heinz Holliger, oboe. Maria Teresa Garatti, harpsichord.
  I Musici.
  Philips 434 157-2 A768

• Concerto for oboe in D minor, op. 9/2.
  Malcolm Messiter, oboe. Paul Nicholson, harpsichord.
  Guildhall String Ensemble. Robert Salter, leader/director.
  RCA VICTOR RED SEAL 60224-2-RC A865

• Concerto for oboe in D minor, op. 9/2.
  Pierre Perlot, oboe.
  I Solisti Veneti. Claudio Scimone, conductor.
  Erato 2292-45921-2 A556

• Concerto a 5 for oboe in D minor, op. 9/2.
  David Reichenberg, oboe.
  The English Consort. Trevor Pinnock, conductor.
  Deutsche Grammophon 289 469 607-2 A1215

• Concerto for oboe, strings and continuo in C major, op. 9/5.
  Heinz Holliger, oboe. Maria Teresa Garatti, harpsichord.
  I Musici.
  Philips 434 157-2 A768

• Concerto for oboe in C major, op. 9/5.
  Pierre Perlot, oboe.
  I Solisti Veneti. Claudio Scimone, conductor.
  Erato 2292-45921-2 A556

• Concerto for oboe, strings and continuo in G minor, op. 9/8.
  Heinz Holliger, oboe. Maria Teresa Garatti, harpsichord
  I Musici.
  Philips 434 157-2 A768

• Concerto for oboe, strings and continuo in B flat major, op. 9/11.
  Heinz Holliger, oboe; Maurice Bourgue, oboe. Maria Teresa Garatti, harpsichord..
  I Musici.
  Philips 434 157-2 A768

• Concerto for oboe in B flat major, op. 9/11.
  Pierre Perlot, oboe.
  I Solisti Veneti. Claudio Scimone, conductor.
  Erato 2292-45921-2 A556

• Concerto for 2 oboes, strings and b. c. in B flat major, op. 7/3.
  Heinz Holliger and Hans Elhorst, oboes.
  Camerata Bern. Alexander van Wijnkoop, conductor.
  Deutsche Grammophon 289 469 607-2 A1215

• Concerto for 2 oboes, strings and b. c. in C major, op. 7/11.
  Heinz Holliger, Hans Elhorst, oboes.
  Camerata Bern. Alexander van Wijnkoop, conductor.
  Deutsche Grammophon 289 469 607-2 A1215

• Concerto for two oboes, strings and continuo in F major, op. 9/3.
  Heinz Holliger, oboe; Maurice Bourgue, oboe. Maria Teresa Garatti, harpsichord.
  I Musici.
  Philips 434 157-2 A768

• Concerto for two oboes in F major, op. 9/3.
  Pierre Perlot, Jacques Chambon, oboes.
  I Solisti Veneti. Claudio Scimone, conductor.
  Erato 2292-45921-2 A556

• Concerto for two oboes in G major, op. 9/6.
  Pierre Perlot, Jacques Chambon, oboes.
  I Solisti Veneti. Claudio Scimone, conductor.
  Erato 2292-45921-2 A556

• Concerto for two oboes, strings and continuo in C major, op. 9/9.
  Heinz Holliger, oboe; Maurice Bourgue, oboe. Maria Teresa Garatti, harpsichord.
  I Musici.
  Philips 434 157-2 A768

• Concerto for violin in B flat major, op. 9/1.
  Piero Toso, violin.
  I Solisti Veneti. Claudio Scimone, conductor.
  Erato 2292-45921-2 A556

• Concerto for violin in F major, op. 9/10.
  Piero Toso, violin.
  I Solisti Veneti. Claudio Scimone, conductor.
  Erato 2292-45921-2 A556

  note: 6 Sinfonie & 6 Concerti a 5 for solo violin (in concertos only), 2 violins, 2 viols, and bc, op. 2/1-12.
  These 6 sonatas (sinfonie) and concerti that comprise this opus, if held, are listed separately.

• Sonate a 5 no. 1 in G major for 2 violins, 2 violas, and b. c., op. 2/1.
  Ensemble 415. Chiara Banchini, violin and director.
  ZIG-ZAG ZZT090202 A1749

• Sonate a 5 no. 2 in C major for 2 violins, 2 violas, and b. c., op. 2/3.
  Ensemble 415. Chiara Banchini, violin and director.
  ZIG-ZAG ZZT090202 A1749

• Sonate a 5 no. 3 in A major for 2 violins, 2 violas, and b. c., op. 2/5.
  Ensemble 415. Chiara Banchini, violin and director.
  ZIG-ZAG ZZT090202 A1749

• Sonate a 5 no. 4 in C minor for 2 violins, 2 violas, and b. c., op. 2/7.
  Ensemble 415. Chiara Banchini, violin and director.
  ZIG-ZAG ZZT090202 A1749

• Sonate a 5 no. 5 in B flat major for 2 violins, 2 violas, and b. c., op. 2/9.
  Ensemble 415. Chiara Banchini, violin and director.
  ZIG-ZAG ZZT090202 A1749

• Sonate a 5 no. 6 in G minor for 2 violins, 2 violas, and b. c., op. 2/11.
  Ensemble 415. Chiara Banchini, violin and director.
  ZIG-ZAG ZZT090202 A1749

Albrechtsberger, Johann Georg. (1736-1809)

• Der Tag, der ist so freudenreich.
  Michael-Christfried Winkler, organ. Jehmlich organ; Kreuzkirche, Dresden.
  BERLIN Classics BC 1038-2 A99

Albright, William. (1944-1998)

• A Song To David, oratorio in 5 parts with congregational song. Poem by Christopher Smart.
  Part I: David. Part II: Creation. Part III: Virtue. Part IV: Adoration. Part V: Creation and Redemption.
  Dean Billmeyer, organ.
  Melissa Semmes and Charles Russell, narrators.
  Deborah Carbaugh, soprano. Susan Sacquitne-Druck, mezzo-soprano. Rick Penning, tenor. James Bohn, bass.
  The Choir of St. Mark's Cathedral, Minneapolis, Minnesota. Howard Don Small, director.
  Gothic G 49066 A1881

Alford, Kenneth J. [Ricketts, Frederic Joseph] (1881-1945)

• By Land and Sea.
  United States Marine Band. Colonel John R. Bourgeois, director.
  Musical Heritage Society 515567K A1150

• Colonel Bogey March.
  Philip Jones Brass Ensemble. Elgar Howarth, conductor.
  Decca 289 466 241-2 A206

Alfvén, Hugo. (1872-1960)

• Den förlorade sonen, music for the ballet.
  
  • Polka från Roslagen.
    Helsingborgs Symfoniorkester. Okko Kamu, conductor.
    Naxos 8.5531158 A1614

• Gustav Adolf II, suite from the incidental music for orchestra, op. 49. R121.
  1. Vision. 2. Intermezzo. 3. Emperor Ferdinand's chapel royal. 4. Sarabanda. 5. Bourée. 6. Minuet. 7. Elegy. 8. Battle of Breitenfeld.
  
  • 7. Elegy.
    Helsingborgs Symfoniorkester. Okko Kamu, conductor.
    Naxos 8.5531158 A1614

• Swedish Rhapsody no. 1. Midsommarvaka, for orchestra, op. 11. Midsummer Vigil.
  Helsingborgs Symfoniorkester. Okko Kamu, conductor.
  Naxos 8.5531158 A1614
  • Swedish Rhapsody no. 1. Midsommarvaka, arranged by the composer for piano four-hand, op. 11. Midsummer Vigil.
    Per Lengstrand, Shan-shan Sun, pianos.
    Mindfeel MFCD004 A1477

Ali-Zadeh, Franghiz. (1947)

• Mugam Sayagi. (1993)
  note: uses the Azeri musical tradition of Mugami, a secret language of the 16th century.
  Kronos Quartet: David Harrington, violin; John Sherba, violin; Hank Dutt, viola; Joan Jeanrenaud, cello.
  Elektra Nonesuch 9 79346-2 A1866

Alkan, Charles-Valentin. (1813-1888)

• Allegro barbaro.
  (Études, op. 35/5)
  Jack Gibbons, piano.
  ASV CD DCS 227 A1917

• Assez vivement.
  (Chants, op. 38/1)
  Jack Gibbons, piano.
  ASV CD DCS 227 A1917

• Barcarolle.
  (Chants, op. 65/6)
  Jack Gibbons, piano.
  ASV CD DCS 227 A1917

• La chanson de la folle au bord de la mer.
  (Préludes, op. 31/8)
  Jack Gibbons, piano.
  ASV CD DCS 227 A1917

• Les cloches.
  (Esquisses, op. 63/4)
  Jack Gibbons, piano.
  ASV CD DCS 227 A1917

• En songe.
  (Esquisses, op. 63/48)
  Jack Gibbons, piano.
  ASV CD DCS 227 A1917

• 12 Études dans les Tons Mineurs, op.39/1-12.
  1. Comme le vent. 2 En rhythme molossique. 3. Scherzo diabolico. 4-7. Symphony. 1st Movement-Allegro. 2nd movement- Marche funèbre. 3rd movement-Menuet. 4th movement-Finale. 8-10. Concerto. 1st movement-Allegro assai. 2nd movement-Adagio. 3rd movement-Allegretto alle barbaresca. 11. Overture. 12. Le festin d'Escope.
  Jack Gibbons, piano.
  ASV CD DCS 227 A1917

• Gros temps.
  (Les Mois, op.74, 1st suite, no. 2)
  Jack Gibbons, piano.
  ASV CD DCS 227 A1917

• J'était endormie, mais mon coeur veillait.
  (Préludes, op. 31/13)
  Jack Gibbons, piano.
  ASV CD DCS 227 A1917

• Nocturne in B major, op. 22.
  Jack Gibbons, piano.
  ASV CD DCS 227 A1917

• Sonate de concert, pour piano et cello in E major, op. 47.
  1. Allegro molto. 2. Allegrettino. 3. Adagio. 4. Finale alla saltarella. Prestissimo.
  Emmanuelle Bertrand, cello. Pascal Amoyel, piano.
  harmonia mundi FRANCE HMC 901758 A2049

• Les soupirs.
  (Esquisses, op. 63/11)
  Jack Gibbons, piano.
  ASV CD DCS 227 A1917

• Le staccatissimo.
  (Esquisses, op. 63/2)
  Jack Gibbons, piano.
  ASV CD DCS 227 A1917

• Le temps qui n'est plus.
  (Préludes, op. 31/12.)
  Jack Gibbons, piano.
  ASV CD DCS 227 A1917

Allegri, Gregorio. (1582-1652)

• Miserere, a capella, for 2 choirs, 1 of 5 voices, 1 of 4 voices. Latin text of Psalm 51.
  The Sixteen. Harry Christophers, conductor.
  Decca 80004531-02 A1170

• Miserere. Latin text of Psalm 51. Edited by Hugh Keyte.
  Taverner Consort. Andrew Parrott, director.
  EMI CDC 7 47699 2 A896

• Miserere. Latin text of Psalm 51.
  Solo group: Alison Stamp, treble; Jane Armstrong, Michael Chance, Julian Walker.
  The Tallis Scholars. Peter Phillips, conductor.
  Gimell 289 454 990-2 A1219

• Miserere. Latin text of Psalm 51.
  Choir of Westminster Abbey. Simon Preston, director.
  Archiv 415 517-2 A106

• Miserere, for unaccompanied soloists. Latin text of Psalm 51. Edited by Dr. George Guest.
  Jeremy Budd, treble soloist with Nicholas Thompson, treble; Wilfrid Swansborough, alto; Timothy Jones, bass.
  Choir of St. Paul's Cathedral. John Scott, director.
  hyperion CDA66439 A878

Alonso. (1475-1525)

• La tricotea Samartin.
  James Bowman, countertenor.
  David Munrow, dulcian. Oliver Brookes, viola de gamba.
  The Early Music Consort of London. David Munrow, director.
  ELEKTRA NONESUCH 9 71326-2 A1353

Ambrose, Bishop of Milan. (ca. 340-397)

• Aeterna Christi munera. Hymn.
  note: This hymn served as the melodic basis for Giovanni Palestrina's mass, Missa Aeterna Christi munera.
  The Choir of Westminster Cathedral. James O'Donnell, conductor.
  helíos CDH55368 A1716
  • Missa Aeterna Christi munera for 4 voices, (Giovanni Palestrina), a parody mass based melodically on the early Latin Ambrosian hymn Aeterna Christi munera.
    note: the Agnus Dei has 5 voices (has 2 tenor parts)
    The Choir of Westminster Cathedral. James O'Donnell, conductor.
    helíos CDH55368 A1716

Anchieta, Juan de. (1462-1523)

• Con amores mi madre.
  Jacob Heringman, vihuela, lute and guitar; Geraldine McGreevy, soprano.
  Musica Antiqua of London. Philip Thurby, director.
  Naxos 8.553325 A993

• O bone Jesu. Motet.
  note: according to Grove, also attributed to Loyset Compère or Francisco de Peñalosa.
  The Early Music Consort of London. David Munrow, director.
  (The Art of the Netherlands)
  Virgin veritas 7243 5 61335 2 5 A497

Ancient Greek Music. Musique de la Grèce Antique. Griechische Musik der Antike.

note: 22 pieces of ancient Greek music (including 1 ancient Latin piece, see track 19) derived from a gathering of all known papyri and marble scraps (5th century before to 4th century after the Common Era) and copies thereof made in later times; some sources considered apochryphal by some musicologists; actual music performed is archaeological and partly imaginary as informed as possible; performed on actual instruments of the ancient times and currently reproduced instruments of those times, such as the aulos, the kithara, and the trichordon, among many others. The brochure accompanying the CD names all the instruments and the titles (subjects), composers and/or dates, and identified sources, i. e., the specifcally identified papyrus or marble scrap. The pieces are as follows:

1. Anakrousis. 2. Orestes stasimo. 3. Premier Hymne Delphique à Apollon. 4. Plainte de Tecmessa. 5. Papyrus Wien 29825, Papyrus Wien G 13763/1494. 6. Hymne an Soleil. 7. Hymne à la Muse. 8. Hymne à Némésis. 9. Papyrus Michigan. 10. Aenaoi Nefelai. 11. Epitaphe de Seikilos. 12. Pean. Papyrus Berlin 6870. 13. Anonymi Bellermann 97-104. 14. Première Ode Pythique. 15. Papyrus Oxyrhyncus 2436. 16. Hymne chrétienne d'Oxyrhyncus. 17. Homero Hymnus. 18. Papyrus Xenon. Cairo Fragment. 19. Terencio. Hecyra 861. 20. Poem. Mor 1, 11f. 21. Second Hymne Delphique à Apollon. 22. Papyrus Oslo A/B. Epilogos-Katastrophe.
Atrium Musicae de Madrid: Gregorio Paniagua, Beatriz Amo, Eduardo Paniagua, Pablo Cano, Luis Paniagua, Maximo Pradera, Carlos Paniagua. Gregorio Paniagua, conductor.
harmonia mundi FRANCE HMU 1951015 A1834

Anderson, Leroy. (1908-1975)

Goldilocks, musical,
see: The Leroy Anderson Collection. Discs One and Two. Titles from the musical "Goldilocks" designated by *.

Irish Suite/1-6, arranged by Leroy Anderson,
see: The Leroy Anderson Collection. Disc Two, 20-25.

• The Leroy Anderson Collection. Disc One.
  1. Blue Tango. 2. Bugler's Holiday. Cornet Soloists: James Burke, John Ware, Raymong Crisara. 3. The First Day Of Spring. 4. Sandpaper Ballet. 5. The Phantom Regiment. 6. Lady In Waiting (Ballet Music)* 7. Saraband. 8. Fiddle-Faddle. 9. The Girl In Satin. 10. The Typewriter. 11. The Waltzing Cat. 12. Plink, Plank, Plunk! 13. Pyramid Dance (Heart Of Stone)* 14. Belle Of The Ball. 15. Forgotten Dreams. Leroy Anderson, piano solo. 16. China Doll. 17. The Penny Whistle Song. 18. Jazz Pizzicato. 19. Jazz Legato. 20. The Syncopated Clock. 21. The Blue Bells Of Scotland (from "Scottish Suite") 22. Turn Ye To Me (from "Scottish Suite")
  *from the musical "Goldilocks."
  note: 21 and 22 orchestrated by Leroy Anderson
  Leroy Anderson, conductor.
  MCA MCAD2-9815-A A1066

• The Leroy Anderson Collection. Disc Two.
  1. Serenata. 2. Horse & Buggy. 3. A Trumpeter's Lullaby. James Burke, trumpet solo. 4. Song Of The Bells. 5. Summer Skies. 6. Promenade. 7. Sleigh Ride. 8. Clarinet Candy. Soloists: Vincent Abato, Herbert Blayman, Roger Hiller, Bernard Portnoy. 9. The Golden Years. 10. Lazy Moon* 11. I Never Know When.* 12. Arietta. 13. The Pussy Foot.* 14. Home Stretch. 15. Balladette. 16. Shall I Take My Heart.* 17. The Captain And The Kings. 18. Town House Maxixe.* 19. Pirate Dance* 20-25. Irish Suite, orchestrated by Leroy Anderson: 20. The Irish Washerwoman. 21. The Minstrel Boy. 22. The Rakes Of Mallow. 23. The Wearing Of The Green. 24. The Last Rose Of Summer. With violin solo. 25. The Girl I Left Behind Me. (20-25: Irish Suite)
  *from the musical "Goldilocks."
  Leroy Anderson, conductor.
  MCAD2-9815-B A1067

  Scottish Suite, arranged by Leroy Anderson.
  1. Bonnie Dundee. 2. Turn Ye To Me. 3. The Bluebells Of Scotland. 4. The Campbells Are Coming.
  for 2 and 3,
  see: The Leroy Anderson Collection. Disc One. 22 and 21.

Andreas de Florentia. (?-d. ca. 1415)

• Astio non morì mai.
  Gothic Voices: Rogers Covey-Crump, tenor; John Mark Ainsley, tenor; Leigh Nixon, tenor. Christopher Page, director.
  Hyperion GAW21286 A286

• Per la ver'onestà.
  Gothic Voices: Margaret Philpot, contralto; Rogers Covey-Crump, tenor. Christopher Page, director.
  Hyperion GAW21286 A286

Andrew, Kerry. (1978-

• All Things Are Quite Silent, choral setting of a Sussex folk song collected by Ralph Vaughan Williams in 1904.
  Blossom Street. Hilary Campbell, director.
  Naxos 8.573069 A874

Andriessen, Louis. (1939-

• De Snelheid. (1982-83, rev. 1984)
  ASKO Ensemble. Oliver Knussen, conductor.
  BBC Music vol. II No. 2 A1025

Andrieu, F. (fl. late 14th C.)

• Armes amours - O flour des flours.
  The Early Music Consort of London. David Munrow, director.
  (The Art of Courtly Love)
  Musical Heritage Society 524386T A495

Andrzejowski, Andrzej. (1880-1920)

• Burlesque for violin and piano.
  Andrzej Kowalski, violin; Rudolf Lutz, piano.
  Guild GMCD 7125 A197

Anerio, Felice. (ca. 1560-1614)

• Christus resurgens, for 8-part choir.
  Dresdner Kreuzchor. Martin Flämig, director.
  Pilz 44 2057-2 A1078

• Venite ad me omnes.
  Choir of Westminster Abbey. Simon Preston, director.
  Archiv 415 517-2 A106

Anonymous.

Anonymous. Medieval. Chant.

• Ave Maria.
  note: from the English Sarum rite.
  Rebecca Outram, soprano.
  Polyphony. Stephen Layton, conductor.
  hyperion CDA66925 A1052

• Chant [I].
  1. Puer natus est. Introit (Modo VII); 2. Os iusti. Gradual (Modo I); 3. Christus factus est pro nobis. Gradual (Modo V); 4. Mandatum novum do vobis. Antiphonal and Psalm 132 (Modo III); 5. Media vita in morte sumus. Responsorio. (Modo IV); 6. Alleluia, beatus vir qui suffert. (Modo I); 7. Spiritus domini. Introit (Modo VIII); 8. Improperium. Offertorio (Modo VIII); 9. Laetatus sum. Gradual (Modo VII); 10. Kyrie XI, A (Modo I); 11. Puer natus in Bethlehem. Ritmo (Modo I); 12. Jacta cogitatum tuum. Gradual (Modo VIII); 13. Verbum caro factum est. Responsorio (Modo VIII); 14. Genuit puerpera regem. Antiphonal and Psalm 99 (Modo II); 15. Occuli omnium. Gradual (Modo VII); 16. Ave mundi spes Maria. Sequenza (Modos VII y VIII); 17. Kyrie fons bonitatis. Trope (Modo III); 18. Veni sancte spiritus. Sequenza (Modo I); 19. Hosanna filio David. Antiphonal(Modo VII)
  The Benedictine Monks of Santo Domingo de Silos. Direction: Ismael Fernandez de la Cuesta, Francisco Lara.
  Angel D 102957 A116

• Chant II.
  1. Da pacem, Domine. Introit. 2. Haec dies quam fecit Dominus. Gradual. 3. Victimae paschali laudes. Sequence. 4. Alleluia. Vir Dei Benedictus. Alleluia. 5. Kyrie, fons bonitatis. Trope. 6. Quam magnificata sunt opera tua Domine. Responsory. 7. Ut queant laxis resonare fibris. Hymn. 8. Cibavit eos ex adipe frumenti. Introit. 9. Oculi omnium in te sperant. Gradual. 10. Spiritus domini replevit orbem terrarum. Introit. 11. Alleluia. Veni Sancte Spiritus. Alleluia. 12. Os justi meditabitur sapientiam. Gradual. 13. Kyrie "Lux et origo" 14. Gloria in excelsis Deo. 15. Sanctus Dominus Deus Sabaoth. 16. Agnus Dei, qui tollis peccata mundi. 17. Ave mundi spes Maria. Sequence. 18. Media vita in morte sumus. Responsory. 19. Salve, Regina, mater misericordiae. Antiphon.
  The Benedictine Monks of Santo Domingo de Silos. Direction: Ismael Fernandez de la Cuesta.
  Angel CDC 555504 A157

• Christe eleison. Gregorian chant.
  Schola Cantorum Sancti Pauli. W. Thomas Edwards, director. St. Paul's Episcopal Church, Seattle, Washington.
  St. Paul's Episcopal Church. DS1 A1577

• A Collection of Gregorian Chants. 4 discs.
  Monks of the Benedictine Abbey El Calcat with Boy Choir from L'Alumnal; The Benedictine Monks of Wandrille De Fontenelle.
  GSC Music 815147 A846
  Disc 1:
  1. Christus Natus Est. 2. Christe Redemptor. 3. Hodie Christus Natus Est. 4. Litany of Easter Eve. 5. Gloria. 6. Exultet. 7. Salve Festa Dies. 8. Surrexit Dominus Vere. 9. Vidi Aquam. 10. Sunday Processional. 11. Complines. 12. Improvisation on "Salve Festa Dies." 13. Monastery Bells. 14. La Semencé/Veni Sancte Spiritus/Veni Creator. 15. L'Abondance Cibavit/Alleluia/Pange Lingua/Ave Verum. 16. L'Esperance Gaudeamus/Salve Regina.
  Monks of the Benedictine Abbey El Calcat with Boy Choir from L'Alumnal.
  Disc 2:
  Easter Processions. 1. Salve Festa Dies: Ecce Vicit Leo. 2. Alleluja. Noil Flere: Tulerant Dominus Meum. 3. Ego Sum Alpha: Espurgate Vetus Fermentum. 4. Alleluja. Alleluja, Laudate Dominum: Alleluja, Venite, Exultemus Domino. 5. Esitu Israel De Aegypto. 6. Ad Coenam Agni Providi. 7. Salve Dies Dierum Gloria. 8. Magnificat (et Vaide Mane...) 9. Benedicamus Domino (Exultemus...) 10. Offertoire. 11. Hymne. 12. Offertoire. 13. Antiennes Allerluiatiques Gallicanes. 14. Psaume Responsorial De L'Ascensions.
  Monks of the Benedictine Abbey El Calcat with Boy Choir from L'Alumnal.
  Disc 3:
  Elegies for Kings and Princes: The Wedding at Cana. 1. Chants Mozarabes. 2. Planetus Karolis. 3. Litanie. 4. Planetus de Paulin D'Aquilee. 5. Planetus Hugonis Abbatis. 6. In Anniversario Domini Dagoberti Regis. 7. A Lament for William The Conqueror. 8. Lecon et Respons De L'Office Des Morts. 9. Hymne De Toussaint. 10. Le Miracle Des Noces De Cana. 11. Antienne. 12. Hymne: Jesu Corona Celsior. 13. Oratorio De L'Ancien Testament.
  Monks of the Benedictine Abbey El Calcat with Boy Choir from L'Alumnal.
  Disc 4:
  1. Mass of the Immaculate Conception. 2. Vox Turturis (Song of Songs) 3. Nolite Timere (Mark 16) 4. Lumen Hilare. 5. Wandregisilus. 6. Annue, Christe. 7. Beata Wandregisil. 8. Salve Virilis Pectoris. 9. Regem Cui Omnia Vivunt (Invitatorium For The Dead Credo Quid Redemptor) (Job 19) 10. Miserere Et Parce: Recordare, Virgo Mater (Offertory of Our Lady of Sorrows) 11. Mandatum (Antiphon for Holy Thursday) 12. Super Flumnia (Offertory of the 20th Sunday after Pentecost) 13. Cantus Mariales (Songs of Mary)
  Benedictine Monks of the St. Wandrille De Fontenelle.
  GSC Music 815147 A846

• Dominus Dixit: Introit for the First Mass of Christmas.
  Schola Cantorum Sancti Pauli. W. Thomas Edwards, director.
  St. Paul's Episcopal Chuch. DS1 A1577

• The Donkey's Carol. Medieval French carol.
  note: known in Latin as Orientus Partibus.
  (Ancient Noëls)
  Maggie Sansone, hammered dulcimer; Ensemble Galilei: Jim Brooks, recorders, concertina; Marcia Diehl, recorders, psaltery, pennywhistle; Sue Richards, celtic harp; Carolyn Anderson Surrick, treble viol, bass viola de gamba and guest musicians: Ben Harms, hand drums, tambourine; Zan McLeod, guitar, cittern; Bonnie Rideout, fiddle.
  Maggie's Music MMCD108 A1810

• The Friendly Beasts. 12th C. Medieval French carol.
  (Ancient Noëls)
  Maggie Sansone, hammered dulcimer; Ensemble Galilei: Jim Brooks, recorders, concertina; Marcia Diehl, recorders, psaltery, pennywhistle; Sue Richards, celtic harp; Carolyn Anderson Surrick, treble viol, bass viola de gamba and guest musicians: Ben Harms, hand drums, tambourine; Zan McLeod, guitar, cittern; Bonnie Rideout, fiddle.
  Maggie's Music MMCD108 A1810

• Graduale Romanorum. Selected Propers.
  1. Rorate caeli. Introitus in Dominica quarta Adventus. 2. Ave Maria. Offertorum in Dominica quarta Adventus. 3. Meditabor. Offertorium in Hebdomada vigesima nona. 4. Jubilate Deo. Introitus in Hebdomada tertia Paschae. 5. De profundis. Offertorium in Hebdomada vigesima tertia. 6. Beati mundo corde. Communio. Commune Sanctorum et Sanctarum. 7. Christus factus est. Graduale in Dominica in Palmis de Passione Christi. 8. Improperium. Offertorium in Dominica in Palmis de Passione Christi. 9. Dicit Dominus. Communio in Hebdomada secunda. 10. Jubilate Deo. Offertorium in Hebdomada quinta Paschae.
  Schola of the Hofskapelle, Vienna. Father Hubert Dopf, SJ, director.
  Music Heritage Society. MHS 512147W A1623

• Gregorian Chants for All Seasons. 2 discs.
  Choir of the Vienna Hofburgkapelle. Josef Schabasser, director.
  VoxBox CDX 5010 A930
  Disc 1:
  1. Ad te levavi animam meum. Introit for the First Sunday in Advent. (Mode VIII) 2. Rorate caeli desuper. Introit for the Fourth Sunday in Advent. (Mode IV) 3. Dicite: Pusillanimes confortamini. Communion for the Third Sunday in Advent. (Mode VII) 4. Gaudete in Domino semper. Introit for the Third Sunday in Advent. (Mode I) 5. Ave Maria, gratia plena. Offertory for the Fourth Sunday in Advent. (Mode VIII) 6. Jesu redemptor omnium. Hymn for Christmas Vespers. (Mode I) 7. Puer natus est. Introit for the Third Christmas Mass. (Mode VII) 8. Alleluia, alleluia. Alleluia for the Third Christmas Mass. (Mode II) 9. Video caelos apertos. Communion for the Feast of St. Stephen. (Mode VIII) 10. Justus et palma florebit. Gradual for the Feast of the Holy Confessor. (Mode II) 11. Jubilate Deo universa terra. Offertory for the Second Sunday after Epiphany. (Mode I) 12. Dicit Dominus. Commission for the Second Sunday after Epiphany. (Mode VI) 13. Exurge, quare obdormis Domine? Introit for Sexagesima Sunday. (Mode I) 14. Commovisti Domine. Tract of Sexagesima Sunday. (Mode VIII) 15. Intellige clamoren meum. Communion for the Second Sunday in Lent. (Mode V) 16. Improperium exspectavit. Offertory for Palm Sunday. (Mode VIII) 17. Christus factus est. Gradual for Maundy Thursday. (Mode V) 18. Dextera Domini. Offertory for Maundy Thursday. (Mode II)
  Disc 2:
  1. Resurrexi et adhoc. Introit for Easter Sunday. (Mode IV) 2. Haec Dies. Gradual for Easter Sunday. (Mode II) 3. Alleluia, alleluia. Alleluia for Easter Sunday. (Mode VII) 4. Victimae Paschali. Sequence for Easter Sunday. (Mode I) 5. Terra termuit. Offertory for Easter Sunday. (Mode 4) 6. Pascha nostrum. Communion for Easter Sunday. (Mode VI) 7. Regina caeli laetare. Antiphon for Easter Sunday. (Mode VI) 8. Viri Galilaei. Introit for Ascension. (Mode VII) 9. Ascendit Deus. Offertory for Ascension. (Mode I) 10. Spiritus Domini. Introit for Pentacost Sunday. (Mode VIII) 11. Veni, sancti Spiritus. Sequence for Pentacost Sunday. (Mode I) 12. Quotiescumque manducabitis. Communion for Corpus Christi Day. (Mode VII) 13. Gaudens gaudebo in Domino. Introit for the Feast of the Immaculate Conception. (Mode III) 14. Dignus est Agnus. Introit for the Feast of Christ the King. (Mode III) 15. Sedebit Dominus Rex. Communion for the Feast of Christ the King. (Mode VI) 16. Gaudeamus omnes in Domino. Introit for All Saints Day. (Mode I) 17. Justorum animae. Offertory for All Saints Day. (Mode I) 18. Beati mundo corde. Communion for All Saints Day. (Mode I) 19. Requiem aeternam dona eis Domine. Introit for All Saints Day. (Mode VI) 20. In paradisum deducant to Angeli. Antiphon for Burial Service. (Mode VII)
  Choir of the Vienna Hofburgkapelle. Josef Schabasser, director.
  VoxBox CDX 5010 A930

• Gregorian Chants for the Church Year: Advent. Gregorianischer Gesang für das Kirchenjahr: Avent.
  note: The church year begins with the Advent season. This collection includes the opening Introit, the Gradual, the Alleluia, the Offertory, and the Communion from the masses for each of the four Sundays of Advent. Each Sunday is preceded by a hymn or responsory from the Matins corresponding to that Sunday. The collection as a whole begins with the Invitatory, the first chant of Matins and concludes with three of the seven Great "O" Antiphons sung one by one framing the Magnificat at Vespers on the seven days preceding Christmas. The "O" Antiphons have essentially the same melody, with only minor differences to accommodate the different texts.
  1. Regem, venturum Dominum. Psalm 95:1-2, 5-7. (Invitatory V for the Advent Season) 2. Conditor alme siderum. (Hymn IV for the Advent Season) 1st Sunday of Advent: 3. Ad te Domini levavi animam meum. Psalm 25:1-4. (Introit VIII) 4. Universi qui te expectant. Psalm 2525:3-4. (Gradual I) 5. Alleluia. Ostende nobis Domine misericordiam tuam. Psalm 85:8. (Alleluia VIII) 6. Ad te domine levavi aninam meam. Psalm 25:1-3. (Offertory VIII) 7. Dominus dabit benignitatem. Psalm 85:13,1-2. (Communion I) 8. Vox clara ecce intonat. (Hymn IV). 2nd Sunday of Advent: 9. Populus Sion, ecce Dominus veniet. Isaiah 19:30; Psalm 80:2. (Introit VII) 10. Ex Sion species decoris ejus. Psalm 50:2-3,5. (Gradual V) 11. Alleluia. Laetatus sum in his, quae dicta sunt mihi. Psalm 122:1 (Alleluia VIII) 12. Deus, tu convertens vivificabis nos. Psalm 85:6-7. (Offertory III) 13. Jerusalem surge. Baruch 5:5, 4:36; Psalm 147:12. (Communion II) 14. Aspiciens a longe, ecce video Dei. Psalm 23:7. (Responsory VII). 3rd Sunday of Advent: 15. Gaudete in Domino semper. Philippians 4:4-6; Psalm 85:2. (Introit I) 16. Qui sedes, Domine, super cherubim. Psalm 80:2-3. 17. Alleluia. Excita potentiam tuam et veni. Psalm 80:3. (Alleluia IV) 18. Benedixisti, Domine, terram tuam. Psalm 85:2. (Offertory IV) 19. Dicite: Pusillanimes confortamini. Isaiah 35:4, 1-2. (Communion VII) 20. Veni, Redemptor gentium. (Hymn II). 4th Sunday of Advent: 21. Rorate caeli desuper. Isaiah 45:8; Psalm 19:2. (Introit I) 22. Prope est Dominus omnibus invocantibus eum. Psalm 145:18, 21. (Gradual V) 23. Alleluia. Veni, Domine, et noli tardare. (Alleluia III) 24. Ave Maria gratia plena. Luke 1:28, 42. (Offertory VIII) 25. Ecce virgo concipiet. Isaiah 7:14; Psalm 19:2-3. (Communion II) 26. Major Antiphons, 1, 3 and 7: I) O Sapientia. Antiphon II (17 December) II) O Radix Jesse. Antiphon II (19 December) III) O Emmanuel. Antiphon II (23 December).
  Choralschola der Wiener Hofburgkapelle. P. Hubert Dopf, S. J., director.
  Philips 446 087-2 A1628

• Gregorian Chants for the Church Year: Christmas-tide. Gregorianischer Gesang für das Kirchenjahr: Weihnachtsfestkreis.
  note: On the first day of Christmas there are three masses. This collection includes all the music for the third mass (before midday) except the Credo, framed by Christe redemptor and A solis ortus, the vespers and laudes hymns for the Christmas season; followed by the introit, gradual, alleluia, and offertory of the vigil mass, the first mass of Christmas; the responsory for matins, the gradual for the eighth day of Christmas, the introit for the second Sunday after Christmas, the introit and gradual for the mass of the Epiphany, the offertory for the baptism of Christ, and the antiphon for the Blessed Virgin Mary sung at the end of compline during the Christmas season.
  1. Christe, Redemptor omnium, Vespers hymn for the Christmas season. 6th C. Latin hymn. 2. Puer natus est nobis, the introit for the third mass of Christmas Day. Text: Isaiah 9:6, Psalm 98:1. (mode VII). 3. Kyrie eleison, the Kyrie V for the third mass of Christmas Day. Text occurs often in the Psalms, Psalm 4:1 and elsewhwere, and in the Gospels, Matthew 15:22 and elsewhere (mode VIII). 4. Gloria in excelsis Deo, the Gloria V for the third mass of Christmas Day. Text: Luke 2:14 and other verses, known as the Greater Doxology. (mode VIII) 5. Viderunt omnes, the gradual of the third mass of Christmas Day. Text: Psalm 88. 6. Alleluia. Dies sanctificatus, the alleluia for the third mass of Christmas Day and matins responsory for the Feast of the Circumcision. Text: Psalm 117:24. 7. Tui sunt caeli, the offertory for the third mass of Christmas day and for the Feast of Circumcision. Text Psalm 88:12. 8. Sanctus (concludes with the Benedictus), the Sanctus V for the third mass of Christmas Day. Text: Isaiah 6:3, Matthew 21:8 and Psalm 118:26. (mode VIII) 9. Agnus Dei, the Agnus Dei V for the third mass of Christmas Day. Text: John 1:29. (mode VIII) 10. Viderunt omnes, the communion for the third mass of Christmas Day. Psalm 88 and 95. 11. A solis ortus cardine, Laudes hymn for the Christmas season. 5th century text by Coelius Sedulius. 12. Hodie scietis, the introit for the first mass of Christmas Day. Text: Exodus 16:6-7 and Psalm 24:1. 13. Hodie scietis, the gradual for the first mass of Christmas Day. Text: Exodus 16:6-7 and Psalm 80:1 (mode II) 14. Alleluia. Crastina die, the alleluia for the first mass of Christmas. Text: 2 Esdras 16:52. 15. Tollite portas, the offertory for the first mass of Christmas. Text: Psalm 23. 16. O magnam mysterium, the responsory for matins in the Christmas season. Text: Isaiah 1:3, Luke 2:7. 17. Alleluia. Multifarie olim, the gradual for the eighth day of Christmas, the Feast of Our Lord's Circumcision. Text: Epistle of St. Peter to the Hebrews 1. (mode VII) 18. Dum medium, introit for the second Sunday after the nativity. Text: Proverbs 18, Psalm 94. (mode VIII) 19. Ecce advenit, a Latin hymn, introit for Epiphany Sunday. (mode II) 20. Omnes de Saba, the gradual for Epiphany Sunday. Text: Isaiah 60:6 and 1. (mode V) 21. Benedictus, the offertory for the Baptism of Christ feast, the first Sunday after Epiphany. Text: Matthew 21:9. 22. Alma Redemptoris, a Marian hymn, antiphon (of those for the Blessed Virgin Mary) for Christmas.
  Choralschola der Wiener Hofburgkapelle. P. Hubert Dorf, S. J., director.
  Philips 416 808-2 A1717

• Haec dies quam fecit Dominus.
  Henry's Eight: Declan Costello, William Towers, countertenors; Duncan Byrne, Nick Todd, Nicholas Yates, tenors; Gabriel Crouch, Damian O'Keeffe, Robert-Jan Temmink, basses. Jonathan Brown, director.
  helios CDH55247 A376

• Hodie Christus natus est.
  note: from the English Sarum rite.
  Robert Rice, cantor.
  Polyphony. Stephen Layton, conductor.
  hyperion CDA66925 A1052

• Kyrie fons bonetatis. Gregorian chant.
  note: 2 versions are performed on this recording.
  Schola Cantorum Sancti Pauli. W. Thomas Edwards, director. St. Paul's Episcopal Church, Seattle, Washington.
  St. Paul's Episcopal Church. DS1 A1577

• Missa "In Conceptione immaculata B. Mariae Virginis/"1-9.
  note: complete choral office for the Feast of the Immaculate Conception.
  1. Introit. Gaudens gaudebo. 2. Kyrie IX (Cum jubilo) 3. Gloria IX. 4. Alleluia. Tota pulchra est. 5. Offertorium. Ave Maria. 6. Sanctus IX. 7. Agnus Dei IX. 8. Communio. Gloriosa. 9. Antiphona. Salve Regina.
  Schola of the Hofskapelle, Vienna. Father Hubert Dopf, SJ, director.
  Music Heritage Society. MHS 512147W A1623

• Missa Pro Defunctis.
  note: made up of medieval anonymous Gregorian chants; the first complete recording since that of 1950 by the monks of Solesmne.
  Schola Cantorum Sancti Pauli. W. Thomas Edwards, director. St. Paul's Episcopal Church, Seattle, Washington.
  St. Paul's Episcopal Church. DS1 A1577

• Nowell, Nowell: Tidings True. Medieval English Carol.
  (Ancient Noëls)
  Maggie Sansone, hammered dulcimer; Ensemble Galilei: Jim Brooks, recorders, concertina; Marcia Diehl, recorders, psaltery, pennywhistle; Sue Richards, celtic harp; Carolyn Anderson Surrick, treble viol, bass viola de gamba and guest musicians: Ben Harms, hand drums, tambourine; Zan McLeod, guitar, cittern; Bonnie Rideout, fiddle.
  Maggie's Music MMCD108 A1810

• Nunc dimittis.
  Henry's Eight: Declan Costello, William Towers, countertenors; Duncan Byrne, Nick Todd, Nicholas Yates, tenors; Gabriel Crouch, Damian O'Keeffe, Robert-Jan Temmink, basses. Jonathan Brown, director.
  helios CDH55247 A376

• O magnum misterium.
  note: from the English Sarum rite.
  Robert Rice, cantor.
  Polyphony. Stephen Layton, conductor.
  hyperion CDA66925 A1052

• O radix Iesse.
  note: from the English Sarum rite.
  Libby Crabtree, soprano.
  Polyphony. Stephen Layton, conductor.
  hyperion CDA66925 A1052

• Pange lingua.
  note: plainchant hymn for Corpus Christi; used later as the basis for Josquin des Prez' mass of that same name.
  The Tallis Scholars: Sally Dunkley, Deborah Roberts, sopranos; Robert Nicolas Robertson, tenors; Donald Grieg, Francis Steele, basses. Peter Philips, director.
  Gimell CDGIM 009 A240

• Puer natus est nobis.
  note: from the English Sarum rite.
  Ashley Catling, cantor.
  Polyphony. Stephen Layton, conductor.
  hyperion CDA66925 A1052

• Reges Tharsis.
  note: from the English Sarum rite.
  Robert Rice, cantor.
  Polyphony. Stephen Layton, conductor.
  hyperion CDA66925 A1052

• Resurrexi. Introit for Easter Day.
  Schola Cantorum Sancti Pauli. W. Thomas Edwards, director. St. Paul's Episcopal Church, Seattle, Washington.
  St. Paul's Episcopal Church. DS1 A1577

• Russian Medieval Chant: Chants in honour of the Virgin.
  note: transcribed from original manuscripts by Galina Andreyevna Pozhidayeva.
  1. Ioakim i Anna. Joachim and Anna. 2. Yazhe prezhde neplodnaya strana. As a previously barren land. 3. Chuzhde materem devstvo. Maidenhood alien to mothers. 4. V blagoznamenit'ii den'. On this important day. 5. Vozsiya den' radosten. Radiant is this joyful day. 6. Dnec' sobori vern'ikh. This day the congregations of the faithful. 7. Angeli vzozhdenie Prechist'iya zryashche. The angels, seeing the entrance of the most pure Maiden. 8. Dnes' vo khram privodit'sya. This day to the church comes the most immaculate Maiden. 9. Da veselyatsya nebesa. Let the heavens be joyful. 10. Yako odushevlennomu Bozhiyu kiotu. Like the icon given life by God. 11. Arkhangel'skii glas. We exclaim to you with the voice of the Archangel. 12. Ezhe ot veka tainstvo. So that the mystery might be revealed. 13. Egda iz'ide Bogordoditse Devo. When O Virgin Maid. 14. Na bezsmertnoe Tvoe uspenie. On your immortal assumption.
  Deisus Choir. Sergey Krivobokov, choir master.
  Musical Heritage Society 5182805 A1831

• Salve Regina. (Gregorian chant)
  Choeur des moniales de l'Abbaye Notre-Dame de Bonne-Espérance d'Échourgnac.
  Studio SM D3060 A1123

• Sub Tuum Praesidium.
  note: plainchant hymn, used later as the basis for Jacob Obrecht's mass of that same name.
  The Clerks' Group: Helen Neeves, soprano; Carys Lane, soprano. Edward Wickham, director.
  Gaudeamus CD GAU 341 A314

• Te Deum Laudamus. 4th Century hymn.
  note: known as the Ambrosian hymn, almost certainly anonymous; frequently set by composers.
  search the title.
  

  • Improvisation by Charles Tournemire, transcribed by Maurice Duruflé from a recording.
    note: preceded by the chant itself.
    Sandra Landale on the Cavaillé-Coll organ of the Abbey Church of Saint-Etienne of Caen. Ensemble grégorien Magnus Liber.
    CALLIOPE CAL9936 A2003

• Veni, Sancte Spiritus. Sequence for Whitsunday (Pentecost)
  Schola Cantorum Sancti Pauli. W. Thomas Edwards, director. St. Paul's Episcopal Church, Seattle, Washington.
  St. Paul's Episcopal Church. DS1 A1577

• Verbum caro factum est.
  note: from the English Sarum rite.
  Robert Rice, cantor.
  Polyphony. Stephen Layton, conductor.
  hyperion CDA66925 A1052

• Vespers tune.
  

  • Truth sent from above, (medieval Vespers tune) arranged by Matt Haimovitz for solo cello. (2001)
    Matt Haimovitz, cello.
    OXINGALE RECORDS OX2004 A1857

• Victimae Paschali. Sequence for Easter Day.
  note: This chant is frequently set by many composers. Search the title to find those.
  Schola Cantorum Sancti Pauli. W. Thomas Edwards, director. St. Paul's Episcopal Church, Seattle, Washington.
  St. Paul's Episcopal Church. DS1 A1577

Anonymous. Medieval. Chant ca. 1000.

• 1000. A Mass For The End Of Time.
  1. Judicii sigum, processional hymn. 2. Quem creditis super astra/Viri galilei, troped Introit. 3. Celestis Terrestrisque, Kyrie. 4. Prudentia prudentium, Gloria. 5. Dominus in sina, Alleluia I. 6. Ascendens cristus, Alleluia II. 7. Salvator mundi/Rex omnipotens die hodierna, sequence with prose. 8. Elevatus est rex fortis/Viri galilei, troped Offertory. 9. Ante secula, Sanctus. 10. Omnipotens eterne, Agnus Dei. 11. Corpus quod nunc/Psallite domino, troped Communion. 12. Apocalypse 21: 1-5, Lection. 13. Regnantem sempiterna, prose. 14. Cives celestis patrie, hymn.
  Anonymous 4: Marsha Genensky, Susan Hellauer, Jacqueline Horner, Johanna Maria Rose.
  harmonia mundi USA HMU 907224 A1393

Anonymous. Medieval to 17th C. Plainchant.

• First Vespers of the Annunciation of the Blessed Virgin as it might have been celebrated in St. Mark's, Venice in 1643.
  Gabrieli Consort, Paul McCreesh, director.
  ARCHIV PRODUKTION D 284220 A513
  • Deus in adiutorium (versicle Psalm 69:2) - Domine ad adiuvandum (response).
    
  • Angelus Domini. (antiphon)
    
  • Beata es Maria. (antiphon)
    
  • Beatam me dicent. (antiphon)
    
  • Haec est quae nescavit. (antiphon)
    
  • Ante thronum huius virginis. (antiphon)
    
  • Ecce virgo (Isaiah 7:14-15). (chapter)
    
  • Ave Maria gratia plena (versicle Luke 1:28) - Dominus tecum (response)
    
  • Spiritus Sanctus (antiphon)
    
  • Dominus vobiscum - Deus, qui de beate Mariae. (collect)
    
  • Dominus vobiscum - Benedicamus Domino. (dismissal)

• Tenebrae Responsories for Good Friday, op. 15b.
  note: this recording includes the anonymous chants of the antiphons, the psalms and the lessons of the liturgy as well as the Carlo Gesualdo responsoria; the anonymous chants are performed by the Taverner Choir directed by Andrew Parrott and the Gesualdo responsoria by the Taverner Consort. The Carlo Gesualdo responsoria are indicated under the composer. The anonymous chants are noted here:
  • Astiterunt reges terrae. (antiphon)
    
  • Qualm fremuerunt gentes. (Psalm 2)
    
  • Astiterunt reges terrae. (antiphon)
    
  • De Lamentatione...Heth. (lesson 1)
    
  • "....Lamed. (lesson 2)
    
  • "....Aleph. (lesson 3)
    
  • Alieni insurrexerunt. (antiphon)
    
  • Deus in nomine tuo. (Psalm 53)
    
  • Alieni insurrexerunt. (antiphon)
    
  • Ex Tractatu..Protexisti me. (lesson 1)
    
  • Tanta opera bona. (lesson 2)
    
  • Exacuerunt tamquam. (lesson 3)
    
  • Captabunt in animan justi. (antiphon)
    
  • Deus ultionum Dominus. Psalm 93)
    
  • Captabunt in animam justi. (antiphon)
  • De Epistola...Festinemus. (lesson 1)
    
  • Adeamus ergo. (lesson 2)
    
  • Nec quisquam. (lesson 3)
    Taverner Choir. Andrew Parrott, conductor.
    SONY CLASSICAL SK 62977 A658

Anonymous. 10th C.

• Alma Redemptoris Mater. Marian antiphon. 10th C.
  Sequentia ensemble. Barbara Thornton, voice director.
  deutsche harmonia mundi 05472 77320 2 A193

Anonymous. 11th C.

• Alleluia. V. Multifarie olim. Organum.
  note: early French polyphony; reconstructions by Wulf Arlt.
  Ensemble Gilles Binchois: Emmanuel Bonnardot, Anne-Marie Lablaude, Brigitte Lesne, Lena-Susanne Norin, Anne Quentin, Catherine Schroeder, Gerd Türk, Dominique Vellard. Dominique Vellard, director.
  Virgin Veritas 7243 5 61940 2 1 A836

• Fête de la Circoncision.
  1. Répons Gaude Maria Virgo-Prose Inviolata. Organum. 2. Antienne Ibo michi. 3. Répons Petre, amas me? Organum. 4. Prose Symon Bariona. 5. Alleluia V. Video celos apertos. Organum.
  note: early French polyphony: reconstructions by Wulf Arlt.
  Ensemble Gilles Binchois: Emmanuel Bonnardot, Anne-Marie Lablaude, Brigitte Lesne, Lena-Susanne Norin, Anne Quentin, Catherine Schroeder, Gerd Türk, Dominique Vellard. Dominique Vellard, director.
  Virgin Veritas 7243 5 61940 2 1 A836

• Messe de la Nativité.
  1. Gaudeamus hodie.-Introit Puer natus est nobis. Trope. 2. Graduel Viderunt omnes. Organum. 3. Antienne Ecce annuntio vobis. 4.Qui es sine principio-Offertoire Tui sunt celi. Trope. 5. Radix lesse virga-Communion Viderunt omnes. Trope.
  note: early French polyphony; reconstructions by Wulf Arlt.
  Ensemble Gilles Binchois: Emmanuel Bonnardot, Anne-Marie Lablaude, Brigitte Lesne, Lena-Susanne Norin, Anne Quentin, Catherine Schroeder, Gerd Türk, Dominique Vellard. Dominique Vellard, director.
  Virgin Veritas 7243 5 61940 2 1 A836

• Messe de l'Épiphanie.
  1. Descendens ab etherei.-Introit Ecce advenit. Trope. 2. Graduel Omnes de Saba. Organum.
  note: early French polyphony; reconstructions by Wulf Arlt.
  Ensemble Gilles Binchois: Emmanuel Bonnardot, Anne-Marie Lablaude, Brigitte Lesne, Lena-Susanne Norin, Anne Quentin, Catherine Schroeder, Gerd Türk, Dominique Vellard. Dominique Vellard, director.
  Virgin Veritas 7243 5 61940 2 1 A836

• Messe de Pâques.
  1. Paschale carmen-Introit Resurrexi. Trope. 2. Graduel Hec dies. 3. Alleluia V. Pascha nostrum V. Epulemur. Organum. 4. Antienne Ego sum Alpha et O.
  note: early French polyphony; reconstructions by Wulf Arlt.
  Ensemble Gilles Binchois: Emmanuel Bonnardot, Anne-Marie Lablaude, Brigitte Lesne, Lena-Susanne Norin, Anne Quentin, Catherine Schroeder, Gerd Türk, Dominique Vellard. Dominique Vellard, director.
  Virgin Veritas 7243 5 61940 2 1 A836

• Messe pour un martyr.
  1. O si gereus-Introit Statuit ei dominus. Trope. 2. Graduel Posuisti domine. Organum.
  note: early French polyphony; reconstructions by Wulf Arlt.
  Ensemble Gilles Binchois: Emmanuel Bonnardot, Anne-Marie Lablaude, Brigitte Lesne, Lena-Susanne Norin, Anne Quentin, Catherine Schroeder, Gerd Türk, Dominique Vellard. Dominique Vellard, director.
  Virgin Veritas 7243 5 61940 2 1 A836

• Salve Regina. Marian antiphon. 11th C.
  Henry's Eight: Declan Costello, William Towers, countertenors; Duncan Byrne, Nick Todd, Nicholas Yates, tenors; Gabriel Crouch, Damian O'Keeffe, Robert-Jan Temmink, basses. Jonathan Brown, director.
  helios CDH55247 A376

• Victimae paschali, sequence for Easter Sunday, anonymous Gregorian chant of the 11th century.
  • Choral improvisation on the "Victimae paschali," (Charles Tournemire), transcribed by Maurice Duruflé from a recording.
    note: The improvisation of the chant is preceded by the chant itself.
    Susan Landale, on the Cavaillé-Coll organ of the Abbey Church Saint-Etienne of Caen.
    Ensemble grégorien Magnus Liber.
    CALLIOPE CAL 9936 A2003

  • Choral improvisation on the "Victimae paschali," (Charles Tournemire), transcribed by Maurice Duruflé from a recording.
    Dame Gillian Weir, organ.
    BBC music BBCMM384 A1169

Anonymous. Codex Calixtinus. 12th C.

• Dum pater familias.
  note: an instrumental version of a pilgrim's song in the Codex Calixtinus.
  The New London Consort. Philip Pickett, director.
  L'Oiseau-Lyre 448 559-2 A1841

• Miracles of Sant'iago. Medieval Chant and Polyphony for Saint James from the Codex Calixtinus.
  1. Venite omnes cristicole. (Invitatory) 2. Salve festa dies. (Processional) 3. Vox nostra resonet. (Benedicamus trope) 4. Regem regum dominum. (Invitatory) 5. Nostra phalanx plaudit leta. (Benedicamus trope) 6. Ad sepulcrum beati Iacobi. (Antiphon) 7. Ad superni regis decus. (Benedicamus trope) 8. Iacobe servorum. (Brief responsory) 9. Benedicamus domino. 10. In hac die laudes. (Conductus) 11. Cunctipotens genitor. (Kyrie trope) 12. Psallat chorus celestium. (Hymn) 13. Alleluia: Gratulemur et letemur. (Prosa) 14. Ascendens Ihesus in montem. (Offertory) 15. Qui pius ac mitis. (Agnus dei trope) 16. Gratulantes celebremus festum. (Benedicamus trope) 17. Iacobe sancte tuum. (Conductus) 18. O adiutor omnium seculorum. (Responsory) 19. Portum in ultimo. (Prosa) 20. Congaudeant catholici. (Benedicamus trope) 21. Clemens servulorum. (Prosa).
  Anonymous Four: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Maria Rose.
  harmonia mundi FRANCE HMU 907156 A1076

Anonymous. 12th-13th C.

• Ave Maria, conductus for 3 voices.
  Gothic Voices: Paul Agnew, tenor; Andrew Tusa, tenor; Leigh Nixon, tenor. Christopher Page, director.
  hyperion CDA66739 A773

• Beata nobis gaudia, monophonic conductus. Notre Dame School.
  Gothic Voices: Paul Agnew, tenor. Christopher Page, director.
  hyperion CDA66739 A773

• Chevalier, mult estes guariz.
  Geoffrey Shaw, baritone; Chorus; David Munrow, recorder; Eleanor Sloan, treble rebec; Oliver Brookes, bass rebec; Christopher Hogwood, tabor.
  The Early Music Consort of London. David Munrow, director.
  London 430 264-2 A1330

• Condicio--O nacio--Mane prima.
  James Bowman, counter tenor; Charles Brett, counter tenor; Eleanor Sloan, treble rebec; Oliver Brookes, bass rebec; David Munrow, crumhorn; Christopher Hogwood, nakers.
  The Early Music Consort of London. David Munrow, director.
  London 430 264-2 A1330

• Crucifigat omnes, conductus.
  Gothic Voices: Julian Podger, tenor. Christopher Page, director.
  hyperion CDA66739 A773

• Cum sint difficilia.
  Nigel Rogers, tenor; Geoffrey Shaw, baritone; Gillian Reid, bells; Christopher Hogwood, organ.
  The Early Music Consort of London. David Munrow, director.
  London 430 264-2 A1330

• Danse real.
  David Munrow, bagpipes.
  The Early Music Consort of London. David Munrow, director.
  London 430 264-2 A1330

• The Feast of Fools. La Fête des Fous. Das Narrenfest/1-31.
  note: An effort to reconstruct a medieval music drama to celebrate The Feast of Fools such as it might have been performed in the late medieval period. Many medieval manuscripts were consulted; the Beauvais Officium Circumcisionis (London BL Egerton 2615) and the Sems Missel des Fous (Sens Bibl. Mun. Codex Senon. 46A) were especially important sources. Editions and Performing Versions by Philip Pickett.
  Catherine Bott, Tessa Bonner, sopranos; John Mark Ainsley, tenor; Michael George, Stephen Charlesworth, baritone; Simon Grant, bass.
  With medieval instruments: lute, gitterns, fiddles, symphony, recorders, shawms, trumpet, organ, bells, nakers, tabor.
  New London Consort. Philip Pickett, director.
  L'Oiseau-Lyre D101737 A819

• Flos in monte cernitur, conductus in 3 parts. Notre Dame school.
  Gothic Voices: Paul Agnew, tenor; Andrew Tusa, tenor; Leigh Nixon, tenor. Christopher Page, director.
  hyperion CDA66739 A773

• In Rama sonat gemitus, monophonic conductus. Notre Dame School.
  Gothic Voices: Leigh Nixon, tenor. Christopher Page, director.
  hyperion CDA66739 A773

• Isaias cecinit.
  The Hilliard Ensemble: David James, countertenor; John Potter, Rogers Covey-Crump, tenors. Paul Hillier, director.
  ECM New Series ECM 1385 422 837 751-2 A237

• Je ne puis--Amors me tienent--Veritatem.
  James Bowman, counter tenor; Charles Brett, counter tenor; Gillian Reid, bells; David Munrow, crumhorn.
  The Early Music Consort of London. David Munrow, director.
  London 430 264-2 A1330

• Je ne puis/Par un matin/Le premier jor/IUSTUS, motet for 4 voices.
  Gothic Voices: Paul Agnew, tenor; Julian Podger, tenor; Andrew Tusa, tenor; Leigh Nixon, tenor. Christopher Page, director.
  hyperion CDA66739 A773

• O Maria virginei.
  The Hilliard Ensemble: Rogers Covey-Crump, tenor; Gordon Jones, Paul Hillier, baritones. Paul Hillier, director.
  ECM New Series ECM 1385 422 837 751-2 A237

• O tocius Asie.
  James Bowman, counter tenor; Charles Brett, counter tenor; Eleanor Sloan, treble rebec; Oliver Brookes, bass rebec; Christopher Hogwood, organ.
  The Early Music Consort of London. David Munrow, director.
  London 430 264-2 A1330

• L'on dit q'amours est dolce chose.
  Mara Kiek, voice. Stevie Wishart, medieval fiddle. Jim Denley, bendir.
  Sinfonye. Stevie Wishart, director.
  (The Courts of Love. Music from the Time of Eleanor of Aquitaine)
  hyperion CDA66367 A995

• Parti de mal.
  James Bowman, counter tenor; James Tyler, citole.
  The Early Music Consort of London. David Munrow, director.
  London 430 264-2 A1330

• Quant voi la fleur nouvele.
  note: pastourelle.
  Margaret Philpot, alto. Robert White, bagpipes.
  Gothic Voices. Christopher Page, director.
  helios CDH55282 A444

• La quarte estampie real.
  note: in the Manuscrit du Roi. Manuscript [collection] 844 of the Bibliothèque nationale de France.
  Gothic Voices: Pavlo Beznosiuk, medieval fiddle. Christopher Page, director.
  hyperion CDA66739 A773

• La quinte estampie real.
  David Munrow, oriental shawm; James Blades, nakers.
  The Early Music Consort of London. David Munrow, director.
  London 430 264-2 A1330

• Quinte estampie real.
  Ensemble Unicorn. Michael Posch, director.
  Naxos 8.554064 A1711

• Sede, Syon, in pulvere.
  Nigel Rogers, tenor.
  The Early Music Consort of London. David Munrow, director.
  London 430 264-2 A1330

• La septime estampie real.
  note: in the Manuscrit du Roi. Manuscript [collection] 844 of the Bibliothèque nationale de France.
  Gothic Voices: Pavlo Beznosiuk, medieval fiddle. Christopher Page, director.
  hyperion CDA66739 A773

• La tierche estampie real.
  Oliver Brookes, bass rebec; Eleanor Sloan, treble rebec; James Tyler, lute; James Blades, tabor.
  The Early Music Consort of London. David Munrow, director.
  London 430 264-2 A1330

• La ultime estampie real.
  Eleanor Sloan, treble rebec; Oliver Brookes, bass rebec; James Blades, tabor.
  The Early Music Consort of London. David Munrow, director.
  London 430 264-2 A1330

• Virgo plena gratie/Virgo plena gratie [VIR]GO, motet.
  Gothic Voices: Paul Agnew, tenor; Andrew Tusa, tenor; Leigh Nixon, tenor. Christopher Page, director.
  hyperion CDA66739 A773

Anonymous. 12th C.-16th C.

• *Medieval Hungarian Christmas Music, A Star In The East, 12th-16th centuries.
  1. Aves spes nostra, antiphon. 2. Mi Atyánk Atya Isten, song. 3. Veni domine, alleluia. 4. O mundi domina, antiphon. 5. Fuit virgo, alleluia. 6. Vox clara, ecce, intonat, hymn. 7. Omnes unanimiter, sanctus. 8. Deus medium silentium, introit. 9. Primo tempore alleviata, lectio. 10. Speciosa forma, gradual. 11. Novum decus oritur, song. 12. Letentur celi, offertory. 13. Salvator noster, lectio. 14. Az idvözitöt régenten, hymn. 15. Novus annus adiit, song. 16. Exulta filia Syon, communion. 17. Liber generationis, evangelium. 18. Gaude et letare, antiphon. 19. Exordium quadruplate/Nate dei/Concrepet infanti/Verbum caro. 20. Isten téged, te deum.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Maria Rose.
  harmonia mundi FRANCE 907139 A1853

• **L'Office du Nouvel An à la Cathédrale du Puy-en-Velay, XIIe-XVIe siècles. The Office for New Year's Day at the Cathedral of Le-Puy-en-Velay, 12th-16th centuries, preserved in Le Manuscrit du Puy.
  1. Exultantes in partu virginis.
  2. Vêpres: a) Deus in audiutorium meum intende. b) O Nazarene, verbum patris. c) Salve, festa dies. d) Annus novus in gaudio. e) O admirabile commercium-Dixit dominus. f) Iube domine, benedicere-Verbum caro factum est. g) Stirps lesse. h) Veni redemptor gencium. e) Viderunt omnes fines terre. f) Magnum hereditatis misterium-Magnificat. g) Dominus vobiscum-Oremus. h) Benedicamus.
  3. Autre moments de la célébration. a) Princeps ecclesie-Sit nomen. b) Psallat vox ecclesie. c) I, domine, benedicere-Verbum quod erat. d) Nostri festi gaudium. e) Iube, domine, benedicere-Apparuit benignitas. f) Hac in die. g) Maria autem conservabat-Miserere mei Deus. h) Kyrie eleyson. i) Pater noster qui es in celis. j) Dispersit-Dominus vobiscum-Oremus. k) Benedicamus domino.
  4. Choix d'autre chants. a) Creatorem creatura. b) Reverescit. c) Serpentis amonicio.
  Ensemble Gilles Binchois: Jacques Bona, Emmanuel Bonnardot, Achim Schulz, Gerd Türk, Dominique Vellard, Willem de Waal. Dominique Vellard, director.
  Virgin Veritas 7243 5 61940 2 1 A836

• ***Selections from the Officium Divinum, i. e., the Roman Breviary, arranged and performed in jazz and contemporary improvisations by saxophonist Jan Garbarek and the Hilliard Ensemble.
  note: tracks 1, 5, 9 and 11 are not anonymous, they are by Christóbal de Morales, Pierre de la Rue, Magister Perotinus, and Guillaume Dufay, respectively.
  1. Parce mihi domine. 2. Primo tempore. 3. Sanctus. 4. Regnantem sempiterna. 5. O Salutaris hostia. 6. Procedentum sponsum. 7. Pulcherrima rosa. 8. Parce mihi domine. (variant of track 1) 9. Beata viscera. 10. De spinato nata rosa. 11. Credo. 12. Ave maria stella. 13. Virgo flagellatur. 14. Oratio Iereminae. 15. Parce mihi domine. (variant of track 1)
  Jan Gabarek, soprano and tenor saxophone. The Hilliard Ensemble: David James, countertenor. Rogers Covey-Crump, tenor. John Porter, tenor. Gordon Jones, baritone.
  ECM New Series 78118-21525-2 A1576

Anonymous. 13th C.

• A vous douce debonnaire.
  Gothic Voices: Rogers Covey-Crump, tenor.
  Christopher Page, director.
  helios CDH55273h A800

• Auctori vite psalmis. Invitatory antiphon. Venite exsultemus domino. Invitatory psalm. Psalm 94.
  note: manuscript in the Karlsruhe Badische Landesbibliothek. Aug. LX.
  note: typically the antiphon precedes the psalm and recurs all or in part after each verse of the psalm.
  note: chant appropriate for the Vigil (Matins), Feast of Saint Ursula.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Marie Rose.
  harmonia mundi usa HMU 907200 A1809

• Ave parens/Ad gratie/AVE MARIA.
  Gothic Voices: Margaret Philpott, alto; Rogers Covey-Crump, tenor; Leigh Nixon, tenor.
  Christopher Page, director.
  helios CDH55273 A800

• Benedicamus domino. Alleluia. Deo gratias. Alleluia. To conclude the liturgy of each of the offices.
  note: manuscript in the Worcester Cathedral F. 160.
  note: with Alleluia trope (added text)
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Marie Rose.
  harmonia mundi usa HMU 907200 A1809

• Cantigas de Santa Maria. Canticles of the Holy Virgin. Anonymous texts.
  note: from manuscript codices in El Escorial, the National Library in Madrid and the Biblioteca Nazionale Centrale in Florence.
  note: a collection of poems in the Galician-Portuguese language, some possibly by Airas Noras, some attributed to Alfonso X; music includes virelai, rondeaux and many diverse metrics, derived from anonymous folksongs and plainchants.
  • 4. A Madre Do Que Livrou.
    (Ancient Noëls)
    Maggie Sansone, hammered dulcimer; Ensemble Galilei: Jim Brooks, recorders, concertina; Marcia Diehl, recorders, psaltery, pennywhistle; Sue Richards, celtic harp; Carolyn Anderson Surrick, treble viol, bass viola de gamba and guest musicians: Ben Harms, hand drums, tambourine; Zan McLeod, guitar, cittern; Bonnie Rideout, fiddle.
    Maggie's Music MMCD108 A1810

  • 26. Non e gran causa.
    note: pilgrimage song
    The New London Consort. Philip Pickett, director.
    L'Oiseau-Lyre 448 559-2 A1841

  • 48. Cantiga de Santa Maria.
    (Ancient Noëls)
    Maggie Sansone, hammered dulcimer; Ensemble Galilei: Jim Brooks, recorders, concertina; Marcia Diehl, recorders, psaltery, pennywhistle; Sue Richards, celtic harp; Carolyn Anderson Surrick, treble viol, bass viola de gamba and guest musicians: Ben Harms, hand drums, tambourine; Zan McLeod, guitar, cittern; Bonnie Rideout, fiddle.
    Maggie's Music MMCD108 A1810

  • 103. Quen a Virgin ben servira.
    The New London Consort. Philip Pickett, director.
    L'Oiseau-Lyre 448 559-2 A1841

• De la virge Katerine/Quant froidure/Agmina milicie/AGIMA.
  Gothic Voices: Margaret Philpott, alto; Rogers Covey-Crump, tenor; Rufus MÜller, tenor; Stephen Charlesworth, baritone.
  Christopher Page, director.
  helios CDH55273 A800

• Dominus regnavit. Psalm 92.
  note: first psalm of Lauds on feast days.
  note: from the manuscript Ahrweil Cod. 2a. Ahrweil Antiphoner (tone 4).
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Marie Rose.
  harmonia mundi usa HMU 907200 A1809

• Ductia.
  Mary Remnant, medieval fiddle. Christopher Hogwood, tabor. Oliver Brookes, viola da gamba.
  The Early Music Consort of London. David Munrow, director.
  ELEKTRA NONESUCH 9 71326-2 A1353

• En non Dieu/Quant voi la rose/NOBIS.
  Gothic Voices; Rogers Covey-Crump, tenor; Rufus Müller, tenor; Leigh Nixon, tenor.
  Christopher Page, director.
  helios CDH55273 A800

• Festa januaria.
  Gothic Voices: Rogers Covey-Crump, tenor; Rufus Müller, tenor; Leigh Nixon, tenor.
  Christopher Page, director.
  helios CDH55273 A800

• Je m'en vois/Tels a mout/OMNES.
  Gothic Voices: Margaret Philpott, alto; Rogers Covey-Crump, tenor; Christopher Page, medieval harp.
  Christopher Page, director.
  helios CDH55273 A800

• Je ne chante pas/Talens m'est pris/APATUR/OMNES.
  Gothic Voices: Margaret Philpott, alto; Rogers-Covey Crump, tenor; Leigh Nixon, tenor; Stephen Charlesworth, baritone.
  Christopher Page, director.
  helios CDH55273 A800

• Jesu corona virginum. Hymn for Vigil, Feast of Saint Ursula.
  note: from the manuscript Ahrweil Cod. 2a. Ahrweil Antiphoner.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Marie Rose.
  harmonia mundi usa HMU 907200 A1809

• Lux optata claruit.
  note: song to celebrate the Feast of Fools,
  The New London Consort. Philip Pickett, director.
  L'Oiseau-Lyre 448 559-2 A1841

• Magnificat anima mea. Canticle. Vespers.
  note: from the manuscript Ahrweil Cod. 2a. Ahrweil Antiphoner.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Marie Rose.
  harmonia mundi usa HMU 907200 A1809

• Mirabilis deus. Responsory for Vespers, Feast of Saint Ursula.
  note: manuscript in the Karlsruhe Badische Landesbibliothek. Aug. LX.
  note: a brief Respond following the chapter (scripture reading)
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Marie Rose.
  harmonia mundi usa HMU 907200 A1809

• Mout souvent/Mout ai esté en dolour/MULIERUM.
  Gothic Voices: Rogers Covey-Crump, tenor; Rufus Müller, tenor; Leigh Nixon, tenor.
  Christopher Page, director.
  helios CDH55273 A800

• Orientis partibus.
  note: To celebrate The Feast Of Fools.
  The New London Consort. Philip Pickett, director.
  L'Oiseau-Lyre 448 559-2 A1841

• Par un matinet/Hé, sire!/Hé, berger!/EIUS.
  Gothic Voices: Rogers Covey-Crump, tenor; Rufus Müller, tenor; Leigh Nixon, tenor; Stephen Charlesworth, baritone.
  Christopher Page, director.
  helios CDH55273 A800

• Passo e mezzo/Saltarello Giorgio.
  note: dance to celebrate the Feast Of Fools.
  The New London Consort. Philip Pickett, director.
  L'Oiseau-Lyre 448 559-2 A1841

• Plus bele que flors/Quant revient/L'autrier jouer/FLOS FILIUS EIUS.
  Gothic Voices: Margaret Philpott, alto; Rogers Covey-Crump, tenor; Rufus MÜller, tenor; Leigh Nixon, tenor.
  Christopher Page, director.
  helios CDH55273 A800

• Quant voi l'aloete/Dieux! je ne m'en partiré ja/NEUMA.
  Gothic Voices: Rogers Covey-Crump, tenor; Rufus Müller, tenor; Leigh Nixon, tenor.
  Christopher Page, director.
  helios CDH55273 A800

• La sexte estampie real.
  David Munrow, recorder. Oliver Brookes, viola da gamba. Christopher Hogwood, tabor.
  The Early Music Consort of London. David Munrow, director.
  ELEKTRA NONESUCH 9 71326-2 A1353

• Souvent souspire mon cuer, estampie.
  James Bowman, countertenor.
  David Munrow, recorder. Oliver Brookes, viola da gamba. Mary Remnant, tabor. Christopher Hogwood, tabor.
  The Early Music Consort of London. David Munrow, director.
  ELEKTRA NONESUCH 9 71326-2 A1353

• Specie tua. Versicle. Responsory solo.
  note: manuscript in the Karlsruhe Badische Landesbibliothek. Aug. LX.
  note: the solo Respond alternates with the choral Respond.
  note: chant appropriate for the Vigil (Matins), Feast of Saint Ursula.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Marie Rose.
  harmonia mundi usa HMU 907200 A1809

• Super te Jerusalem/Sed fulsit virginitas/PRIMUS TENOR/DOMINUS.
  Gothic Voices: Margaret Philpott, alto; Rogers Covey-Crump, tenor; Rufus Muuml;ller, tenor; Leigh Nixon, tenor.
  Christopher Page, director.
  helios CDH55273 A800

• Te lucis ante terminum. Compline hymn. (Vespers hymn in the Middle Ages)
  note: from the manuscript Ahrweil Cod. 2a. Ahrweil Antiphoner.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Marie Rose.
  harmonia mundi usa HMU 907200 A1809

• Trois sereurs/Trois sereurs/Trois sereurs/PERLUSTRAVIT.
  Gothic Voices: Rogers Covey-Crump, tenor; Rufus Müller, tenor; Leigh Nixon, tenor; Stephen Charlesworth, baritone.
  Christopher Page, director.
  helios CDH55273 A800

Venite exsultemus domino,
see: Auctori vite psalmis.

Anonymous. Carmina Burana. (CB 34) 13th C.

• Alte clamat Epicurus.
  Clemencic Consort. René Clemencic.
  harmonia mundi HMA 195335 A379

• Axe Phebus aurea.
  Clemencic Consort. René Clemencic.
  harmonia mundi HMA 195335 A379

• Bacche, bene venies.
  Clemencic Consort. René Clemencic.
  harmonia mundi HMA 195335 A379

• Bacche, bene venies.
  The New London Consort. Philip Pickett, director.
  L'Oiseau-Lyre 448 559-2 A1841

• Deduc, Syon, uberrimas. CB 34.
  Clemencic Consort. René Clemencic.
  harmonia mundi HMA 195335 A379

• Deduc, Syon, uberrimas. CB 34.
  note: the Carmina Burana manuscript 34.
  Gothic Voices: Paul Agnew, tenor; Julian Podger, tenor. Christopher Page, director.
  hyperion CDA66739 A773

• Dulce solum natalis patrie.
  Clemencic Consort. René Clemencic.
  harmonia mundi HMA 195335 A379

• Ecce torpet probitas.
  Clemencic Consort. René Clemencic.
  harmonia mundi HMA 195335 A379

• Fas et nefas ambulant.
  Clemencic Consort. René Clemencic.
  harmonia mundi HMA 195335 A379

• Flete flenda.
  Clemencic Consort. René Clemencic.
  harmonia mundi HMA 195335 A379

• Homo qui vigeas.
  Clemencic Consort. René Clemencic.
  harmonia mundi HMA 195335 A379

• Ich was ein chint so wolgetan.
  Clemencic Consort. René Clemencic.
  harmonia mundi HMA 195335 A379

• In taberna quando sumus.
  Clemencic Consort. René Clemencic.
  harmonia mundi HMA 195335 A379

• In terra summus rex.
  Clemencic Consort. René Clemencic.
  harmonia mundi HMA 195335 A379

• Iste mundus furibundus.
  Clemencic Consort. René Clemencic.
  harmonia mundi HMA 195335 A379

• Katerine collaudemus.
  The New London Consort. Philip Pickett, director.
  L'Oiseau-Lyre 448 559-2 A1841

• Nomen a sollempnibus.
  Clemencic Consort. René Clemencic.
  harmonia mundi HMA 195335 A379

• Nu lebe ich.
  Clemencic Consort. René Clemencic.
  harmonia mundi HMA 195335 A379

• Procurans odium.
  Clemencic Consort. René Clemencic.
  harmonia mundi HMA 195335 A379

• Sic mea fata canendo solo.
  Clemencic Consort. René Clemencic.
  harmonia mundi HMA 195335 A379

• Tempus est iocundum.
  The New London Consort. Philip Pickett, director.
  L'Oiseau-Lyre 448 559-2 A1841

• Vacillantis trutine.
  Clemencic Consort. René Clemencic.
  harmonia mundi HMA 195335 A379

• Virent prata hiemata.
  Clemencic Consort. René Clemencic.
  harmonia mundi HMA 195335 A379

• Vite perdite I.
  Clemencic Consort. René Clemencic.
  harmonia mundi HMA 195335 A379

• Vite perdite II.
  Clemencic Consort. René Clemencic.
  harmonia mundi HMA 195335 A379

Anonymous. The Play of Daniel. Ludus Danielis. Early 13th C.

• The Play of Daniel. Ludus Danielis.
  The Dufay Collective:
  John Potter (Daniel), tenor; Harvey Brough (Darius), tenor; Simon Grant (Balthasar), bass; Vivien Ellis (Queen), soprano; Clara Sanabras (Angel/Prologue, track 1), Tom Phillips (noble, satrap, counsellor), tenor; Simon Wall (noble, satrap, counsellor), tenor; Charles Pott (noble, magi, messenger), baritone; Robert Rice (noble, magi, messenger), baritone; Giles Lewin (Habbakuk), tenor. Choristers of Southwell Minster: Robin Blackwell, David Harrison, Samuel Hucklebridge, William Inman, Thomas Rayner, Leon Robson, Alexander Turner. Paul Hake, rector chori, Southwell Cathedral.
  Jon Banks, harp, bells, percussion; Giles Lewin, vielle, bells; William Lyons, flute, recorder, simphony, bells, percussion; Susanna Pell, vielle; Peter Skuce, harp, portative organ, percussion.
  William Lyons, director.
  harmonia mundi HMU 907479 A1110

Anonymous. Montpellier Codex. 13th C.

• A la clarte qui tout/ET ILLUMINARE. Mo 189.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Jacqueline Horner-Kwiatek.
  harmonia mundi HMU 807524 A649

• Amor potest conqueri/Ad amorem sequitur. Mo 328.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Rose.
  harmonia mundi HMU 907109 A450

• Amors m fait commencier. [chanson]
  Marsha Genensky. harmonia mundi HMU 807524 A649

• Amours, dont je sui/L'autrier, au douz mois/Chose Tassin. Mo 270.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Rose.
  harmonia mundi HMU 907109 A450

• Amours mi font souffrir/En mai/FLOS FILIUS. Mo 111.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Rose.
  harmonia mundi HMU 907109 A450

• Au cuer ai un mal/Ja ne m'en repentirai/Jolietement. Mo 260.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Rose.
  harmonia mundi HMU 907109 A450

• L'autre jour par un matinet/Hier matinet trouvai/ITE MISSA EST. Mo 261.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Jacqueline Horner-Kwiatek.
  harmonia mundi HMU 807524 A649

• Ave lux luminum/Salve virgo rubens/NEUMA. Mo 56.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Jacqueline Horner-Kwiatek.
  harmonia mundi HMU 807524 A649

• Blanchete/Quant je pens/VALARE. Mo 168.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Rose.
  harmonia mundi HMU 907109 A450

• Ce que je tieng/Certes mout/Bone compaignie/MANERE. Mo 33.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Rose.
  harmonia mundi HMU 907109 A450

• Celui en qui/La bele estoile/La bele, en qui/IOHANNE. Mo 20.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Rose.
  harmonia mundi HMU 907109 A450

• Dame, que je n'os noumer/Amis donc est/Lonc tans a. Mo 337.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Rose.
  harmonia mundi HMU 907109 A450

• De la gloriouse fenix. [chanson]
  Ruth Cunningham.
  harmonia mundi HMU 807524 A649

• Diex qui porroit/En grant dolour/APTATUR. Mo 278.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Jacqueline Horner-Kwiatek.
  harmonia mundi HMU 807524 A649

• En mai quant rosier/L'autre jour par un matin/HE RESVELLE TOI ROBIN. Mo 269.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Jacqueline Horner-Kwiatek.
  harmonia mundi HMU 807524 A649

• Entre Copin/Je me cuidoie/Bele Ysabelos. Mo 256.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Rose.
  harmonia mundi HMU 907109 A450

• Hé Dieus, de si haut si bas/Maubatus/CUMQUE. Mo 92.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Rose.
  harmonia mundi HMU 907109 A450

• He mere diu/La virge marie/APTATUR. Mo 146.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Jacqueline Horner-Kwiatek.
  harmonia mundi HMU 807524 A649

• J'ai les biens/Que ferai biau sire/IN SECULUM. Mo 138.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Jacqueline Horner-Kwiatek.
  harmonia mundi HMU 807524 A649

• J'ai mis toute ma pensee/Je n'en puis/PUERORUM. Mo 255.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Rose.
  harmonia mundi HMU 907109 A450

• J'ai si bien mon cuer assiz/Aucun m'ont/ANGELUS. Mo 128.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Rose.
  harmonia mundi HMU 907109 A450

• J'ai un cuer trop lait. [chanson]
  Jacqueline Horner-Kwiatek.
  harmonia mundi HMU 807524 A649

• Ja n'amerai autre que cele/IN SECULUM. Mo 3.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Rose.
  harmonia mundi HMU 907109 A450

• Joliement/Quant voi la florete/Je sui joliete/APTATUR. Mo 34.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Rose.
  harmonia mundi HMU 907109 A450

• Li savours de mon desir/Li grant desir/Non veul mari. Mo 323.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Rose.
  harmonia mundi HMU 907109 A450

• Marie assumptio afficiat/Hujus chori suscipe/[TENOR] Mo 322.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Jacqueline Horner-Kwiatek.
  harmonia mundi HMU 807524 A649

• Mater dei plena/Mater virgo pia/EIUS. Mo 66.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Jacqueline Horner-Kwiatek.
  harmonia mundi HMU 807524 A649

• Ne m'a pas oublié/In SECULUM. Mo 207.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Rose.
  harmonia mundi HMU 907109 A450

• Ne m'oubliez mie/DOMINO. Mo 236.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Rose.
  harmonia mundi HMU 907109 A450

• Ne sai, que je die/IOANNE. Mo 185.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Rose.
  harmonia mundi HMU 907109 A450

• On doit fin[e] Amor/La biauté/IN SECULUM. Mo 134.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Rose.
  harmonia mundi HMU 907109 A450

• Or ne sai je que devenir/Puisque d'amer/KYRIELEYSON. Mo 267.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Rose.
  harmonia mundi HMU 907109 A450

• Or voi je bien/Eximium decus/VIRGO. Mo 273.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Jacqueline Horner-Kwiatek.
  harmonia mundi HMU 807524 A649

• Par une matinee/Mellis stilia/DOMINO. Mo 40.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Jacqueline Horner-Kwiatek.
  harmonia mundi HMU 807524 A649

• Pensis chief enclin/[FLOS FILIUS EIUS] Mo 239.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Jacqueline Horner-Kwiatek.
  harmonia mundi HMU 807524 A649

• Plus belle que flor/Quant revient et fuelle/L'autrier joer/FLOS [FILIUS EIUS] Mo 21.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Jacqueline Horner-Kwiatek.
  harmonia mundi HMU 807524 A649

• Plus belle que flor/Quant revient/L'autrier joer/FLOS FILIUS. Mo 21.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Rose.
  harmonia mundi HMU 907109 A450

• Plus joliement c'onques/Quant li douz tans/PORTARE. Mo 257.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Jacqueline Horner-Kwiatek.
  harmonia mundi HMU 807524 A649

• Pour chou quej'aim/Li joli tans/KYRIELEISON. Mo 299.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Jacqueline Horner-Kwiatek.
  harmonia mundi HMU 807524 A649

• Pucelete bele et avenant/Je languis des maus/DOMINO. Mo 143.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Jacqueline Horner-Kwiatek.
  harmonia mundi HMU 807524 A649

• Puisque bele dame m'eime/FLOS FILIUS. Mo 231.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Rose.
  harmonia mundi HMU 907109 A450

• Quant florist la violete./El mois de mai/ET GAUDEBIT. Mo 135.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Jacqueline Horner-Kwiatek.
  harmonia mundi HMU 807524 A649

• Quant je parti de m'amie/TUO. Mo 200.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Rose.
  harmonia mundi HMU 907109 A450

• Quant se depart/Onques ne sai amer/DOCEBIT OMNEM. Mo 131.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Rose.
  harmonia mundi HMU 907109 A450

• Quant voi la fleur/ET TENUERENT. Mo 241.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Rose.
  harmonia mundi HMU 907109 A450

• Quant yver la bise ameine/IN SECULUM. Mo 223.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Rose.
  harmonia mundi HMU 907109 A450

• Que ferai biaus sire/Ne puet faillir/DESCENDENTIBUS. Mo 77. Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Jacqueline Horner-Kwiatek.
  harmonia mundi HMU 807524 A649

• Qui d'amours se plaint/LUX MAGNA. Mo 215.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Rose.
  harmonia mundi HMU 907109 A450

• Sans orgueil et sans envie/[MAJOR] IOHAN[NE]. Mo 225.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Jacqueline Horner-Kwiatek.
  harmonia mundi HMU 807524 A649

• Se je chante/Bien doi amer/ET SPERABIT. Mo 311.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Rose.
  harmonia mundi HMU 907109 A450

• S'on me regarde/Prennés i garde/Hé, mi enfant. Mo 256.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Rose.
  harmonia mundi HMU 907109 A450

• Trois serors/Trois serors/Trois seors/[PERLUSTRAVIT] Mo 27.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Jacqueline Horner-Kwiatek.
  harmonia mundi HMU 807524 A649

• Volez vous que je vous chant. [Reverdie]
  Susan Hellauer.
  harmonia mundi HMU 807524 A649

Anonymous. Edda: Myths from Medieval Iceland. Reconstruction of 13th C. Music and Performance (vocal music by Benjamin Bagby; titles of fiddle music by Elizabeth Gaver) based on the texts of the Codex Regius and nearly contemporaneous manuscript sources.

• Á fellr austan um eitrdala. "Voluspá III," The Prophecy of the Seeress.
  Barbara Thornton, Lena Susanne Norin, voice; Elizabeth Gaver, fiddles; Benjamin Bagby, voice and lyre.
  Sequentia: Ensemble for Medieval Music. Barbara Thornton and Benjamin Bagby, directors.
  DHM Deutsche Harmonia Mundi 05472-77381-2 A845

• Baldrs minni. In Memory of Baldr.
  Elizabeth Gaver, fiddle piece.
  Sequentia: Ensemble for Medieval Music. Barbara Thornton and Benjamin Bagby, directors.
  DHM Deutsche Harmonia Mundi 05472-77381-2 A845

• Hlióds bid ek allar. "Voluspá I," The Prophecy of the Seeress.
  Barbara Thornton, Lena Susanne Norin, voice; Elizabeth Gaver, fiddles; Benjamin Bagby, voice and lyre.
  Sequentia: Ensemble for Medieval Music. Barbara Thornton and Benjamin Bagby, directors.
  DHM Deutsche Harmonia Mundi 05472-77381-2 A845

• Leikr elds ok ísa. The Song of Fire and Ice.
  Elizabeth Gaver, fiddle piece.
  Sequentia: Ensemble for Medieval Music. Barbara Thornton and Benjamin Bagby, directors.
  DHM Deutsche Harmonia Mundi 05472-77381-2 A845

• Nú erum Komnar til konungs húsa. "Grottasongr." The Song of the Mill.
  Barbara Thornton, Lena Susanne Norin, voice; Elizabeth Gaver, fiddle.
  Sequentia: Ensemble for Medieval Music. Barbara Thornton and Benjamin Bagby, directors.
  DHM Deutsche Harmonia Mundi 05472-77381-2 A845

• Pat man hón fólk víg. "Voluspá II," The Prophecy of the Seeress.
  Barbara Thornton, Lena Susanne Norin, voices.
  Sequentia: Ensemble for Medieval Music. Barbara Thornton and Benjamin Bagby, directors.
  DHM Deutsche Harmonia Mundi 05472-77381-2 A845

• Ragnarok. The End of the Gods.
  Elizabeth Gaver, fiddle piece.
  Sequentia: Ensemble for Medieval Music. Barbara Thornton and Benjamin Bagby, directors.
  DHM Deutsche Harmonia Mundi 05472-77381-2 A845

• Senn vóru aesir allir á pingi. "Baldrs draumar" Baldr's Dreams.
  Barbara Thornton, Benjamin Bagby, voices; Benjamin Bagby, lyre; Elizabeth Gaver, fiddle.
  Sequentia: Ensemble for Medieval Music. Barbara Thornton and Benjamin Bagby, directors.
  DHM Deutsche Harmonia Mundi 05472-77381-2 A845

• Veit ek at ek hekk. Hangakvaedi Hávamála. Ódinn's Rune-verses, excerpt from "Hávamál." Sayings of the High One.
  Benjamin Bagby, voice and lyre.
  Sequentia: Ensemble for Medieval Music. Barbara Thornton and Benjamin Bagby, directors.
  DHM Deutsche Harmonia Mundi 05472-77381-2 A845

• Vreidr var pá Ving-Pórr. "Prymskvida." The Tale of Prymr.
  Benjamin Bagby, voice and lyre.
  Sequentia: Ensemble for Medieval Music. Barbara Thornton and Benjamin Bagby, directors.
  DHM Deutsche Harmonia Mundi 05472-77381-2 A845

Anonymous. Gabriel's Message. 13th? or 14th? century.

• Gabriel's Message. Arranged by Edgar Pettman. English text by Sabine Baring-Gould.
  Choir of King's College, Cambridge. Stephen Cleobury, director of music.
  EMI Classics 7243 5 73693 2 A234

Anonymous. 13th century-14th century.

• Ave maris stella, anonymous hymn.
  note: frequently set by composers.
  note: search by title.
  

  Fantaisie-Improvisation on Ave maris stella (Charles Tournamire), transcribed by Maurice Duruflé from a recording.
  note: preceded by the chant itself.
  Susan Landale on the Cavaillé-Coll organ of Saint-Etienne of Caen.
  Ensemble grégorien Magnus Liber.
  CALLIOPE CAL 9936 A2003

• An English Ladymass. 13th & 14th-century chant and polyphony in honor of the Virgin Mary.
  note: chants and polyphonic works that could have been used in a votive mass to the Virgin Mary.
  1. Gaude virgo salutata. Chant. Prosa. 2. Edi beo thu hevene quene. Polyphonic song. 3. Salve mater redemptoris/Salve lux langentium/Salve sine spina/Salve sancta parens. Introit. 4. Lux polis refulgens/Lux et gloria. Motet. 5. Kyria christifera. Kyrie. 6. Gloria. 7. Spiritus et alme/Gaude virgo salutata. Motet. 8. Miro genere. Song. 9. Benedicta et venerabilis. Gradual. 10. Alme iam ad gaudia/Alme matris dei/Alleluya per te dei. Alleluia. 11. Missus Gabriel de celis. Sequence. 12. Gaude virgo gratiosa. Chant. Prosa. 13. Salve virgo virginum. Polyphonic song. 14. Felix namque. Chant. Offertory. 15. Sanctus & Benedictus. 16. Jesu cristes milde moder. Sequence/Song. 17. Virtute numinis. Agnus dei. 18. Beata viscera (chant & song) Communion. 19. Flos regalis. Rondellus. 20. Ite missa est. Chant setting. 21. Ave maris stella. Hymn.
  Anonymous 4: Ruth Cunningham. Marsha Genensky. Susan Hellauer. Johanna Maria Rose.
  harmonia mundi HMU 907080 A1272

• A Lammas Ladymass. 13th and 14th century English chant and polyphony.
  note: chant and polyphony that might have been used to celebrate a Ladymass on Lammas
  1. Que est ista. Antiphon. 2. O quam glorifica. Hymn. 3. Ave tuos benedic. Conductus. 4. In/odore/Gracia viam continenciel[/quadruplum]/[In adorem]. Motet. 5. Salve mater salvatoris. Conductus. 6. Salve sancta parens. Introit. 7. Kyrie: Orbis factor. 8. Gloria. 9. Benedicta et venerabilis. Gradual. 10. Ave gloriosa mater. Conductus. 11. Virga ferax aaron. Alleluia. 12. O maria stella maris. Sequence. 13. O ceteris preamabilis. Sequence. 14. O quam glorifica/O quam beata domina/O quam felix femina/[tenor]/ motet. 15. Recordare virgo mater/Mater patris et filia. Offertory. 16. Sanctus. 17. Agnus dei. 18. Alma dei genitrix. Communion. 19. Salve mater salvatoris. Conductus. 20. Paradisi porta. Conductus. 21. Ite missa est. Dismissal. 22. Pangat melos grex devotus. Sequence.
  Anonymous 4: Ruth Cunningham. Marsha Genensky. Susan Hellauer. Johanna Maria Rose.
  harmonia mundi usa HMU 907222 A1864

Anonymous. 13th century-early 15th century. Late Medieval.

• Ave Maria gracia plena. Conductus.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Rose.
  harmonia mundi HMU 907125 A998

• Ave Maria salus hominem. Conductus.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Rose.
  harmonia mundi HMU 907125 A998

• Ave regina celorum. Antiphon.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Rose.
  harmonia mundi HMU 907125 A998

• In te concipitur, Hymn.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Rose.
  harmonia mundi HMU 907125 A998

• Jesu Christes milde moder. Sequence.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Rose.
  harmonia mundi HMU 907125 A998

• Memor esto tuorum. Conductus.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Rose.
  harmonia mundi HMU 907125 A998

• The milde lomb isprad o rode. Hymn.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Rose.
  harmonia mundi HMU 907125 A998

• Miserere miseris. Sequence.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Rose.
  harmonia mundi HMU 907125 A998

• O gloriosa domina. Processional Hymn.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Rose.
  harmonia mundi HMU 907125 A998

• O Maria stella maris. Conductus.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Rose.
  harmonia mundi HMU 907125 A998

• O Maria virgo pia. Sequence.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Rose.
  harmonia mundi HMU 907125 A998

• O mors moreris/O vita vera/Mors. Motet.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Rose.
  harmonia mundi HMU 907125 A998

  On Yoolis Night, medieval carols & motets (13th - 15th C.)
  note: Music from the 5th - 15th C. sung for the Christmas season in the 13th - 15 C.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Rose.
  harmonia mundi HMU 907099 A1019

  • Hodie Christus natus est. Antiphon (chant)

  • O nobilis nativitas/ O mira dei/O deus virgineum/Apparuit. Motet.

  • Lux de luce. Antiphon (chant)

  • Alleluya: A nywe werke. Carol.

  • Verbum supernum prodiens. Hymn (chant)

  • Balaam de quo vaticinans. Motet. [Balaam]

  • Ave Maria. Carol.

  • Gabriel, fram heven-king. Song.

  • Lullay: I saw a swete semly syght. Carol.

  • Prolis eterne genitor/Psallat mater grade/ Motet.

  • Vox clara, ecce, intonat. Hymn (chant)

  • De supernis sedibus. Rondellus (conductus)

  • Omnes de Saba. Antiphon (chant)

  • Puellare gremium/Purissima mater/Motet [Pes]

  • Lullay, lullay: Als I lay on Yoolis night. Carol.

  • Tria sunt munera. Responsory (chant)

  • Orto sole serene/Origo viri/Virga Iesse/ Motet [Tenor]

  • Peperit virgo. Song.

  • Ecce quod natura. Carol.

  • A solis ortus cardine. Hymn (chant)

  • Ther is no rose of swych vertu. Carol.

  • Videntis stellam. Antiphon (chant)

  • Nowel: Owt of your slepe aryse. Carol.

• Salve virgo singularis. Sequence.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Rose.
  harmonia mundi HMU 907125 A998

• Salve virgo tonantis solium. Conductus.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Rose.
  harmonia mundi HMU 907125 A998

• Stabat iuxta Christi crucem. Sequence.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Rose.
  harmonia mundi HMU 907125 A998

• Stillat in stellam radium. Sequence.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Rose.
  harmonia mundi HMU 907125 A998

• Stond wel, moder, under roode. Sequence.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Rose.
  harmonia mundi HMU 907125 A998

• Veni mater gracie/Dou way, Robin. Motet.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Rose.
  harmonia mundi HMU 907125 A998

Anonymous. 14th Century.

• Benedicamus domino. Deo gratias. To conclude the liturgy of each of the offices.
  note: manuscript in the Engelberg Stiftsbibliothek. Codex 314.
  Anonymous 4: Ruth Cunningham, Marsha Genensky, Susan Hellauer, Johanna Marie Rose.
  harmonia mundi usa HMU 907200 A1809

• Estampie.
  Soeur Cécile Candellier, organ.
  note: organ at L'Abbaye Notre-Dame de Timadeuc.
  Studio SM D3060 A1123

• Llibre Vermell de Montserrat.
  note: 14th C. manuscript at the Monastery of Santa Maria of Montserrat; includes 10 songs sung by pilgrims to the monastery.

  • Stella Splendens. Gleaming Star.
    note: pilgrimage song
    The New London Consort. Philip Pickett, director.
    L'Oiseau-Lyre 448 559-2 A1841

Anonymous. Ars Nova. 14th Century Motets.

• Se je chant.
  The Orlando Consort: Robert Harre-Jones, countertenor; Charles Daniels, tenor; Angus Smith, tenor; Donald Grieg, baritone.
  Amon Ra CD-SAR 49 A275

• Trahunt in precipicia/Quasi non ministerium/Ve qui gregi.
  The Orlando Consort: Robert Harre-Jones, countertenor; Charles Daniels, tenor; Angus Smith, tenor; Donald Grieg, baritone.
  Amon Ra CD-SAR 49 A275

Anonymous. In dulci jubilo. 14th C.-15th C.

• In dulci jubilo. Arranged by Robert Lucas Pearsall.
  note: 14th century text (verses 1, 2, & 4); v.3 by Valentin Triller.
  English translation by R. L. Pearsall. Adapted by Reginal Jacques; a macaronic carol (text in Latin and English)
  Choir of King's College, Cambridge. Stephen Cleobury, director of music.
  EMI Classics 7243 5 73693 2 A234

• In dulci jubilo. Arranged by Robert Lucas Pearsall.
  note: 14th Century German melody
  Choir of Westminster Abbey. Simon Preston, director.
  Deutsche Grammophon 413 590-2 A1813

• In dulci jubilo. Setting for voices by Michael Praetorius.
  Tölzer Knabenchor. Gerhard Schmidt-Gaden, conductor.
  EMI CDZ 7 62575 2 A1431

• In dulci jubilo. Chorale harmonization for voices by Johann Sebastian Bach (BWV 368) of the 14th-15th C. Latin hymn.
  The Deller Consort, a capella, Alfred Deller, April Cantelo, Gerald English, Maurice Bevan.
  VANGUARD CLASSICS OVC 8023 P50

• In dulci jubilo. Chorale harmonization for voices by Johann Sebastian Bach (BWV 368) of the 14th-15th C. Latin hymn.
  Rostock Motet Choir. Leipzig Capella Fidicinia. Hartwig Eschenburg, conductor.
  LaserLight 15 274 A6

  In dulci jubilo. BWV 608,
  see: under Bach, Johann Sebastian. Orgelbüchlein. 10.

• In dulci jubilo. BWV 729.
  note: from Miscellaneous Chorale Preludes.
  note: Chorale harmonization for organ by Johann Sebastian Bach.
  Benjamin Bayl, organ.
  EMI Classics 7243 5 73693 2 A234

• In dulci jubilo. BWV 729.
  note: from Miscellaneous Chorale Preludes.
  note: Chorale harmonization for organ by Johann Sebastian Bach.
  Peter Hurford, organ.
  London 425 635-2 A1762

• In dulci jubilo. BMV 751.
  note: from Miscellaneous Chorale Preludes.
  note: harmonization once attributed to Johann Sebastian Bach, now attributed to Johann Michael Bach.
  Peter Hurford, organ.
  London 425 635-2 A1762

Anonymous. 1300-1475.

• Contre le temps. Virelai.
  The Early Music Consort of London. David Munrow, director.
  (The Art of Courtly Love)
  Musical Heritage Society 524386T A495

• Istampitta Tre fontane.
  The Early Music Consort of London. David Munrow, director.
  (The Art of Courtly Love)
  Musical Heritage Society 524386T A495

• Ma tredol rosignol. Virelai.
  note: variant on the tenor 'Roussignoulet du bois.'
  The Early Music Consort of London. David Munrow, director.
  (The Art of Courtly Love)
  Musical Heritage Society 524386T A495

• Restoés restoés.
  The Early Music Consort of London. David Munrow, director.
  (The Art of Courtly Love)
  Musical Heritage Society 524386T A495

• La Septime estampie Real.
  The Early Music Consort of London. David Munrow, director.
  (The Art of Courtly Love)
  Musical Heritage Society 524386T A495

• La Spagna. Variant I.
  The Early Music Consort of London. David Munrow, director.
  (The Art of Courtly Love)
  Musical Heritage Society 524386T A495

• La Spagna. Variant II.
  The Early Music Consort of London. David Munrow, director.
  (The Art of Courtly Love)
  Musical Heritage Society 524386T A495

• Tribum quem. Motet.
  The Early Music Consort of London. David Munrow, director.
  (The Art of Courtly Love)
  Musical Heritage Society 524386T A495

Anonymous. ca. 1310.

• Amors m'art con fuoc am flama.
  note: dansa from the Manuscrit du Roi.
  Margaret Philpot, alto. Robert White, bagpipes.
  Gothic Voices. Christopher Page, director.
  helios CDH55282 A444

• Donna pos vos ay chausida.
  note: dansa from the Manuscrit du Roi.
  Emma Kirkby, soprano. Chrisopher Page, medieval lute.
  Gothic Voices. Christopher Page, director.
  helios CDH55282 A444

Anonymous. Early 14th century.

• Three Estampies.
  note: additions to the Manuscrit du Roi.
  Pavlo Beznosiuk, fiddle.
  Gothic Voices. Christopher Page, director.
  helios CDH55282 A444

Anonymous. 1330's-1340's.

• Amor mi fa cantar a la Francesca.
  Gothic Voices: Rogers Covey-Crump, tenor. Christopher Page, director.
  Hyperion GAW21286 A286

• Quando i oselli canta.
  Gothic Voices: John Mark Ainsley, tenor; Leigh Nixon, tenor. Christopher Page, director.
  Hyperion GAW21286 A286

Anonymous. 1350's-1420's.

• Credo, for 5 voices.
  note: in Old Hall manuscript, 1357-1420, no. 91.
  Gothic Voices: Rogers Covey-Crump, tenor; Paul Agnew, tenor; Leigh Nixon, tenor; Stephen Charlesworth, bass; Henry Wickham, bass. Christopher Page, director.
  hyperion CDA66739 A773

• En cest moi de May.
  Gothic Voices: Paul Agnew, tenor; Julian Podger, tenor;Stephen Charlesworth, bass; Henry Wickham, bass. Christopher Page, director.
  hyperion CDA66739 A773

• Hajej, nynjej, Czech carol.
  note: translated into English by Percy Dearmer, and arranged by David Willcocks in the 20th century as Rocking.
  Choir of Westminster Abbey. Simon Preston, director.
  Deutsche Grammophon 413 590-2 A1813
• Laus detur multipharia. Virelai.
  Gothic Voices: Rogers Covey-Crump, tenor; Julian Podger, tenor; Stephen Charlesworth, bass; Henry Wickham, bass. Christopher Page, director.
  hyperion CDA66739 A773

• Quant la douce jouvencelle. Chanson.
  Gothic Voices: Rogers Covey-Crump, tenor; Stephen Charlesworth, bass; Henry Wickham, bass. Christopher Page, director.
  hyperion CDA66739 A773

• La uitime estampie real, for consort.
  Gothic Voices: Pavlo Beznosiuk, medieval fiddle. Christopher Page, director.
  hyperion CDA66739 A773

Anonymous. 1380's-1420.

• Adieu vous di, tres doulce compaynie.
  note: Chantilly Codex f. 47.
  Ferrara Ensemble: Lena Susanne Norin, alto; Kathleen Dineen, soprano; Stephen Grant, baryton; Randall Cook, viola d'arco; Norihina Sugawara, viola d'arco, luth; Debra Gomez harp; Crawford Young, luth and guitar. Crawford Young, director.
  (Balades a III Chans)
  ARCANA A32 A849

• La Badessa, ballate. Text by Simone Prudenanzi.
  Judith Malafronte, mezzo-soprano; vielle, lute, citole; and Drew Minter, countertenor.
  The Newberry Consort. Mary Springfels, director.
  harmonia mundi FRANCE HMU 907038 A1474

• Bel fiore danza. Music from Codex Faenza. (15th C. musical manuscript)
  Lute and citole.
  The Newberry Consort. Mary Springfels, director.
  harmonia mundi FRANCE HMU 907038 A1474

• Cominciamento di gioia.
  Vielles and lute.
  The Newberry Consort. Mary Springfels, director.
  harmonia mundi FRANCE HMU 907038 A1474

• Lamech Judith et Rachel de plourer.
  note: Chantilly Codex. f. 45.
  Ferrara Ensemble: Lena Susanne Norin, alto; Kathleen Dineen, soprano; Stephen Grant, baryton; Randall Cook, viola d'arco; Norihina Sugawara, viola d'arco, luth; Debra Gomez harp; Crawford Young, luth and guitar. Crawford Young, director.
  (Balades a III Chans)
  ARCANA A32 A849

• Le mont Aon de Thrace, doulz pals.
  note: Chantilly Codex f. 22v.
  Ferrara Ensemble: Lena Susanne Norin, alto; Kathleen Dineen, soprano; Stephen Grant, baryton; Randall Cook, viola d'arco; Norihina Sugawara, viola d'arco, luth; Debra Gomez harp; Crawford Young, luth and guitar. Crawford Young, director.
  (Balades a III Chans)
  ARCANA A32 A849

• Nova Stella. Music from Codex Cortona. (musical manuscript, latter half 13th C.)
  Drew Minter, countertenor; citole.
  The Newberry Consort. Mary Springfels, director.
  harmonia mundi FRANCE HMU 907038 A1474

• Principio di virtu.
  Rebec, vielle & lute.
  The Newberry Consort. Mary Springfels, director.
  harmonia mundi FRANCE HMU 907038 A1474

• Trotto.
  Lute and citole.
  The Newberry Consort. Mary Springfels, director.
  harmonia mundi FRANCE HMU 907038 A1474

Anonymous. 15th C.

• Bethlehem's Stall. Basque Carol.
  (Ancient Noëls)
  Maggie Sansone, hammered dulcimer; Ensemble Galilei: Jim Brooks, recorders, concertina; Marcia Diehl, recorders, psaltery, pennywhistle; Sue Richards, celtic harp; Carolyn Anderson Surrick, treble viol, bass viola de gamba and guest musicians: Ben Harms, hand drums, tambourine; Zan McLeod, guitar, cittern; Bonnie Rideout, fiddle.
  Maggie's Music MMCD108 A1810

• Great Gentlefolk, Hold and Bethink You. Basque carol.
  (Ancient Noëls)
  Maggie Sansone, hammered dulcimer; Ensemble Galilei: Jim Brooks, recorders, concertina; Marcia Diehl, recorders, psaltery, pennywhistle; Sue Richards, celtic harp; Carolyn Anderson Surrick, treble viol, bass viola de gamba and guest musicians: Ben Harms, hand drums, tambourine; Zan McLeod, guitar, cittern; Bonnie Rideout, fiddle.
  Maggie's Music MMCD108 A1810

• I Must Go Gather Comfort. Dutch carol.
  (Ancient Noëls)
  Maggie Sansone, hammered dulcimer; Ensemble Galilei: Jim Brooks, recorders, concertina; Marcia Diehl, recorders, psaltery, pennywhistle; Sue Richards, celtic harp; Carolyn Anderson Surrick, treble viol, bass viola de gamba and guest musicians: Ben Harms, hand drums, tambourine; Zan McLeod, guitar, cittern; Bonnie Rideout, fiddle.
  Maggie's Music MMCD108 A1810

• Illuminare Jerusalem, English carol.
  Christopher Herrick, organ.
  Choir of Westminster Abbey. Simon Preston, director.
  Deutsche Grammophon 413 590-2 A1813

• A Maiden Was Adoring God, the Lord. Basque carol.
  (Ancient Noëls)
  Maggie Sansone, hammered dulcimer; Ensemble Galilei: Jim Brooks, recorders, concertina; Marcia Diehl, recorders, psaltery, pennywhistle; Sue Richards, celtic harp; Carolyn Anderson Surrick, treble viol, bass viola de gamba and guest musicians: Ben Harms, hand drums, tambourine; Zan McLeod, guitar, cittern; Bonnie Rideout, fiddle.
  Maggie's Music MMCD108 A1810

• O Bethlehem. Basque carol.
  (Ancient Noëls)
  Maggie Sansone, hammered dulcimer; Ensemble Galilei: Jim Brooks, recorders, concertina; Marcia Diehl, recorders, psaltery, pennywhistle; Sue Richards, celtic harp; Carolyn Anderson Surrick, treble viol, bass viola de gamba and guest musicians: Ben Harms, hand drums, tambourine; Zan McLeod, guitar, cittern; Bonnie Rideout, fiddle.
  Maggie's Music MMCD108 A1810

• There Stood In Heaven A Linden Tree. Es stot ein lind im Himmelreich, German advent carol. Harmonized by G. H. Palmer. Anonymous text.
  note: sung in English; translated by George Ratcliffe Woodward.
  Christopher Herrick, organ.
  Choir of Westminster Abbey. Simon Preston, director.
  Deutsche Grammophon 413 590-2 A1813

• There Was A Maid So Lovely. Dutch carol.
  (Ancient Noëls)
  Maggie Sansone, hammered dulcimer; Ensemble Galilei: Jim Brooks, recorders, concertina; Marcia Diehl, recorders, psaltery, pennywhistle; Sue Richards, celtic harp; Carolyn Anderson Surrick, treble viol, bass viola de gamba and guest musicians: Ben Harms, hand drums, tambourine; Zan McLeod, guitar, cittern; Bonnie Rideout, fiddle.
  Maggie's Music MMCD108 A1810

• To Us a Little Child Is Born. Dutch carol.
  (Ancient Noëls)
  Maggie Sansone, hammered dulcimer; Ensemble Galilei: Jim Brooks, recorders, concertina; Marcia Diehl, recorders, psaltery, pennywhistle; Sue Richards, celtic harp; Carolyn Anderson Surrick, treble viol, bass viola de gamba and guest musicians: Ben Harms, hand drums, tambourine; Zan McLeod, guitar, cittern; Bonnie Rideout, fiddle.
  Maggie's Music MMCD108 A1810

• When Judah's Loyal Soul Alone. Dutch carol.
  (Ancient Noëls)
  Maggie Sansone, hammered dulcimer; Ensemble Galilei: Jim Brooks, recorders, concertina; Marcia Diehl, recorders, psaltery, pennywhistle; Sue Richards, celtic harp; Carolyn Anderson Surrick, treble viol, bass viola de gamba and guest musicians: Ben Harms, hand drums, tambourine; Zan McLeod, guitar, cittern; Bonnie Rideout, fiddle.
  Maggie's Music MMCD108 A1810

• Whenas the Rose of Jericho. Dutch carol.
  (Ancient Noëls)
  Maggie Sansone, hammered dulcimer; Ensemble Galilei: Jim Brooks, recorders, concertina; Marcia Diehl, recorders, psaltery, pennywhistle; Sue Richards, celtic harp; Carolyn Anderson Surrick, treble viol, bass viola de gamba and guest musicians: Ben Harms, hand drums, tambourine; Zan McLeod, guitar, cittern; Bonnie Rideout, fiddle.
  Maggie's Music MMCD108 A1810

• A Year Begins of Joy and Grace. Dutch carol.
  (Ancient Noëls)
  Maggie Sansone, hammered dulcimer; Ensemble Galilei: Jim Brooks, recorders, concertina; Marcia Diehl, recorders, psaltery, pennywhistle; Sue Richards, celtic harp; Carolyn Anderson Surrick, treble viol, bass viola de gamba and guest musicians: Ben Harms, hand drums, tambourine; Zan McLeod, guitar, cittern; Bonnie Rideout, fiddle.
  Maggie's Music MMCD108 A1810

Anonymous. 1410-1420?

• Constantia.
  Andrew Lawrence-King, medieval harp.
  Hyperion GAW21286 A286

• Non na el so amante.
  Andrew Lawrence-King, medieval harp.
  Hyperion GAW21286 A286

Anonymous. 1420's?

• Confort d'amours.
  Gothic Voices: Margaret Philpot, contralto; Caroline Trevor, alto; Rogers Covey-Crump, tenor; Leigh Nixon, tenor. Christopher Page, director.
  Hyperion GAW21286 A286

• O regina seculi/Reparatrix Maria.
  Gothic Voices: Margaret Philpot, contralto; Caroline Trevor, alto; John Mark Ainsley, tenor; Leigh Nixon, tenor. Christopher Page, director.
  Hyperion GAW21286 A286

Anonymous. 15th C. - 16th C. The Renaissance.

• A la mia.
  Jacob Heringman, vihuela, lute and guitar.
  Musica Antiqua of London. Philip Thurby, director.
  Naxos 8.553325 A993

• Adieu mes amours. 2 keyboard solo version.
  note: derived from a Josquin chanson
  The Early Music Consort of London. David Munrow, director.
  (The Art of the Netherlands)
  Virgin veritas 7243 5 61335 2 5 A497

• Allegez moy, doulce plaisant brunette. Lute duet version.
  note: derived from a Josquin chanson
  The Early Music Consort of London. David Munrow, director.
  (The Art of the Netherlands)
  Virgin veritas 7243 5 61335 2 5 A497

• Alma che scarca dal corporeo velo.
  Katalijne van Laethem, soprano. John Dudley, tenor. Josep Cabre, baritone. Willem Bremer, recorder and dulcian. René van Laethem, dulcian, fiddle.
  Ensemble Huelgas. Paul van Nevel, director.
  deutsche harmonia mundi 7865-2-RC A1020

• Ave corpus vere natum.
  Katalijne van Laethem, soprano. John Dudley, tenor. Josep Cabre, baritone. Willem Bremer, recorder and dulcian. René van Laethem, dulcian, fiddle.
  Ensemble Huelgas. Paul van Nevel, director.
  deutsche harmonia mundi 7865-2-RC A1020

• Ave maris stella.
  note: instrumental
  Willem Bremer, recorder and dulcian. René van Laethem, dulcian, fiddle.
  Ensemble Huelgas. Paul van Nevel, director.
  deutsche harmonia mundi 7865-2-RC A1020

• Ay, Santa Maria.
  Jacob Heringman, vihuela, lute and guitar.
  Musica Antiqua of London. Philip Thurby, director.
  Naxos 8.553325 A993

• Bhimpalasi. [raga]
  
  • Bhimpalasi. [raga] Adapted by Ravi Shankar.
    note: performed live at the Monterey International Pop Festival, 1967.
    Ravi Shankar, sitar; Alla Rakha, tabla; Kamala, tamboura.
    Angel 7243 5 66919 2 6 A?

• Calabaça.
  Jacob Heringman, vihuela, lute and guitar; Geraldine McGreevy, soprano.
  Musica Antiqua of London. Philip Thurby, director.
  Naxos 8.553325 A993

• Che bella vit'ha'l mond' un villanello.
  Katalijne van Laethem, soprano. John Dudley, tenor. Josep Cabre, baritone. Willem Bremer, recorder and dulcian. René van Laethem, dulcian, fiddle.
  Ensemble Huelgas. Paul van Nevel, director.
  deutsche harmonia mundi 7865-2-RC A1020

• Chi c'insegna ovè Gesu? Nell' arrivare alla Chiesa.
  Katalijne van Laethem, soprano. John Dudley, tenor. Josep Cabre, baritone. Willem Bremer, recorder and dulcian. René van Laethem, dulcian, fiddle.
  Ensemble Huelgas. Paul van Nevel, director.
  deutsche harmonia mundi 7865-2-RC A1020

• Chi vol seguir la guerra.
  Katalijne van Laethem, soprano. John Dudley, tenor. Josep Cabre, baritone. Willem Bremer, recorder and dulcian. René van Laethem, dulcian, fiddle.
  Ensemble Huelgas. Paul van Nevel, director.
  deutsche harmonia mundi 7865-2-RC A1020

• Destro en el vergel.
  Jacob Heringman, vihuela, lute and guitar.
  Musica Antiqua of London. Philip Thurby, director.
  Naxos 8.553325 A993

• Dindirio Dindirio,
  Jacob Heringman, vihuela, lute and guitar; Geraldine McGreevy, soprano.
  Musica Antiqua of London. Philip Thurby, director.
  Naxos 8.553325 A993

• Dios te salve.
  Jacob Heringman, vihuela, lute and guitar.
  Musica Antiqua of London. Philip Thurby, director.
  Naxos 8.553325 A993

• Dolor pianto.
  Katalijne van Laethem, soprano. John Dudley, tenor. Josep Cabre, baritone. Willem Bremer, recorder and dulcian. René van Laethem, dulcian, fiddle.
  Ensemble Huelgas. Paul van Nevel, director.
  deutsche harmonia mundi 7865-2-RC A1020

• Dona Nobis Pacem. Grant Us Peace. Latin Hymn often sung as a canon.
  note: last line of the Agnus Dei of the Latin Mass.
  Yo-Yo Ma, cello.
  SONY CLASSICAL 88697-24414-2 P124

• Dona Nobis Pacem. Give Us Peace. Latin hymn often sung as a canon/Auld Lang Syne.
  note: last line of the Agnus Dei of the Latin mass.
  Yo-Yo Ma, cello; Chris Botti, trumpet.
  SONY CLASSICAL 88697-24414-2 P124
  • Improvisation on Dona Nobis Pacem.
    Sergio Assad, acoustic guitar; Odair Assad, acoustic guitar.
    SONY CLASSICAL 88697-24414-2 P124

  • Improvisation on Dona Nobis Pacem.
    Paquito D'Riviera, clarinet; Alon Yavnai, piano.
    SONY CLASSICAL 88697-24414-2 P124

  • Improvisation on Dona Nobis Pacem.
    Edgar Meyer, acoustic bass; Chris Thile, mandolin.
    SONY CLASSICAL 88697-24414-2 P124

• Down By The Salley Gardens. Arrangement by Herbert Hughes. Text by William Butler Yeats.
  Eileen Farrell, soprano. Gerge Trovillo, piano.
  Testament SBT 1073 A1242

• Down By The Salley Gardens. Arrangement by Herbert Hughes. Text by William Butler Yeats.
  Kathleen Ferrier, mezzo-soprano. Phyllis Spurr, piano.
  Academy of St. Martin-in-the Fields. Sir Neville Marriner, conductor.
  BELART 450 0202 10 A1101

• Down By The Salley Gardens. Arrangement by Herbert Hughes. Text by William Butler Yeats.
  John McCormack, tenor. Gerald Moore, piano.
  EMI CLASSICS 0777 7 64654 2 5 A1542

• Düdül.
  note: traditional Turkish.
  Ensemble Unicorn. Michael Posch, director.
  Naxos 8.554064 A1711

• Folk Songs (Russian) Dates Unknown. Late Medieval?
  
  • Solnitse vshodit i zachodit. The Sun Rises and Sets.
    Feodor Shalyapin, bass.
    Art in Concert 113 A799

  • Vdol po Piterskoy. Along Peterskoy Street.
    Feodor Shalyapin, bass.
    Art in Concert 115 A799

• Fortuna desperata.
  note: anonymous 3-part instrumental version, formerly attributed to Josquin des Prez; derived from Antoine Busnois' 3-part chanson.
  The Early Music Consort of London. David Munrow, director.
  (The Art of the Netherlands)
  Virgin veritas 7243 5 61335 2 5 A497

• La Gamba.
  Jacob Heringman, vihuela, lute and guitar.
  Musica Antiqua of London. Philip Thurby, director.
  Naxos 8.553325 A993

• Guardame las vacas.
  Shirley Rumsey, vihuela.
  Naxos 8.554064 A1711

• Guillaume se va chauffer.
  note: formerly attributed to Josquin des Prez.
  The Early Music Consort of London. David Munrow, director.
  (The Art of the Netherlands)
  Virgin veritas 7243 5 61335 2 5 A497

• Helas me celes.
  note: instrumental
  Willem Bremer, recorder and dulcian. René van Laethem, dulcian, fiddle.
  Ensemble Huelgas. Paul van Nevel, director.
  deutsche harmonia mundi 7865-2-RC A1020

• Inviolata integra et casta es Maria.
  note: formerly attributed to Josquin des Prez
  The Early Music Consort of London. David Munrow, director.
  (The Art of the Netherlands)
  Virgin veritas 7243 5 61335 2 5 A497

• Une jeune fillette. [La Monica.] Arrangement by Jordi Savall.
  note: popular melody of the Renaissance and early Baroque periods.
  Montserrat Figueras and Maria Cristina Kiehr, sopranos; Rolf Lislevand, theorbo; Jordi Savall, bass viol.
  Travelling K 4640 A766

• Lamento di Tristano - La Rotta.
  Ensemble Unicorn. Michael Posch, director.
  Naxos 8.554064 A1711

• Mijn morken gaf mij een jonck wijff. Quodlibet.
  The Early Music Consort of London. David Munrow, director.
  (The Art of the Netherlands)
  Virgin veritas 7243 5 61335 2 5 A497

• Tres morillas. Tres moricas.
  Jacob Heringman, vihuela, lute and guitar; Geraldine McGreevy, soprano.
  Musica Antiqua of London. Philip Thurby, director.
  Naxos 8.553325 A993

• Nevestinko oro.
  note: traditional Macedonian
  Ensemble Unicorn. Michael Posch, director.
  Naxos 8.554064 A1711

• Niña y Viña.
  Jacob Heringman, vihuela, lute and guitar; Geraldine McGreevy, soprano.
  Musica Antiqua of London. Philip Thurby, director.
  Naxos 8.553325 A993

  O come, Emanuel,
  see: Veni, Emanuel.

• The Old Spagnoletta.
  note: from the Mulliner Book, compiled between 1545-1570, music for keyboard.
  note: composer may be Giles Farnaby.
  Joseph Payne, organ.
  Naxos 8.554064 A1711

• Passamezzo.
  Jacob Heringman, vihuela, lute and guitar.
  Musica Antiqua of London. Philip Thurby, director.
  Naxos 8.553325 A993

  Piae cantiones, publ. 1582; 2nd ed. publ. 1625.
  note: a collection of Latin medieval-religious songs (*mostly anonymous), publ. by Theodoricus Petri, ed. by Jaakko Finno; songs thought to range from 1000 to 1500 with most from the 15th century. A collection of medieval music in Renaissance times.
  note: 2-11, 13, 15, 17, 19-20, 22-23 from Piae cantiones; 1. from Llivre vermeil, 1399; 3. possibly by Jacob Obrecht; 12. from Codex speciálnic; ca. 1500; 14. in Glogauer Liederbuch ca. 1480; 16. in Cancionero de Uppsala 1556; 18. by Adam von Fulda; 21. in Buxheimer Liederbuch, ca. 1480; 22. by Johann Hermann Schein; 23. by Daniel Friderici.
  Retrover Ensemble: Maria Cristina Kiehr, soprano; Eric Mentzel, tenor; Eitan Sorek, tenor; Stephen Grant, bass; Markus Tapio, viola da gamba/vielle; Jankees Braaksma, organetto/recorder. Agileu Motta, lute; Leens Joutsenlahti, kantele/recorder. Markus Tapio, director.
  Naxos 8.554180 A1022

  • 1. Praeambulum. (Instrumental)(in the Llivre de vermeil, 1399)

  • 2. Angelus emittitur. The Angel is sent forth.

  • 3. Parvulus nobis nascitur. A tiny child is born for us. (2nd ed.)(possibly by Jacob Obrecht)

  • 4. Ramus virens olivarum. The green branch of olive.

  • 5. Dies est laetitiae. The day is one of happiness.

  • 6. Omnis mundus jucundetur. Let the whole world be glad. 14th C. Sweden.

  • 7. Mirum si laeteris. (Instrumental)

  • 8. Sum in aliena provincis. I am in a strange land.

  • 9. Mars praecurrit in planetis. Mars predominates among the planets.

  • 10. Jesus Christus nostra salus. Jesus Christ our salvation.

  • 11. Jucundare jugiter. Together you must rejoice.

  • 12. Omnis nunc microcosmus/Omnis mundus jucundetur. Now let the whole microcosm/Let the whole world be glad. (Codex Speciálnic, ca. 1500)

  • 13. Jesu dulcis memoria. Jesus, sweet remembrance.

  • 14. Dies est laetitiae. (Glogauer Liederbuch, ca. 1480)

  • 15. Verbum caro factum est. The word was made flesh. 15th C. Italy.

  • 16. Verbum caro factum est. (in Cancionero de Uppsala, 1556)

  • 17. Personent hodie voces puerulae/Gaudete, gaudete Christus est natus. Today let children's voices sound/Rejoice, rejoice. Christ is born. 1582 Sweden.

  • 18. Dies est laetitiae. The day is one of happiness. (by Adam von Fulda)

  • 19. Puer natus in Bethlehem. A boy is born in Bethlehem. (2nd ed.)

  • 20. Aetas carmen melodiae. Let mankind sing a song.

  • 21. Dies est leticie. (Instrumental) Poland 1500. (in Buxheimer Liederbuch ca. 1480)

  • 22. Surrexit Christus hodie. Christ has risen today, Alleluia. (2nd ed.)(by Johann Herrmann Schein)

  • 23. Aetas carmen melodiae. (2nd ed.)(by Daniel Friderici)

• Plus sui en bone compagnie.
  Katalijne van Laethem, soprano. John Dudley, tenor. Josep Cabre, baritone. Willem Bremer, recorder and dulcian. René van Laethem, dulcian, fiddle.
  Ensemble Huelgas. Paul van Nevel, director.
  deutsche harmonia mundi 7865-2-RC A1020

• Signor pe la tua fe.
  Katalijne van Laethem, soprano. John Dudley, tenor. Josep Cabre, baritone. Willem Bremer, recorder and dulcian. René van Laethem, dulcian, fiddle.
  Ensemble Huelgas. Paul van Nevel, director.
  deutsche harmonia mundi 7865-2-RC A1020

• Veni, Emmanuel. O come, o come, Immanuel. Anonymous.
  note: sung in English note: Anonymous hymn tune *15th C. Anonymous text, 9th C. Latin prayer.
  note: *or possibly 15th-17th C.
  Leontyne Price, soprano.
  The Montreal Symphony Orchestra. Charles Dutoit, conductor.
  CD produced from London 410 198-1, originally recorded in 1983. A93

• Veni, Emmanuel. O come, o come, Immanuel. Anonymous. Arranged by Alice Parker.
  note: sung in English
  note: Anonymous hymn tune *15th C. Anonymous text, 9th C. Latin prayer.
  William Wilder, percussion. Norman Mackenzie, organ.
  Robert Shaw Chamber Choir. Robert Shaw, conductor.
  TELARC 20 CD-80461 A1812

• Ya somos del todo libre.
  Jacob Heringman, vihuela, lute and guitar; Geraldine McGreevy, soprano.
  Musica Antiqua of London. Philip Thurby, director.
  Naxos 8.553325 A993

Anonymous. Early 16th C.

• La Manfrolina, polyphonic dance.
  Mary Remnant, portative organ. David Munrow, kortholt. Oliver Brookes, viola da gamba.
  The Early Music Consort of London. David Munrow, director.
  ELEKTRA NONESUCH 9 71326-2 A1353

• Pase el agoa, ma Julietta.
  James Bowman, countertenor.
  Mary Remnant, medieval fiddle. Christopher Hogwood, tabor. Oliver Brookes, viola da gamba. David Munrow, kortholt.
  The Early Music Consort of London. David Munrow, director.
  ELEKTRA NONESUCH 9 71326-2 A1353

• Pavana in passe e mezzo, polyphonic dance.
  Christopher Hogwood, harpsichord.
  The Early Music Consort of London. David Munrow, director.
  ELEKTRA NONESUCH 9 71326-2 A1353

• El Pomo de lo pomparo, polyphonic dance.
  Christopher Hogwood, harpsichord.
  The Early Music Consort of London. David Munrow, director.
  ELEKTRA NONESUCH 9 71326-2 A1353

• La Rocha el fuso, polyphonic dance.
  David Munrow, recorder. Mary Remnant, medieval fiddle. Oliver Brookes, viola da gamba. Christopher Hogwood, harpsichord.
  The Early Music Consort of London. David Munrow, director.
  ELEKTRA NONESUCH 9 71326-2 A1353

• Rodrigo Martines.
  note: in the collection Cancionero musical de palacio.
  James Bowman, countertenor.
  David Munrow, crumhorn. Oliver Brookes, viola da gamba.
  The Early Music Consort of London. David Munrow, director.
  ELEKTRA NONESUCH 9 71326-2 A1353

• Saltarello No. 1.
  Ensemble Unicorn. Michael Posch, director.
  Naxos 8.554064 A1711

• Saltarello No. 3.
  Ensemble Unicorn. Michael Posch, director.
  Naxos 8.554064 A1711

• Saltarello de la pavana, polyphonic dance.
  Christopher Hogwood, harpsichord.
  The Early Music Consort of London. David Munrow, director.
  ELEKTRA NONESUCH 9 71326-2 A1353

• Zorzi, polyphonic dance.
  David Munrow, recorder. Mary Remnant, medieval fiddle. Oliver Brookes, viola da gamba. Christopher Hogwood, harpsichord.
  The Early Music Consort of London. David Munrow, director.
  ELEKTRA NONESUCH 9 71326-2 A1353

Anonymous. 16th C.?

• Als ich bei meinen Schafen wacht'. German traditional Christmas Carol. Text by Friedrich Spee. Setting by Josef Döller.
  (Merry Christmas. Frohe Weihnachten. Track 15)
  Ingomar Rainer, organ.
  Wiener Sängerknaben. Vienna Boys' Choir.
  Philips 412 551-2 A1814
  • Als ich bei meinen Schafen wacht'. While By My Sheep. German traditional Christmas Carol. Text by Friedrich Spee. Arranged by Hugo Jüngst.
    (A Robert Shaw Christmas. Angels On High. Track 13)
    note: sung in English; translation by Theodore Baker.
    Norman Mackensie, organ.
    Patricia Nealon, Anne-Marie Spalinger, sopranos. Katherine Murray, Nannette Soles, altos. David Blalock, Frank Timmerman, tenors. William Borland, Charles Sprawls, basses.
    Robert Shaw Chamber Choir. Robert Shaw, conductor.
    TELARC 20 CD-80461 A1812

• Basse danse.
  Robert Mealy, violin.
  Parthenia, a Consort of Viols: Beverly Au, bass viol. Lawrence Lipnik, tenor viol. Rosamund Morley, treble viol. Lisa Terry, bass viol.
  MSR Classics MS1304 A1840

• Basse danse: Ta bonne grace.
  Robert Mealy, violin.
  Parthenia, a Consort of Viols: Beverly Au, bass viol. Lawrence Lipnik, tenor viol. Rosamund Morley, treble viol. Lisa Terry, bass viol.
  MSR Classics MS1304 A1840

• Le Branle de l'Official, secular dance tune.
  note: published in Orchésographie (1589) by Thoinot Arbeau, aka Jehan Tabourot.
  
  • Ding Dong Merrily On High, arranged by Charles Wood. Text by George Ratcliffe Woodward.
    note; with new text, the piece became a Christmas carol (1924).
    Christopher Herrick, organ.
    Choir of Westminster Abbey. Simon Preston, director.
    Deutsche Grammophon 413 590-2 A1813

• The Coventry Carol.
  note: traditional English
  Desmond Dupré, lute. Alfred Deller, counter-tenor.
  VANGUARD CLASSICS OVC 8023 P50

• Greensleeves. Elizabethan tune, track 17 in the "Three Ravens" album.
  Alfred Deller, countertenor; Desmond Dupré, guitar and lute.
  Vanguard Classics OTC 8026 P48

• Greensleeves. English folk tune. Arranged for violin and orchestra by Arthur Harris.
  Isaac Stern, violin.
  Columbia Symphony Orchestra. Milton Katims, conductor.
  CBS RECORDS MASTERWORKS MDK 45816 A735

  Greensleeves,
  see: Vaughan Williams, Ralph. Fantasia on Greensleeves,
  based on the folk tune melody

• [Greenleeves,], i. e., What Child Is This?, track 3 on the Christmas carol album Noel! Noel!, A93. Based on the folk tune melody.
  

• Hoboekentanz, 4-part dance setting.
  note: published in Danserye, 1551 by Tielman Susato.
  (Ancient Noëls)
  Maggie Sansone, hammered dulcimer; Ensemble Galilei: Jim Brooks, recorders, concertina; Marcia Diehl, recorders, psaltery, pennywhistle; Sue Richards, celtic harp; Carolyn Anderson Surrick, treble viol, bass viola de gamba and guest musicians: Ben Harms, hand drums, tambourine; Zan McLeod, guitar, cittern; Bonnie Rideout, fiddle.
  Maggie's Music MMCD108 A1810

• Ma belle si ton ame. Text by Gilles Durant de la Bergerie.
  Julianne Baird, soprano. Robert Mealy, violin.
  Parthenia, a Consort of Viols: Beverly Au, bass viol. Lawrence Lipnik, tenor viol. Rosamund Morley, treble viol. Lisa Terry, bass viol.
  MSR Classics MS1304 A1840

• Miserere my Maker.
  Steven Rickards, countertenor; Dorothy Linell, lute.
  Naxos 8.553380 A410

• O quam mundum.
  note: Piae Cantiones no. 29.
  
  • Up! good Christen folk, and listen. Retexted and arranged by George Ratcliffe Woodward.
    note: melody from O quam mundum, Piae Cantiones no. 29.
    note: G. R. Woodward published the first English edition in 1910 with scholarly commentary.
    Choir of King's College, Cambridge. Stephen Cleobury, director of music.
    EMI Classics 7243 5 73693 2 A234

  • Up! good Christian folkand listen. Retexted and arranged by George Ratcliffe Woodward.
    note: melody from O quam mundum, Piae Cantiones no. 29.
    note: G. R. Woodward published the first English edition in 1910 with scholarly commentary.
    Christopher Herrick, organ.
    Choir of Westminster Abbey. Simon Preston, director.
    Deutsche Grammophon 413 590-2 A1813

• Pavane.
  Robert Mealy, violin.
  Parthenia, a Consort of Viols: Beverly Au, bass viol. Lawrence Lipnik, tenor viol. Rosamund Morley, treble viol. Lisa Terry, bass viol.
  MSR Classics MS1304 A1840

• La perra mora, vocal piece. Arranged by Rolf Lislevand.
  Diminuito. Rolf Lislevand, director.
  ECM New Series 2088 B0013355-02 A1854

• Schäfertanz, 4-part dance setting.
  note: published in Danserye, 1551 by Tielman Susato.
  (Ancient Noëls)
  Maggie Sansone, hammered dulcimer; Ensemble Galilei: Jim Brooks, recorders, concertina; Marcia Diehl, recorders, psaltery, pennywhistle; Sue Richards, celtic harp; Carolyn Anderson Surrick, treble viol, bass viola de gamba and guest musicians: Ben Harms, hand drums, tambourine; Zan McLeod, guitar, cittern; Bonnie Rideout, fiddle.
  Maggie's Music MMCD108 A1810

• Tempus Adest Floridum.
  note: from Piae Cantiones.
  
  • Good King Wenceslas, text by John Mason Neale (1853)
    note: to the melody of Tempus adest Floridum.
    Christopher Herrick, organ.
    Choir of Westminster Abbey. Simon Preston, director.
    Deutsche Grammophon 413 590-2 A1813

• Tomorrow shall be my dancing day. English carol.
  (Ancient Noëls)
  Maggie Sansone, hammered dulcimer; Ensemble Galilei: Jim Brooks, recorders, concertina; Marcia Diehl, recorders, psaltery, pennywhistle; Sue Richards, celtic harp; Carolyn Anderson Surrick, treble viol, bass viola de gamba and guest musicians: Ben Harms, hand drums, tambourine; Zan McLeod, guitar, cittern; Bonnie Rideout, fiddle.
  Maggie's Music MMCD108 A1810
  • Tomorrow shall be my dancing day, 20th century adaptation by John Gardner.
    Christopher Herrick, organ.
    Choir of Westminster Abbey. Simon Preston, director.
    Deutsche Grammophon 413 590-2 A1813

• Tourdion, chanson à boire. Arranged by Rolf Lislevand.
  Diminuito. Rolf Lislevand, director.
  ECM New Series 2088 B0013355-02 A1854

• Tourdion.
  Robert Mealy, violin.
  Parthenia, a Consort of Viols: Beverly Au, bass viol. Lawrence Lipnik, tenor viol. Rosamund Morley, treble viol. Lisa Terry, bass viol.
  MSR Classics MS1304 A1840

• Westron wynde. [traditional English secular song, date?]
  note: John Taverner based his Western Wind Mass on this song.
  Rufus Müller, tenor.
  Gimell CDGIM 004 A375

Anonymous. ca. 1600.

• Campanae parisienses. Les Cloches de Paris. The Bells of Paris.
  
  • Campanae parisiennes. Les Cloches de Paris. The Bells of Paris. Based on Campanae parisienses and arranged by Ottorino Respighi for two flutes, two oboes, English horn, two bassoons, two horns, trumpet, three trombones, celesta, harp and strings in his Ancient Airs and Dances for orchestra. Suite no. 2/3a. P138/3a.
    Philharmonia Hungarica. Antal Dorati, conductor.
    Mercury D 13538 A580

• The dark is my delight.
  Brigitte Poschner-Klebel, soprano.
  Ensemble Musica Antiqua, Vienna. Bernhard Klebel, conductor.
  Christophorus CD 74555 A44

• Folk Songs: two Finnish folk songs.
  1. Summer night. 2. Little song.
  Marian Anderson, contralto.
  Pearl GEMM CD 9318 A982

• Folk songs: two Swiss folk songs and a Silesian folk song of uncertain dates:
  1. Gsätzli. 2. O du liebes Ängeli. 3. Maria auf dem Berge.
  Elisabeth Schwarzkopf, soprano. Gerald Moore, piano.
  EMICDM 7 636542 A981

• Ich sag ade.
  note: Flemish folksong
  Hallenser Madrigalisten. Andreas Göpfert, [director].
  (European Madrigals of around 1600)
  BERLIN Classics 00933628BC A160

• Italiana.
  • Italiana. Arranged by Ottorino Respighi in the slow middle section of his transcription of Vincenzo Galilei's Gagliarda for two flutes, two oboes, English horn, two bassoons, two horns, harp, strings, and harpsichord in his Ancient Airs and Dances for orchestra. Suite no. 1/2.
    Philharmonia Hungarica. Antal Dorati, conductor.
    Mercury D 13538 A580

• Italiana.
  • Italiana. Arranged by Ottorino Respighi in his Ancient Airs and Dances for strings. Suite no. 3/1.
    Philharmonia Hungarica. Antal Dorati, conductor.
    Mercury D 13538 A580

• Passo mezzo e Mascherada.
  • Passo mezzo e Mascherada. Arranged by Ottorino Respighi for two flutes, two oboes, two bassoons, two horns, trumpet, harp, strings and harpischord in his Ancient Airs and Dances for orchestra. Suite no. 1/4.
    Philharmonia Hungarica. Antal Dorati, conductor.
    Mercury D 13538 A580

• Siciliana.
  • Siciliana. Arranged by Ottorino Respighi in his Ancient Airs and Dances for strings. Suite no. 3/3.
    Philharmonia Hungarica. Antal Dorati, conductor.
    Mercury D 13538 A580

• Villanella.
  • Villanella. Arranged by Ottorino Respighi for flute, oboe, harp and strings in his Ancient Airs and Dances for orchestra. Suite no. 1/3.
    Philharmonia Hungarica. Antal Dorati, conductor.
    Mercury D 13538 A580

Anonymous. 16th C.

see: Arbeau, Thoinot.
and
see: Playford, John.

Anonymous. 16th C. - 20th C.

• Guten Abend, guten Abend, euch allen hier beisamm! Anonymous text. Arranged by Franz Josef Breuer.
  Die Regensburger Domspatzen. Orchester Graunke. Hans Schrems, director.
  Deutsche Grammophon STEREO 427 894-2 A1218

• Ich bin ein Musikante. Anonymous text. Arranged by Franz Josef Breuer.
  Die Regensburger Domspatzen. Orchester Graunke. Hans Schrems, director.
  Deutsche Grammophon STEREO 427 894-2 A1218

• Ich ging durch einen grasgrünen Wald. Anonymous Text. Arranged by Franz Josef Breuer.
  Die Regensburger Domspatzen. Orchester Graunke. Hans Schrems, director.
  Deutsche Grammophon STEREO 427 894-2 A1218

• Der Jäger in dem grünen Wald. Anonymous text. Arranged by Franz Josef Breuer.
  Die Regensburger Domspatzen. Orchester Graunke. Hans Schrems, director.
  Deutsche Grammophon STEREO 427 894-2 A1218

• Nun, ade, du mein lieb Heimatland. Text by August Disselhoff. Arranged by Franz Josef Breuer.
  Die Regensburger Domspatzen. Orchester Graunke. Hans Schrems, director.
  Deutsche Grammophon STEREO 427 894-2 A1218

• O wie wohl ist mir am Abend. Anonymous Text. Arranged by Franz Josef Breuer.
  Die Regensburger Domspatzen. Orchester Graunke. Hans Schrems, director.
  Deutsche Grammophon STEREO 427 894-2 A1218

• Und in dem Schneegebirge. Arranged by Franz Josef Breuer.
  Die Regensburger Domspatzen. Orchester Graunke. Hans Schrems, director.
  Deutsche Grammophon STEREO 427 894-2 A1218

• Ein Vogel wollte Hochzeit halten. Anonymous text. Arranged by Franz Josef Breuer.
  Die Regensburger Domspatzen. Orchester Graunke. Hans Schrems, director.
  Deutsche Grammophon STEREO 427 894-2 A1218

• Von Luzern auf Weggis zu. Arranged by Franz Josef Breuer.
  Die Regensburger Domspatzen. Orchester Graunke. Hans Schrems, director.
  Deutsche Grammophon STEREO 427 894-2 A1218

• Wohlan, die Zeit ist kommen. Anonymous text. Arranged by Franz Josef Breuer.
  Die Regensburger Domspatzen. Orchester Graunke. Hans Schrems, director.
  Deutsche Grammophon STEREO 427 894-2 A1218

• Zogen einst fünf wilde Schwäne. Arranged by Franz Josef Breuer.
  Die Regensburger Domspatzen. Orchester Graunke. Hans Schrems, director.
  Deutsche Grammophon STEREO 427 894-2 A1218

• Zu Regensburg auf der Kirchturmspitz. Anonymous text. Arranged by Franz Josef Breuer.
  Die Regensburger Domspatzen. Orchester Graunke. Hans Schrems, director.
  Deutsche Grammophon STEREO 427 894-2 A1218

• Zwischen Berg und tiefem, tiefem Tal. Anonymoius Text. Arranged by Franz Josef Breuer.
  Die Regensburger Domspatzen. Orchester Graunke. Hans Schrems, director.
  Deutsche Grammophon STEREO 427 894-2 A1218

Anonymous. 17th C.

• Ask me no more.
  Ellen Hargis, soprano. Paul O'Dette, lute, archlute and theorbo.
  Noyse Productions NPEHPOD01 A994

• The Bellman's Song, aka "The Moon Shines Bright." English folk carol.
  note: in 2 versions.
  (Ancient Noëls)
  Maggie Sansone, hammered dulcimer; Ensemble Galilei: Jim Brooks, recorders, concertina; Marcia Diehl, recorders, psaltery, pennywhistle; Sue Richards, celtic harp; Carolyn Anderson Surrick, treble viol, bass viola de gamba and guest musicians: Ben Harms, hand drums, tambourine; Zan McLeod, guitar, cittern; Bonnie Rideout, fiddle.
  Maggie's Music MMCD108 A1810

• Boggle Bowe.
  Paul O'Dette, lute, archlute and theorbo.
  Noyse Productions NPEHPOD01 A994

• Engels Nachtegaeltje, an English folksong, The Nightingale.
  note: transcribed for recorder in the 17th C. by Jan Van Eyck in his 2-volume collection (Fluyten Lust-hof), and re-transcribed for small orchestra in the 20th C. by Ottorino Respighi as no. 4, L'usignuolo (The nightingale), of his suite Gli Uccelli.
  Philadelphia Orchestra. Eugene Ormandy, conductor.
  SONY CLASSICAL SBK 60311 A1671

• Hench me Malie Gray.
  Paul O'Dette, lute, archlute and theorbo.
  Noyse Productions NPEHPOD01 A994

  The Holly and the Ivy. British folk Christmas carol.
  note: traced back to the 17th century, then lost in obscurity; modern version of lyrics and melody established by Cecil Sharp in 1911,
  see: Sharp, Cecil.
  see also: H. Walford Davies.

• I kissed her while she blushed.
  Paul O'Dette, lute, archlute and theorbo.
  Noyse Productions NPEHPOD01 A994

• I long for thy virginitie.
  Paul O'Dette, lute, archlute and theorbo.
  Noyse Productions NPEHPOD01 A994

  The Nightingale, an English folksong,
  see: Engels Nachtegaeltje.

• Praeambulum. Edited by Timothy Roberts.
  note: from a MS set of preludes in Minoriten Convent, Vienna. (MS. XIV. 723, ca. 1717).
  note: previously attributed to Girolamo Frescobaldi.
  Timothy Roberts, organ.
  Gabrieli Players. Paul McCreesh, director.
  (First Vespers of the Annunciation of the Blessed Virgin as it might have been celebrated in St. Mark's, Venice in 1643)
  ARCHIV PRODUKTION D 284220 A513

• Quelle est c'est odeur agréable? What Is This Lovely Fragrance? French traditional Christmas carol.
  note: sung in English.
  Norman Mackenzie, organ.
  Robert Shaw Chamber Choir. Robert Shaw, conductor.
  TELARC 20 CD-80461 A1812

• She's rare and good in all.....Lilt Ladie Anne Gordonn.
  Paul O'Dette, lute, archlute and theorbo.
  Noyse Productions NPEHPOD01 A994

• Sweete Besse come over to me.
  Paul O'Dette, lute, archlute and theorbo.
  Noyse Productions NPEHPOD01 A994

  Sylvan and Oceanic Delights of Posilipo, a Neapolitan Masque. (1620)
  note: some of the dances from this masque are not known, but Philip Pickett has selected several dances from contemporaneous Neapolitan manuscripts that could have been included in the masque or in all likelihood were similar to those that actually were, such as:
  

• Ballo de' Cigni.
  note: ballet of various dances
  The New London Consort. Philip Pickett, director.
  L'Oiseau-Lyre 448 559-2 A1841

• La Gagliarda.
  The New London Consort. Philip Pickett, director.
  L'Oiseau-Lyre 448 559-2 A1841

• La scesa de' Pastori dal Monte.
  The New London Consort. Philip Pickett, director.
  L'Oiseau-Lyre 448 559-2 A1841

Anonymous. 17th C. - 18th C.

• Bučimiš. Traditional Bulgarian tune.
  Avi Avital, mandolin; Itamar Doari, percussion.
  Deutsche Grammophon B0019758-02 A647

• Hanacpachap cussicuinin.
  note: published 1631.
  Shannon Mercer, soprano I; Estell Gomez, soprano II; Scott Belluz, alto; Joel Gonzalez, tenor; Philippe Martel, bass.
  Ensemble Caprice. Matthias Maute, conductor.
  Analekta AN 2 9957 A1220

• Hanacpachap cussicuinin.
  note: ritual, Lima 1631; Quechua text.
  Grace Davidson, soprano.
  Ex Cathedra: Ex Cathedra Choir, Ex Cathedra Baroque Ensemble, Quintessential Sackbut and Cornet Ensemble. Jeffrey Skidmore, conductor.
  (Baroque Music from Latin America - 2)
  Hyperion CDA 67524 A499

• Hen Ferchetan. Traditional Welsh tune. Arranged by Avi Avital and Catrin Finch.
  Avi Avital, mandola; Catrin Finch, harp.
  Deutsche Grammophon B0019758-02 A647

• Yyaî Jesus mío. Dulce Jesús mí mío.
  note: Chiquitos and Spanish texts.
  Grace Davidson, soprano.
  Ex Cathedra: Ex Cathedra Choir, Ex Cathedra Baroque Ensemble, Quintessential Sackbut and Cornet Ensemble. Jeffrey Skidmore, conductor.
  (Baroque Music from Latin America - 2)
  Hyperion CDA 67524 A499

Anonymous. Sussex Carol. publ. 1684.

• Sussex Carol. "On Christmas Night All Christians Sing." Arranged by Philip Ledger.
  Benjamin Bayl, organ. Choir of King's College, Cambridge. Stephen Cleobury, director of music.
  EMI Classics 7243 5 73693 2 A234

• Sussex Carol. "On Christmas Night All Christians Sing."
  (Ancient Noëls)
  Maggie Sansone, hammered dulcimer; Ensemble Galilei: Jim Brooks, recorders, concertina; Marcia Diehl, recorders, psaltery, pennywhistle; Sue Richards, celtic harp; Carolyn Anderson Surrick, treble viol, bass viola de gamba and guest musicians: Ben Harms, hand drums, tambourine; Zan McLeod, guitar, cittern; Bonnie Rideout, fiddle.
  Maggie's Music MMCD108 A1810

Anonymous. 1700-1860. Negro spirituals.

Anonymous. 1700's. 18th C.

• Ah! vous dirai-je, maman. ca. 1740.
  
  • Twinkle, Twinkle, Little Star. Poem "The Star" by Jane Taylor published in 1806.
    note: set as a lullaby for children
    Children's Favorite Songs. v. 1: 25 Classic Tunes, no. 25.
    Larry Groce and the Disneyland Children's Sing-a-Long Chorus. Betty Joyce, choral director.
    Walt Disney Records 60605-7 P245

  • 12 Variations for piano on an anonymous French song (ca. 1740) 'Ah! vous dirai-je, Maman' in C major. K. 265. (K. 300e*) (Wolfgang Amadeus Mozart)
    note: *Köchel, 6th ed., 1964.
    Daniel Barenboim, piano.
    EMI Classics 7243 5 73922 2 8 A817

• 1. Alliluia. Se zhenikh gryadet. Behold the Bridegroom.
  note: troparion sung at Matins on the first three days of Holy Week
  St. Petersburg Chamber Choir. Nikolai Korniev, conductor.
  Philips 446 662-2 A1149

• Bird Fancyer's Delight.
  • Tune for the Woodlark.
    Giovanni Antonini, flautino.
    Il Giardino Armonico. Giovanni Antonini, director.
    TELDEC 3984-21464-2 A1337

• Carol of the Birds. El Cant dels ocells. Catalan Christmas song. Arranged by Robert Shaw and Alice Parker.
  note: Spanish carol; sung in English.
  Norman Mackenzie, organ.
  Janice Chandler, soprano.
  Robert Shaw Chamber Choir. Robert Shaw, conductor.
  TELARC 20 CD-80461 A1812

• Gloucestershire Wassail. "Wassail, wassail, all over the town." English carol.
  (Ancient Noëls)
  Maggie Sansone, hammered dulcimer; Ensemble Galilei: Jim Brooks, recorders, concertina; Marcia Diehl, recorders, psaltery, pennywhistle; Sue Richards, celtic harp; Carolyn Anderson Surrick, treble viol, bass viola de gamba and guest musicians: Ben Harms, hand drums, tambourine; Zan McLeod, guitar, cittern; Bonnie Rideout, fiddle.
  Maggie's Music MMCD108 A1810

• The Golden Carol. 18th C. English carol.
  (Ancient Noëls)
  Maggie Sansone, hammered dulcimer; Ensemble Galilei: Jim Brooks, recorders, concertina; Marcia Diehl, recorders, psaltery, pennywhistle; Sue Richards, celtic harp; Carolyn Anderson Surrick, treble viol, bass viola de gamba and guest musicians: Ben Harms, hand drums, tambourine; Zan McLeod, guitar, cittern; Bonnie Rideout, fiddle.
  Maggie's Music MMCD108 A1810

• Here Between Ass and Oxen mild. 18th C. French carol.
  (Ancient Noëls)
  Maggie Sansone, hammered dulcimer; Ensemble Galilei: Jim Brooks, recorders, concertina; Marcia Diehl, recorders, psaltery, pennywhistle; Sue Richards, celtic harp; Carolyn Anderson Surrick, treble viol, bass viola de gamba and guest musicians: Ben Harms, hand drums, tambourine; Zan McLeod, guitar, cittern; Bonnie Rideout, fiddle.
  Maggie's Music MMCD108 A1810

• O leggiadri occhi belli.
  note: from the Arie Antiche collection (primarily 17th and 18th century Italian songs) edited by Alessandro Parisotti
  Cecilia Bartoli, mezzo-soprano. Gyorgy Fischer, piano.
  London 436 267-2 A67

• The White Cockade March.
  note: found in tune books at least as early as 1760; a Jacobite tune; popular among the Americans in the Revolutionary War.
  United States Marine Band. Colonel John R. Bourgeois, director.
  Musical Heritage Society 515567K A1150

Anonymous. 1706-1709. Flores de Música, a 4-volume collection of keyboard pieces, most of them anonymous, collected by Antonio Martín y Coll (1671-1734), a Spanish Franciscan friar.

• Chacona.
  Ensemble Caprice. Matthias Maute, conductor.
  Analekta AN 2 9957 A1220

• Differenzias sobre la Gayta.
  Ensemble Caprice. Matthias Maute, conductor.
  Analekta AN 2 9957 A1220

• Discurso con ecos.
  Ensemble Caprice. Matthias Maute, conductor.
  Analekta AN 2 9957 A1220

• Pasacalles de 2o tono.
  Ensemble Caprice. Matthias Maute, conductor.
  Analekta AN 2 9957 A1220

• Temblante estilo italiano.
  Ensemble Caprice. Matthias Maute, conductor.
  Analekta AN 2 9957 A1220

• Xácara.
  Ensemble Caprice. Matthias Maute, conductor.
  Analekta AN 2 9957 A1220

Anonymous. ca. 176?, American

• Yankee Doodle. Arranged by Richard Hayman.
  Cincinnati Pops Orchestra. Erich Kunzel, conductor.
  Telarc CD-80144 A123

Anonymous. ca. 1782-1785. Collection Truxillo del Perú II, edited by Baltasar Jaime Martínez Compañón (1737-1797), bishop of Trujillo, Peru.

• Lanchas para baylar.
  note: #16 of the musical pieces in the Codex Martínez Compañón.
  Ensemble Caprice. Matthias Maute, conductor.
  Analekta AN 2 9957 A1220

Anonymous. 18th C.

• 2 Intradas.
  note: brief scene-setting fanfares and flourishes to introduce festive sacred pieces.
  Martin Haselböck, organ. Capella Caldara.
  Uwe Christian Harrer, conductor.
  Philips 422 997-2 A1886

Anonymous. English. Victorian?.

• The First Noel.
  note: traditional English carol, possibly 18th C., published in 19th C.
  Susan Boyle, singer.
  (The Gift, track 5)
  Syco Music/Columbia 88697720772 P217

• The First Nowell.
  note: traditional English carol, possibly 18th C., published in 19th C.
  Desmond Dupré, lute.
  The Deller Consort: Alfred Deller, April Cantelo, Gerald English, Maurice Bevan.
  VANGUARD CLASSICS OVC 8023 P50

• The First Noel.
  note: traditional English carol, possibly 18th C., published in 19th C.
  Elvis Presley, singer.
  (Christmas Duets, track 11)
  RCA Nashville/Legacy 88697 35479 2 P376

• The First Nowell. Arranged by Robert Shaw and Alice Parker.
  note: traditional English carol, possibly 18th C., published in 19th C.
  Norman Mackenzie, organ.
  Robert Shaw Chamber Choir. Robert Shaw, conductor.
  TELARC 20 CD-80461 A1812

• The First Nowell. Arranged by David Willcocks.
  (Merry Christmas. Frohe Weihnachten. Track 9)
  Ingomar Rainer, organ.
  Wiener Volksopernorchester.
  Vienna Boys' Choir. Uwe Christian Harrer, conductor.
  Philips 412 551-2 A1814

• God Rest You Merry Gentlemen.
  note: traditional English carol, possibly 18th C., published in 19th C.
  The Deller Consort: a capella, Alfred Deller, April Cantelo, Gerald English, Maurice Bevan.
  VANGUARD CLASSICS OVC 8023 P50

• I Saw Three Ships Come Sailing In.
  note: traditional English carol, possibly 17th C., published 19th C.
  The Deller Consort: a capella, Alfred Deller, April Cantelo, Gerald English, Maurice Bevan.
  VANGUARD CLASSICS OVC 8023 P50

• I Saw Three Ships Come Sailing In. Arranged David Willcocks.
  note: traditional English carol, possibly 17th C., published 19th C.
  Edward Moore, treble. Adrian Kelly, tenor. Choir of King's College, Cambridge. Stephen Cleobury, director of music.
  EMI Classics 7243 5 73693 2 A234

Anonymous. 19th C.

• Dubinushka. [Soviet Song]
  Alexander Vedernikov, bass. State Russian Choir a cappella.
  Art in Concert 115 A799

• St. Denio, an anonymous Welsh hymn, not publised until 1839.
  • St. Denio, improvised for organ by Gerre Hancock.
    Gerre Hancock, organist. E. M. Skinner organ, St. Thomas Church, New York City.
    Gothic G 49038 A1982

• (The Storm raged) The Storm was raging. [Soviet Song]
  G. Ivanov. Piatnitsky State Russian Folk Choir.
  Art in Concert 115 A799

• Winds of Danger. [Russian title not known to compiler at this time][Soviet Song]
  Soviet Army Ensemble.
  Art in Concert 115 A799

Anonymous. ca. 1800-1810.

• El Sungambelo, contradanza criolla.
  Rotterdam Conservatory Orquesta Típica. Daniel Guzmán, director.
  Nimbus Records NI 5502 A1221

• San Pascual Bailón, contradanza cubana, aka contradanza criolla.
  note: the oldest existing contradanza cubanoa.
  Rotterdam Conservatory Orquesta Típica. Daniel Guzmán, director.
  Nimbus Records NI 5502 A1221

Anonymous. ca. 1840-1860.

• Linzer Tanz; Tanz (1845); Tanz.
  note: 3 anonymous Viennese waltzes played as a single piece.
  Ensemble Bella Musica de Vienne: Herbert Weissberg, flute; Michael Dittrich, violin; Ivan Dimitrov, violin; Jan Pospichal, violin; Nicolaus Logie, viola; Herbert Müller, viola; Günter Thomasberger, cello; Werner Fleischmann, double bass; Andràs Kécskès, guitar; Werner Buchmann, guitar.
  Michael Dittrich, director.
  harmonia mundi FRANCE HMC 901013 A1408

Anonymous. ca. 1860-1890.

• Das picksüsse Hölzl. Arranged by Lois Böck.
  note: Das picksüsse Hölzl, popular name for the G clarinet
  Thalia-Schrammeln [Quartet]: Harald Huemer, violin; Reinhold Rung, violin; Gerald Grünbacher, G Clarinet; Heinz Hromada, bass guitar.
  Naxos 8.550228 A145

Anonymous. Eight Traditional English Carols. Publ. 1919. Arranged by Ralph Vaughan Williams.

• The Truth Sent from Above.
  Choir of King's College, Cambridge. Stephen Cleobury, director of music.
  EMI Classics 7243 5 73693 2 A234

Anonymous. "Danny Boy." 20th C.

• Danny Boy.
  Harry Belafonte, singer.
  RCA 6006-2-R P208

• Danny Boy.
  Eileen Farrell, soprano. George Trovillo, piano.
  Testament SBT 1073 A1242

• Danny Boy.
  Irish Tenors: John McDermott, Anthony Kearns, Ronan Tynan.
  Orchestra. Frank McNamara, musical director, conductor and arranger.
  POINT Entertainment MDT 8552 P237

• Danny Boy.
  Elisabeth Schwarzkopf, soprano. Gerald Moore, piano.
  EMICDM 7 636542 A981

Anonymous. Date Unknown.

• Akh ti notchen'ka. Oh you, night. Russian folk song. Arranged by V. Kalistratov.
  Paata Burchuladze, bass.
  The Yurlov Choir. Stanislav Gusev, artistic director.
  Melodiya SUCD 10-00113 A1811

  An Trailliur.
  note: a traditional Irish song, to which Samuel Ferguson set his poem "The lark in the still air."

• Les Anges dans nos campagnes. French traditional carol.
  (Merry Christmas. Frohe Weihnachten. Track 12)
  note: melody is a French tune (Gloria) of unknown origin.
  Wiener Sängerknaben. Vienna Boys' Choir. Uwe Christian Harrer, conductor.
  Philips 412 551-2 A1814
  • Les Anges dans nos campagnes. Angels We Have Heard On High. English text by James Chadwick (1862)
    (Christmas Songs, track 4)
    note: sung in English
    note: melody is a French tune (Gloria) of unknown origin.
    Leontyne Price, soprano.
    Singverein der Gesellschaft der Musikfreunde. Reinhold Schmid, chorus master. Wiener Grossstadtkinderchor. Vienna Philharmonic Orchestra. Herbert von Karajan, conductor.
    London 421 103-2 A73

• The Bard of Armagh. "O list to the lay of a poor Irish harper." Text attributed to Patrick Donnelly. Folk song arrangement by Herbert Hughes.
  John McCormack, tenor. Gerald Moore, piano.
  EMI CLASSICS 0777 7 64654 2 5 A1542

• Believe Me If All Those Enduring Young Charms. Text by Thomas Moore. Arrangement for piano by Edwin Schneider.
  John McCormack, tenor. Edwin Schneider, piano.
  EMI CLASSICS 0777 7 64654 2 5 A1542

• Bells: The Tolling of the Knell.
  note: excerpted from the Requiem Mass as performed by the Monks of the Abbey of St. Peter's of Solesmes, France, 1981.
  note: last track of the Kronos Quartet album, Early Music.
  Nonesuch 79457-2 A1223

• Brian Boru's March (for fife and drum).
  note: date unknown, not as early as the 11th century, but with certainty before the 19th century.
  United States Marine Band. Colonel John R. Bourgeois, director.
  Musical Heritage Society 515567K A1150

• Brudmarsch frå Östa. Arranged by Mikael Marin.
  note: traditional Swedish bridal march
  Olov Johansson, nyckelharpa.
  Kronos Quartet: David Harrington, violin; John Sherba, violin; Hank Dutt, viola; Jennifer Culp, cello.
  Nonesuch 79457-2 A1223

• Catalonian Song, arranged for guitar by Jack Marshall, cousin of Christopher Parkening.
  note: no information concerning date of this folksong of Catalonia.
  Christopher Parkening, guitar.
  Angel CDC-7 47194 2 A1102

• C'est mon ami.
  note: a "recital folk-song" according to the liner notes with album titled "Songs & Waltzes from Vienna."
  Lotte Lehmann, soprano. Paul Ulanowsky, piano.
  Columbia Symphony Orchestra. Bruno Walter, conductor.
  MASTERWORKS PORTRAIT MPK 47682 A1499

• Defune, traditional Japanese song.
  (Japanese Melodies, track 4)
  Yo-Yo Ma, primary artist, cello. Pro Musica Nipponica: Hiroaki Naka, bass, double bass; Hasami Nakeganta, flute; Sumire Yoshiwara, percussion; Patricia Zander, harpsichord.
  CBS MK 39703 A1739

• Devenadtsat' Razboinikov. 12 Highwaymen. Russian folk song. Words by N. Nekrasov.
  Paata Burchuladze, bass.
  The Yurlov Choir. Stanislav Gusev, artistic director.
  Melodiya SUCD 10-00113 A1811

• Dubinushka. Bludgeon. Russian Folk Song. Arranged by A. Flyarkovsky.
  Paata Burchuladze, bass.
  The Yurlov Choir. Stanislav Gusev, artistic director.
  Melodiya SUCD 10-00113 A1811

• The Green Bushes. "As I was walking one morning in Spring." Folk song arrangement by Frederick Keel.
  John McCormack, tenor. Gerald Moore, piano.
  EMI CLASSICS 0777 7 64654 2 5 A1542

• Kongerei, arranged (1993) by Steve Mackey for Tuvan throat singers.
  note: a tradtional song of displaced Tuvan persons.
  The Tuvan Throat-Singers: Kaigal-ool Khovalyg, Anatoly Kuular, Kongar-ool Ondar.
  Kronos Quartet: David Harrington, violin; John Sherba, violin; Hank Dutt, viola; Joan Jeanrenaud, cello.
  Elektra Nonesuch 9 79346-2 A1866

• The lark in the clear air. Arrangement by Phyllis Tate for piano of the traditional Irish tune An Trailliur. Text by Samuel Ferguson.
  Thomas Allen, baritone. Malcolm Martineau, piano.
  hyperion CDA67290 A1511

  Londonderry Air, the name often given to a popular anonymous tune, that became very well known after the text, "Danny Boy," was written for it by Frederic Weatherly circa 1913. Efforts to trace the origins of the tune have convincingly placed it as early as the 17th century, with some indications as early as the 16th century, when further tracings were lost in obscurity. This tune now exists in innumerable arrangements and is a favorite among folk, popular, choral, orchestral as well as classical concert musicians.

  • Irish Tune from County Derry (Danny Boy, i. e., Londonderry Air)
    note: orchestral setting of the folksong
    Eastman-Rochester Pops Orchestra. Frederick Fennell, conductor.
    Mercury 434 330-2 A128

  • Irish Tune from County Derry (Danny Boy, i. e., Londonderry Air)
    note: orchestral setting of the folksong
    Saint Louis Symphony Orchestra. Leonard Slatkin, conductor.
    Telarc CD-80059 A121

  • Londonderry Air.
    note: Fritz Kreisler composed an instrumental arrangement for violin and piano no later than 1938.
    Fritz Kreisler, violin. Franz Rupp, piano.
    EMI TOCE-6960-70 A1140

  • O Mary Dear. Adapted from the Londonderry Air. Arrangement by Edwin Schneider.
    John McCormack, tenor. Edwin Fischer, piano.
    EMI CLASSICS 0777 7 64654 2 5 A1542

• Maman, dites-moi.
  note: a "recital folk-song" according to the liner notes with album titled "Songs & Waltzes from Vienna.
  Lotte Lehmann, soprano. Paul Ulanowsky, piano.
  Columbia Symphony Orchestra. Bruno Walter, conductor.
  MASTERWORKS PORTRAIT MPK 47682 A1499

• The Meeting of the Waters. Text by Thomas Moore. Folk song arrangement by Edwin Schneider.
  John McCormack, tenor. Gerald Moore, piano.
  EMI CLASSICS 0777 7 64654 2 5 A1542

• La Mère Michel.
  note: a "recital folk-song" according to the liner notes with album titled "Songs & Waltzes from Vienna."
  Lotte Lehmann, soprano. Paul Ulanowsky, piano.
  Columbia Symphony Orchestra. Bruno Walter, conductor.
  MASTERWORKS PORTRAIT MPK 47682 A1499

• Näckens Polska. Swedish folk song arranged for clarinet and viola by Staffan Mårtensson.
  Staffan Mårtensson, clarinet. Henrik Frendin, viola.
  Mindfeel MFCD004 A1477

• Off to Philadelphia. "Oh, my name is Paddy Leary." Music adapted by Walter Battison Haynes. Words revised and edited by Stephen Temple.
  John McCormack, tenor. Gerald Moore, piano.
  EMI CLASSICS 0777 7 64654 2 5 A1542

• Oft in the stilly night. Text by Thomas Moore. Folk song arrangement by Edwin Schneider.
  John McCormack, tenor. Gerald Moore, piano.
  EMI CLASSICS 0777 7 64654 2 5 A1542

• Proshchai Radost. Farewell, my dear. Russian Folk Song. Arranged by A. Larin.
  Paata Burchuladze, bass.
  The Yurlov Choir. Stanislav Gusev, artistic director.
  Melodiya SUCD 10-00113 A1811

• Romance, arranged for guitar by Jack Marshall, cousin of Christopher Parkening.
  note: no information concerning date of this popular Spanish folk melody.
  Christopher Parkening, guitar.
  Angel CDC-7 47194 2 A1102

• Sakura, Sakura, traditional Japanese song.
  (Japanese Melodies, track 7)
  Yo-Yo Ma, primary artist, cello. Pro Musica Nipponica: Hiroaki Naka, bass, double bass; Hasami Nakeganta, flute; Sumire Yoshiwara, percussion; Patricia Zander, harpsichord.
  CBS MK 39703 A1739

• She moved thro' the fair. "It will not be long now until our wedding day." Text by Padraic Colum. Folk song arrangement by Herbert Hughes.
  John McCormack, tenor. Gerald Moore, piano.
  EMI CLASSICS 0777 7 64654 2 5 A1542

• Slavnoe more, svyashcheennyi. Sacred Baykal, Russian Folk Song. Arranged by A. Yurlov.
  Paata Burchuladze, bass.
  The Yurlov Choir. Stanislav Gusev, artistic director.
  Melodiya SUCD 10-00113 A1811

• Song of the Volga Boatman. Yo-ho, heave-ho. Ey, ukhnem. Russian Folk song.
  note: sung in English; some of the refrain also sung in Russian.
  Paul Leroy Robeson, bass.
  (The Essential Paul Robeson, disc 1, track 24)
  ASV CD AJS 244 P162

• The Star of the County Down. "Near Banbridge Town in the County Down." Text by Cathal McGarvey. Folk song arrangement by Herbert Hughes.
  John McCormack, tenor. Gerald Moore, piano.
  EMI CLASSICS 0777 7 64654 2 5 A1542

• Step' da Step' krugom. Steppe All Around. Russian Folk Song. Arranged by A. Yurlov.
  Paata Burchuladze, bass.
  The Yurlov Choir. Stanislav Gusev, artistic director.
  Melodiya SUCD 10-00113 A1811

• Terence's Farewell to Kathleen. "O my Kathleen is going to leave me." Text by Lady Dufferin, aka Helen Selina Blackwood, Baroness of Dufferin & Claneboye. Traditional arrangement for voice and piano by Edwin Fischer.
  John McCormack, tenor. Edwin Fischer, piano.
  EMI CLASSICS 0777 7 64654 2 5 A1542

• Tiritomba. Neapolitan folk song. Arranged by Franz Josef Breuer.
  Fritz Wunderlich, tenor.
  SWR [Südwestrundfunk] Rundfunkorchester Kaiserslautern. Emmerich Smolla, conductor.
  Musical Heritage Society 516043Z A1826

• The Truth Sent from Above. "This Is the Truth Sent from Above." English Folk Carol.
  note: collected in the early 19th C. in Shropshire and Herefordshire, known as the Shropshire Carol and the Herefordshire Carol, respectively; also known in an arrangement by Ralph Vaughan Williams.
  note: This recording in 2 versions.
  (Ancient Noëls)
  Maggie Sansone, hammered dulcimer; Ensemble Galilei: Jim Brooks, recorders, concertina; Marcia Diehl, recorders, psaltery, pennywhistle; Sue Richards, celtic harp; Carolyn Anderson Surrick, treble viol, bass viola de gamba and guest musicians: Ben Harms, hand drums, tambourine; Zan McLeod, guitar, cittern; Bonnie Rideout, fiddle.
  Maggie's Music MMCD108 A1810

• Uleg-Khem. Arranged by Steve Mackey.
  note: traditional Tuvan song with throat-singing.
  Huun-Huur Tu: Kaigal-ool Khovalyg, vocals and igil: Anatoly Kuulari, vocals and bysaabchi; Kongar-ol Ondar, vocals and doshpuluur.
  Kronos Quartet: David Harrington, violin; John Sherba, violin; Hank Dutt, viola; Jennifer Culp, cello.
  Nonesuch 79457-2 A1223

• Vi sålde våra hemman. Swedish folk song arranged for clarinet and viola by Staffan Mårtensson.
  Staffan Mårtensson, clarinet. Henrik Frendin, viola.
  Mindfeel MFCD004 A1477

  "When Johnny Comes Marching Home," Civil War song. Lyrics (1863) by Patrick Gilmore
  note: Efforts to trace the origin of the melody are lost in obscurity.
  see: for 20th Century orchestral arrangement,
  American Salute, under Gould, Morton.

• Zui-Zui-Zukkorobashi, traditional Japanese song.
  (Japanese Melodies, track 3)
  Yo-Yo Ma, primary artist, cello. Pro Musica Nipponica: Hiroaki Naka, bass, double bass; Hasami Nakeganta, flute; Sumire Yoshiwara, percussion; Patricia Zander, harpsichord.
  CBS MK 39703 A1739

Antonello da Caserta [Anthonello de Caserta] (fl. late 14th - early 15th C.)

• Amour m'a le cuer mis. Ballade.
  The Early Music Consort of London. David Munrow, director.
  (The Art of Courtly Love)
  Musical Heritage Society 524386T A495

Antonio da Cividale. (fl. 1410-1521)

• Io vegio per stasone.
  Ferrara Ensemble: Lena Susanne Norin, alto; Kathleen Dineen, soprano; Stephen Grant, baryton; Randall Cook, viola d'arco; Norihina Sugawara, viola d'arco, luth; Debra Gomez harp; Crawford Young, luth and guitar. Crawford Young, director.
  (Balades a III Chans)
  ARCANA A32 A849

Araujo, Juan de. (1648-1712)

• ¡Aquí, Valentónes!
  Ex Cathedra: Ex Cathedra Choir, Ex Cathedra Baroque Ensemble, Quintessential Sackbut and Cornet Ensemble. Jeffrey Skidmore, conductor.
  (Baroque Music from Latin America - 2)
  Hyperion CDA 67524 A499

• ¡Ay, andar!
  Natalie Clifton-Griffith, Alice Gribbin, sopranos; William Towers, alto; Eamonn Dougan, bass.
  Ex Cathedra: Ex Cathedra Choir, Ex Cathedra Baroque Ensemble, Quintessential Sackbut and Cornet Ensemble. Jeffrey Skidmore, conductor.
  (Baroque Music from Latin America - 2)
  Hyperion CDA 67524 A499

• Los coflades de la estleya.
  Shannon Mercer, soprano I; Estell Gomez, soprano II; Scott Belluz, alto; Joel Gonzalez, tenor; Philippe Martel, bass.
  Ensemble Caprice. Matthias Maute, conductor.
  Analekta AN 2 9957 A1220

• Dixit Dominus.
  Natalie Clifton-Griffith, soprano; William Towers, alto; Christopher Watson, tenor.
  Ex Cathedra: Ex Cathedra Choir, Ex Cathedra Baroque Ensemble, Quintessential Sackbut and Cornet Ensemble. Jeffrey Skidmore, conductor.
  (Baroque Music from Latin America - 2)
  Hyperion CDA 67524 A499

Arbeau, Thoinot. (1519-1595)

note: Thoinot Arbeau published the Orchésograhie in 1588, a collection of tunes of popular 16th century French dances with instructions as to how they were to be danced.
• Orchésographie, 1588, selections.

  • Basse danse "Jouissance vous donneray;" Tourdion; Tourdion.
    The Broadside Band. Jeremy Barlow, director.
    harmonia mundi France HMC 901152 A1723

  • Branle de Malte; Branle des Lavandières; Branle des chevaulx.
    The Broadside Band. Jeremy Barlow, director.
    harmonia mundi France HMC 901152 A1723

  • Branle de Poictou; Branles d'Écosse; Branle de Bretagne.
    The Broadside Band. Jeremy Barlow, director.
    harmonia mundi France HMC 901152 A1723

  • Branle double; Branle simple; Branle gay; Branle de Bourgogne.
    The Broadside Band. Jeremy Barlow, director.
    harmonia mundi France HMC 901152 A1723

  • Cassandra; Pinagay; Charlotte.
    The Broadside Band. Jeremy Barlow, director.
    harmonia mundi France HMC 901152 A1723

  • La danse de la haye; Branle de l'Official.
    The Broadside Band. Jeremy Barlow, director.
    harmonia mundi France HMC 901152 A1723

  • Jouyssance vous donneray; Three French Corantos; Basse danse "La roque."
    The Broadside Band. Jeremy Barlow, director.
    harmonia mundi France HMC 901152 A1723

  • Moresques; Canaries; Les Bouffons.
    The Broadside Band. Jeremy Barlow, director.
    harmonia mundi France HMC 901152 A1723

  • Pavane "Belle qui tiens ma vie;" Gaillarde "La traditore my fa morire;" Gaillarde Anthoinette; Gaillarde "J'aymerois mieulx dormir seulette;" La volte.
    The Broadside Band. Jeremy Barlow, director.
    harmonia mundi France HMC 901152 A1723

Arcadelt, Jacques [Jacob]. (?1505-1568)

• Il bianco e dolce cigno.
  The Deller Consort. Mary Thomas, Honor Sheppard, sopranos; Alfred Deller, counter-tenor; Robert Tear, Max Worthley, tenors; Maurice Bevan, baritone.
  (Madrigal Masterpieces. The Renaissance in Italy, France and England)
  Vanguard Classics OVC 2544 A109

• Il bianco e dolce cigno.
  Hallenser Madrigalisten. Andreas Göpfert, [director].
  (European Madrigals of around 1600)
  BERLIN Classics 00933628BC A160

Archilei, Antonio. (late 1541/1542-1612)

• Dalle più alte sfere. Text by Giovanni de' Bardi.
  note: in the first intermedio for the drama La Pellegrina, see: La Pellegrina for listing of all composers of the intermedii for La Pellegrina.
  note: originally issued by REFLEXE; reissued from the Electrola Collection by EMI CLASSICS.
  Margaretha Ljunggren, soloist.
  Stockholmer Kammerchor. Eric Ericson, chorus master. Linde-Consort. Hans-Martin Linde, director.
  EMI CLASSICS 50999 6 02095 2 8 A527

• La Pellegrina Intermedii (1589) Part of Intermedio 1.
  note: for titles of parts, see A527
  Tessa Bonner, Emma Kirkby, Emily Van Evera, sopranos; Nigel Rogers, tenor.
  Taverner Consort, Taverner Choir, Taverner Players. Andrew Parrott, conductor.
  EMI DIGITAL [Reflexe] CDC 7 47998 2 A841

Arditi, Luigi. (1822-1903)

• Bolero.
  Joan Sutherland, soprano.
  London Symphony Orchestra. Richard Bonynge, conductor.
  London 448 594-2 A14

Arensky, Anton Stepanovich. (1861-1906)

• Dream on the Volga. Son na Volga, opera, op. 16. Libretto by Anton Arensky.
  note: based on Alexander Ostrovsky's melodrama Voyevoda.
  • 1. Overture.
    USSR Symphony Orchestra. Evgeny Svetlanov, conductor.
    Masterworks Portrait MPK 46727 A961

• Suite no. 1 for two pianos, op. 15/1-3.
  1. Romance. 2. Valse. 3. Polonaise.
  

  • 2. Waltz (for two pianos)
    Bracha Eden and Alexander Tamir.
    London 443 810-2 A55

Arnaud, Leo. (1904-1991)

• Bugler's Dream.
  note: part of a larger score, Divertissement for brass and percussion. (Charge Suite)

  • La Chasse, a fanfare from "Bugler's Dream."
    note: based on a French hunting song.
    The Cleveland Symphonic Winds. Frederick Fennell, conductor.
    TELARC CD-80099 A1473

  • "Olympic Theme."
    note: the first fanfare of "Bugler's Dream."
    The Cleveland Symphonic Winds. Frederick Fennell, conductor.
    TELARC CD-80099 A1473

  • "Olympic Theme."
    note: the first fanfare of "Bugler's Dream."
    Boston Pops Orchestra. John Williams, conductor.
    Sony SK 62592 A83

• Olympiad, a fanfare.
  The Cleveland Symphonic Winds. Frederick Fennell, conductor.
  TELARC CD-80099 A1473

Arne, Thomas. (1710-1778)

• Artaxerxes, opera in 3 acts. Libretto by Pietro Metastasio, translated into English by Thomas Arne.
  note: loosely based on certain aspects of the historical King of Persia, Artaxerxes I.
  1. Overture. 2. "Still silence reigns around." (recitative) 3. Fair Aurora, prithee stay. (duettino) 4. "Alas, thou know'st that for my love for thee." (recitative) 5. "Adieu, thou lovely youth." (Air) 6. "O, cruel parting. (recitative) 7. "Amid a thousand racking roles." (Air) 8. "Be firm my heart." (recitative) 9. "Behold,"Stay on Lethe's dismal shore." (Air) 10. "Stay, Artaxerxes, stay." 11. "Fair Semira, lovely maid." (Air) 12. "I fear some dread disaster." (recitative) 13. "When real joy we miss." (Air) 14. "Ye Gods, protectors of the Persian Empire" (recitative) 15. "How hard is the fate." (Air) 16. "Whither do I fly?" (recitative) 17. "Thy father! Away, I renounce the soft claim" (Air) ... 23. "Fly, soft ideas, fly," (Air) Act II: 24. Guards, speed thee to the tower." (recitative) 25. "In infancy our hopes and fears." (Air) ... 31. "If o'er the cruel tyrant love." (Air) ... 35. "By that belov'd embrace" (Air) ... 40. "Thou, like the glorious sun." (Air) Act III: 41. "Why is death forever late." (Arietta) ... 57. "The soldier, tir'd of war's alarms." 58. "Behold, my King, Arbaces at thy feet." (recitative) 59. "Live to us, to Empire live." (Finale, composed by Duncan Druce)
  Christopher Ainslie (Artaxerxes), countertenor; Elizabeth Watts (Mandane), soprano; Caitlin Hulcup (Arbaces), mezzo-soprano; Andrew Staples (Artabanes), tenor; Rebecca Bottone (Semira), soprano; Daniel Norman (Rimenes), tenor.
  The Mozartists. Matthew Truscoff (leader); Continuo: Mark Packwood and Steven Devine (harpsichords), Joseph Crouch (cello). Ian Page, conductor.
  signum CLASSICS SIGCD672 1782

• Rule, Britannia!.

  • 5 Variations in D major by Ludwig van Beethoven on Thomas Arne's song "Rule Britannia." WoO 79/1-5.
    1. Thema (Tempo moderato) 2. Variation I. 3. Variation II. 4. Variation III. 5. Variation IV. 6. Variation V - Coda.
    Alfred Brendel, piano.
    Philips D 163939 A1565

• When daisies pied and violets blue. Poem by William Shakespeare from his play Love's Labour's Lost.
  note: This song survives from Arne's incidental music to Love's Labour's Lost.
  Elisabeth Schwarzkopf, soprano. Gerald Moore, piano.
  EMICDM 7 636542 A981

• Where the bee sucks, there suck I. Poem by William Shakespeare from his play The Tempest.
  note: This song survives from Arne's incidental music to The Tempest.
  Elisabeth Schwarzkopf, soprano. Gerald Moore, piano.
  EMICDM 7 636542 A981

Arnold, Ernst. (1890-1962)

• Da draussen in der Wachau.
  Lotte Lehmann, soprano. Paul Ulanowsky, piano.
  Columbia Symphony Orchestra. Bruno Walter, conductor.
  MASTERWORKS PORTRAIT MPK 47682 A1499

Arnold, Malcolm. (1921-2006)

• Concerto for Harmonica and Orchestra, op. 46. (1964)
  Terry Reilly, harmonica.
  Basel Radio Symphony Orchestra. Cedric Dumont, conductor.
  Chandos 9248 A1373

• Symphony no. 7, op. 113. (1973)
  Royal Philharmonic Orchestra. Vernon Hadley, conductor.
  CONIFER CDCF 177 A1602

• Symphony no. 8, op. 121. (1978)
  Royal Philharmonic Orchestra. Vernon Hadley, conductor.
  CONIFER CDCF 177 A1602

Arriaga, Juan Crisóstomo. (1806-1826)

• String Quartet no. 1 in D minor. (1823)
  1. Allegro. 2. Adagio con espressione. 3. Menuetto. Allegro. 4. Adagio - Allegretto.
  Arriaga Quartet: Michael Guttman, violin. Ivo Lintermans, violin. Jacques Dupriez viola. Luc Tooten, cello.
  ASV CD DCA 1012 A1930

• String Quartet no. 2 in A major. (1823)
  1. Allegro con brio. 2. Tema con variazioni. 3. Menuetto. Scherzo. 4. Andante ma non troppo - Allegro.
  Arriaga Quartet: Michael Guttman, violin. Ivo Lintermans, violin. Jacques Dupriez viola. Luc Tooten, cello.
  ASV CD DCA 1012 A1930

• String Quartet no. 3 in E flat major. (1823)
  1. Allegro. 2. Pastorale. Andantino. 3. Menuetto. Allegro. 4. Presto agitato.
  Arriaga Quartet: Michael Guttman, violin. Ivo Lintermans, violin. Jacques Dupriez viola. Luc Tooten, cello.
  ASV CD DCA 1012 A1930

Artsibushev, Nikolai. (1858-1937)

• Shutka-Kadril', for piano 4 hands/1-6. Quadrille-Joke.
  note: A collaborative effort, each movement is by a different composer as noted with each movement.
  1. Pantalon. (Nikolai Artsibushev) 2. Été. (Jāseps Vītols) 3. Poule. (Anatoly Liadov) 4. Trénis. (Nikolai Sokolov) 5. Pastourelle. (Alexander Glazunov) 6. Finale. (Nikolai Rimsky-Korsakov)
  Marco Rapetti, piano. Akane Makita, second piano.
  BRILLIANT CLASSICS 94155 A1367

Atterberg, Kurt. (1887-1974)

• Concerto for piano and orchestra in B flat minor, op. 37. (1936)
  Dan Franklin Smith, piano.
  Gävle Symphony Orchestra. B. Tommy Andersson, conductor.
  STERLING CDS-1034-2 A1852

• Concerto for violin and orchestra in E minor, op. 7. (1913)
  Christian Bergqvist, violin.
  Gävle Symphony Orchestra. B. Tommy Andersson, conductor.
  STERLING CDS-1034-2 A1852

• Suite no. 3, for violin, viola and string orchestra. Svit nr. 3, för violin, viola, och stråkorkester, op. 19/1/1-3. (1917)
  1. Prelude. 2. Pantomim. 3. Vision.
  Sara Trobäck, violin. Johanna Persson, viola.
  Svenska Kammarorkestern. Petter Sundkvist, conductor.
  Naxos 8.553715S A1617

Auber, Daniel-Francois-Esprit. (1782-1871)

• Le Domino Noir. Libretto by Eugène Scribe.
  Jeannine Micheau (Angèle de Olivarès, a novice nun), soprano; Liliane Berthon (Brigitte de San Luca, her fellow nun and confidante), soprano; Joseoh Peyron (Horace de Massarena, a young Spanish nobleman), tenor; Gaston Rey (Count Juliano, his friend), tenor; Germaine Parras (Claudia, Juliano's housekeeper), alto; (Gil Perez, Claudia's lover), bass; Freda Betti (Ursule, another nun, later abbess of the convent), soprano; Bernard Demigny (Lord Elfort, a British diplomat), tenor; Andrée Cuveillier (Gertrude, convent portress), alto.
  Coro e Orchestra Lirica della Radio Francese. Jules Gressier, conductor.
  Melodram CDM 270110 A880

• L'enfant prodige, grand opera in 5 acts. Libretto by Eugene Scribe.
  note: based on the Biblical story of the prodigal son, Luke, chapter 15.

  • Les Rendezvous, the ballet music from Auber's opera L'enfant prodige, arranged by Constant Lambert. (1933)
    London Symphony Orchestra. Richard Bonynge, conductor.
    London 421 818-2 A2012

• Fra Diavolo. Libretto by Eugène Scribe.
  

  • 1. Fra Diavolo Overture.
    Cincinnati Pops Orchestra. Erich Kunzel, conductor.
    Telarc CD-80144 A124

  • 1. Fra Diavolo Overture.
    Coro e Orchestra Sinfonica di Milano della RAI. Alfredo Simonetto, conductor.
    Melodram CDM 270110 A880

  • Fra Diavolo - Selections.
    Alda Noni (Zerlina), soprano; Giuseppe Campora (Fra Diavolo), tenor; Miti Truccato Pace (Lady Pamela), mezzo-soprano; Gino Orlandini (Lord Rockberg), bass; Giuseppe Nessi (Beppo), tenor; Fernando Corena (Giacomo). bass.
    Coro e Orchestra Sinfonica di Milano della RAI. Alfredo Simonetto, conductor.
    Melodram CDM 270110 A880

  • Act II. Scena Fra Diavolo, Beppo, Giacomo, poi Pamela, Rockberg.
    Coro e Orchestra Sinfonica di Milano della RAI. Alfredo Simonetto, conductor.
    Melodram CDM 270110 A880

  • Act III. Finale - Tutti.
    Coro e Orchestra Sinfonica di Milano della RAI. Alfredo Simonetto, conductor.
    Melodram CDM 270110 A880

• Pas classique, ballet.
  London Symphony Orchestra. Richard Bonynge, conductor.
  London 433 862-2 A2008

• Pas classique, ballet.
  London Symphony Orchestra. Richard Bonynge, conductor.
  London 421 818-2 A2012

Audebert, Jacques. (?-

• Jour du Vivant. (hymn) Text: Commission Francophone Cistercienne.
  Choeur des moines de l'Abbaye de Timadeuc.
  Studio SM D3060 A1123

Audefroi le Bastart. (fl. 1190-1230)

• Au nouvel tens pascor.
  note: chanson de toile.
  Margaret Philpot, alto.
  Gothic Voices. Christopher Page, director.
  helios CDH55282 A444

Auric, Georges. (1898-1983)

• Aria, for flute and piano. (1976)
  Emily Beynon, flute. Andrew West, piano.
  hyperíon CDA67284 A2039

• Les Fâcheux, ballet. Book by Boris Kochno. (1924)
  note: based on Molière's play Les Fâcheux.
  Deutsche Radio Philharmonie Saarbrücken Kaiserslautern. Christoph Poppen, conductor.
  (Diaghilev - Les Ballets Russes vol. 7)
  SWR Music hänsasler classic CD 93.265 A2053

• Imaginées 1, for flute and piano. (1968)
  Emily Beynon, flute. Andrew West, piano.
  hyperíon CDA67284 A2039

• Nocturne, for piano.
  Biliana Tzinlikova, piano.
  Paladino music per 0103 A2038

• Ouverture.
  note: the 1st dance of the children's ballet Les Mariés de la Tour Eiffel.
  The Philharmonia Orchestra. Geoffrey Simon, conductor.
  Chandos CHAN 8356 A2040

• La Pastorale, ballet in a prelude and 12 movements. Book by Boris Kochno. (1926)
  Prelude. 1. Allegro commodo. 2. Andantino con moto. 3. Moderato. 4. 5. Presto. 6. Allegro con brio. 7. 8. Lento ma non troppo. 9. Presto subito. 10. Tempo di Valz, paisiblement. 11. Moderato. 12. Moderato.
  Deutsche Radio Philharmonie Saarbrücken Kaiserslautern. Christoph Poppen, conductor.
  (Diaghilev - Les Ballets Russes, vol. 7)
  SWR Music hänsasler classic CD 93.265 A2053

• 3 Pastorales, for piano/1-3.
  1. Vif et Rude. 2. Modérément animé et dans un sentiment très calme. 3. Très vif et très net.
  Biliana Tzinlikova, piano.
  Paladino music per 0103 A2038

• Prélude, for solo piano.
  note: published in 1920 in L'Album des Six.
  Andrew West, piano.
  hyperíon CDA67284 A2039

• Ritournelles.
  note: the 9th dance of the children's ballet Les Mariés de la Tour Eiffel.
  The Philharmonia Orchestra. Geoffrey Simon, conductor.
  Chandos CHAN 8356 A2040

• Rondeau.
  note: the 9th dance in the children's ballet L'Éventail de Jeanne.
  The Philharmonia Orchestra. Geoffrey Simon, conductor.
  Chandos CHAN 8356 A2040

• Sonatine, for piano/1-3.
  1. Allegro. 2. Andante. 3. Finale. Presto.
  Biliana Tzinlikova, piano.
  Paladino music per 0103 A2038

Austin, Frederic. (1872-1952)

• The Twelve Days Of Christmas. Arranged (1909) by Frederic Austin. 18th C. text.
  note: based on a traditional folk melody of unknown origin.
  (Merry Christmas. Frohe Weihnachten, Track 8)
  Vienna Boys' Choir. Uwe Christian Harrer, conductor.
  Philips 412 551-2 A1814

Avignon, Jean. (1915-1980)

• Grave et Gigue for trumpet and organ.
  1. Grave. 2. Giucosso.
  Rudi Scheck, trumpet. Christian-Markus Raiser, organ. Callinet organ at Mollau.
  hänssler CLASSIC CD-Nr. 98.102 A1077

Bacewicz, Grażyna. (1909-1969)

• Oberek, no. 2 for violin and piano.
  Midori, violin. Robert McDonald, piano.
  SONY SK 52568 A730

Bach, Carl Philipp Emanuel. (1714-1788)

• La Boehmer, for keyboard in D major. Wq. 117:26. H. 81.
  

  • Concerto for piano and orchestra no. 3 in D major/3. K. 40/3. Arranged by Wolfgang Amadeus Mozart.
    note: Presto, the 3rd movement of this concerto, is an arrangement of La Boehmer.
    Murray Perahia, piano.
    English Chamber Orchestra. Murray Perahia, conductor.
    CBS Masterworks M13K 42055 A1265

• 54 Geistliche Oden und Lieder mit Melodien. Poems by Johann Fürchtegott Gellert. Wq. 194/1-54. H. 686/1-54.
  1. Abendlied. "Für alle Güte sey gepreist." 2. Zufriedenheit mit seinem Zustande. "Du klagst und fühlest die Beschwerde." 3. Das Glück eines guten Gewissens. "Besitz ich nur ein ruhiges Gewissen." 4. Vom Worte Gottes. "Gott ist mein Hort!" 5. Weihnachtslied. "Auf, schicke dich." 6. Geduld. "Ein Herz, o Gott." 7. Prüfung am Abend. "Der Tag ist wieder hin." ... 9. Bitten, "Gott, deine Güte reicht so weit." 10. Osterlied. "Jesus lebt, mit ihm auch ich." ... 12. Der Schutz der Kirche. "Wenn Christus seiner Kirche schützt." ... 14. Passionslied. "Erforsche mich, erfahr mein Herz." 15. Morgengesang. "Mein erst' Gefühl sey Preis und Dank!" ... 18. Die Ehre Gottes aus der Natur. "Die Himmel rühmen des Ewigen Ehre." 19. Die Liebe des Nächsten. "So jemand spricht: ich liebe Gott!" ... 21. Gebet. "Dein Heil, o Christ, nicht zu verscherzen." ... 24. Trost eines schwermütigen Christen. "Du klagst, o Christ." ... 26. Preis des Schöpfers. "Wenn ich, o Schöpfer, deine Macht." ... 29.Trost der Erlösung. "Gedanke der uns Leben giebt." ... 31. Abendlied. "Herr, der du mir das Leben." 32. Das natürliche Verderben des Menschen. "Wer bin ich von Natur." ... 34. Der Weg des Frommen. "Wer Gottes Wege geht". 35. In Krankheit. "Ich hab in guten Stunden." 36. Vom Tode. "Meine Lebenszeit verstreicht." 37. Lied am Geburtstage. "Dir dank ich heute für mein Leben." ... 44. Am neuen Jahr. "Er ruft der Sohn." 45. Bußlied. "An dir allein, an dir hab ich gesündigt. 46. Die Liebe der Feinde. "Nie will ich dem zu schaden suchen." ... 48. Wider den Übermut. "Was ist mein Stand." ... 54. Die Wachsamkeit. "Nicht dass ichs schon ergriffen hätte."

  • 1. Abendlied. "Für alle Güte sey gepreist."
    Dorothee Mields, soprano. Ludger Rémy, piano.
    cpo 777 061-2 A1326

  • 3. Das Glück eines guten Gewissens. "Besitz ich nur ein ruhiges Gewissen."
    Dorothee Mields, soprano. Ludger Rémy, piano.
    cpo 777 061-2 A1326

  • 4. Vom Worte Gottes. "Gott ist mein Hort!"
    Dorothee Mields, soprano. Ludger Rémy, piano.
    cpo 777 061-2 A1326

  • 5. Weihnachtslied. "Auf, schicke dich."
    Dorothee Mields, soprano. Ludger Rémy, piano.
    cpo 777 061-2 A1326

  • 6. Geduld. "Ein Herz, o Gott."
    Ludger Rémy, piano.
    cpo 777 061-2 A1326

  • 7. Prüfung am Abend. "Der Tag ist wieder hin."
    Dorothee Mields, soprano. Ludger Rémy, piano.
    cpo 777 061-2 A1326

  • 9. Bitten. "Gott, deine Güte reicht so weit."
    Dorothee Mields, soprano. Ludger Rémy, piano.
    cpo 777 061-2 A1326

  • 10. Osterlied. "Jesus lebt, mit ihm auch ich."
    Dorothee Mields, soprano. Ludger Rémy, piano.
    cpo 777 061-2 A1326

  • 12. Der Schütz der Kirche. "Wenn Christus seiner Kirche schützt."
    Dorothee Mields, soprano. Ludger Rémy, piano.
    cpo 777 061-2 A1326

  • 14. Passionslied. "Erforsche mich, erfahr mein Herz."
    Dorothee Mields, soprano. Ludger Rémy, piano.
    cpo 777 061-2 A1326

  • 15. Morgengesang. "Mein erst' Gefühl sey Preis und Dank!"
    Dorothee Mields, soprano. Ludger Rémy, piano.
    cpo 777 061-2 A1326

  • 18. Die Ehre Gottes aus der Natur. "Die Himmel rühmen des Ewigen Ehre."
    Dorothee Mields, soprano. Ludger Rémy, piano.
    cpo 777 061-2 A1326

  • 19. Die Liebe des Nächsten. "So jemand spricht: ich liebe Gott!"
    Dorothee Mields, soprano. Ludger Rémy, piano.
    cpo 777 061-2 A1326

  • 21. Das Gebet. "Dein Heil, o Christ, nicht zu verscherzen."
    Dorothee Mields, soprano. Ludger Rémy, piano.
    cpo 777 061-2 A1326

  • 24. Trost eines schwermütigen Christen. "Du klagst, o Christ."
    Dorothee Mields, soprano. Ludger Rémy, piano.
    cpo 777 061-2 A1326

  • 26. Preis des Schöpfers. "Wenn ich, o Schöpfer, deine Macht."
    Dorothee Mields, soprano. Ludger Rémy, piano.
    cpo 777 061-2 A1326

  • 29. Trost der Erlösung. "Gedanke der uns Leben giebt."
    Ludiger Rémy, piano.
    cpo 777 061-2 A1326

  • 31. Abendlied. "Herr, der du mir das Leben."
    Dorothee Mields, soprano. Ludger Rémy, piano.
    cpo 777 061-2 A1326

  • 32. Das natürliche Verderben des Menschen. "Wer bin ich von Natur."
    Dorothee Mields, soprano. Ludger Rémy, piano.
    cpo 777 061-2 A1326

  • 34. Der Weg des Frommen. "Wer Gottes Wege geht."
    Dorothee Mields, soprano. Ludger Rémy, piano.
    cpo 777 061-2 A1326

  • 35. In Krankheit. "Ich hab in guten Stunden."
    Dorothee Mields, soprano. Ludger Rémy, piano.
    cpo 777 061-2 A1326

  • 36. Vom Tode. "Meine Lebenszeit verstreicht."
    Dorothee Mields, soprano. Ludger Rémy, piano.
    cpo 777 061-2 A1326

  • 37. Lied am Geburtstage. "Dir dank ich heute für mein Leben."
    Dorothee Mields, soprano. Ludger Rémy, piano.
    cpo 777 061-2 A1326

  • 44. Am neuen Jahr. "Er ruft der Sohn."
    Dorothee Mields, soprano. Ludger Rémy, piano.
    cpo 777 061-2 A1326

  • 45. Bußlied. "An dir allein, an dir hab ich gesündigt."
    Dorothee Mields, soprano. Ludger Rémy, piano.
    cpo 777 061-2 A1326

  • 46. Die Liebe der Feinde. "Nie will ich dem zu schaden suchen."
    Dorothee Mields, soprano. Ludger Rémy, piano.
    cpo 777 061-2 A1326
    

  • 48. Wider den Übermut. "Was ist mein Stand."
    Dorothee Mields, soprano. Ludger Rémy, piano.
    cpo 777 061-2 A1326

• 12 geistliche Oden und Lieder als ein Anhang zu Gellerts geistliche Oden. Wq. 195. H. 696.
  1. Aufmunterung . "Ins Reich entfernter Ewigkeiten." 2. Nachahmung der göttlichen Liebe. "Urquell der Liebe." ... 9. Der 100. Psalm. "Ihr Völker jauchzt." 10. An Gott. "Wenn ich erwache, denk' ich dein. 11. Morgengesang. "Der junge Tag, zurückgekommen." 12. Der 88. Psalm. "Mein Heiland, meine Zuversicht."
  • 9. Der 100. Psalm. "Ihr Völker jauchzt."
    Dorothee Mields, soprano. Ludger Rémy, piano.
    cpo 777 061-2 A1326

  • 11. Morgengesang. "Der junge Tag, zurückgekommen."
    Ludger Rémy, piano.
    cpo 777 061-2 A1326

  • 12. Der 88. Psalm. "Mein Heiland, meine Zuversicht."
    Ludger Rémy, piano.
    cpo 777 061-2 A1326

  Hamburg Sinfonias. Wq. 182/1-6. H. 657-662,
  see: Sinfonia in .... Wq. 182/Nos. 1-6. H. 657-662.

• March. Arranged by Philip Jones.
  note: from C. P. E. Bach's works, unspecified
  Philip Jones Brass Ensemble.
  Decca 289 466 241-2 A206

• 3 Quartets for flute, viola, piano and cello. Wq. 93-95. H. 37-39.
  1. Quartet in A minor. 2. Quartet in D major. 3. Quartet in G major.
  Nicholas McGegan, flute; Catherine Mackintosh, viola. Anthony Pleeth, cello. Christopher Hogwood, piano.
  L'Oiseau-Lyre D 125389 A1490

• Sinfonia in G major. Wq. 182/1. H. 657.
  Capella Istropolitana [string orchestra]. Christian Benda, conductor.
  Naxos 8.553285 A282

• Sinfonia in B flat major. Wq. 182/2. H. 658.
  Capella Istropolitana [string orchestra]. Christian Benda, conductor.
  Naxos 8.553285 A282

• Sinfonia in C major. Wq. 182/3. H. 659.
  Capella Istropolitana [string orchestra]. Christian Benda, conductor.
  Naxos 8.553285 A282

• Sinfonia in A major. Wq. 182/4. H. 660.
  Capella Istropolitana [string orchestra]. Christian Benda, conductor.
  Naxos 8.553285 A282

• Sinfonia in B minor. Wq. 182/5. H. 661.
  Capella Istropolitana [string orchestra]. Christian Benda, conductor.
  Naxos 8.553285 A282

• Sinfonia in E major. Wq. 182/6. H. 662.
  Capella Istropolitana [string orchestra]. Christian Benda, conductor.
  Naxos 8.553285 A282

• Flute [or Violin] Sonata in G minor. BWV 1020.
  note: once attributed to Johann Sebastian Bach, now attributed to Carl Philipp Emanuel Bach
  András Adorjájan, flute.
  Huguette Dreyfus, harpsichord. Joachim Rabe, viola da gamba.
  DENON CM-1713/14 A972

• 6 Flute Sonatas. BWV 1030-1035.
  1. B minor. *2. E flat major. 3. A major. *4. C major. 5. E minor. 6. E major.
  *nos. 2 and 4, once attributed to Johann Sebastian Bach, now attributed to Carl Philipp Emanuel Bach.
  András Adorjájan, flute.
  Huguette Dreyfus, harpsichord. Joachim Rabe, viola da gamba.
  DENON CM-1713/14 A972

Bach, Johann Christian. (1735-1782)

Six Grand Overtures, op. 18/1-6. T269/4,
see: Symphony....op. 18/1-6 (each listed separately)
note: overture was synonymous with symphony (sinfonia) at this time.
note: this op. 18 was compiled and published by William Forster, although Johann Christian Bach had already designated six sonatas as op. 18.

• Sinfonia concertante for violin, cello and orchestra in A major. T284/4.
  Pinchas Zukermann, violin; Yo-Yo Ma, cello; Layton James, harpsichord.
  Saint Paul Chamber Orchestra. Pinchas Zukermann, director.
  SONY CLASSICAL SK 39964 A875

• [Symphony] [aka Grand Overture] for double orchestra in E flat major. op. 18/1.
  English Chamber Orchestra. William Boughton, conductor.
  Nimbus Records NI 5403 A1117

• Symphony for double orchestra in E flat major, op. 18/1.
  The Hanover Band. Anthony Halstead, conductor.
  cpo 999 752-2 A519

• Symphony (Grand Overture) for double orchestra in E flat major, op. 18/1.
  Layton James, harpsichord. Yo-Yo Ma, cello. Pinchas Zukermann, violin.
  Saint Paul Chamber Orchestra. Pinchas Zukermann, director.
  SONY CLASSICAL SK 39964 A875

• [Symphony] [aka Grand Overture] in B flat major, op. 18/2.
  note: overture to his opera Lucio Silla.
  English Chamber Orchestra. William Boughton, conductor.
  Nimbus Records NI 5403 A1117

• Symphony in B flat major, op. 18/2.
  note: overture to his opera Lucio Silla.
  The Hanover Band. Anthony Halstead, conductor.
  cpo 999 752-2 A519

• [Symphony] [aka Grand Overture] for double orchestra in D major, op. 18/3.
  Note: originally the overture to Endiminone.
  English Chamber Orchestra. William Boughton, conductor.
  Nimbus Records NI 5403 A1117

• Symphony for double orchestra in D major, op. 18/3.
  note: originally the overture to Endimione.
  The Hanover Band. Anthony Halstead, conductor.
  cpo 999 752-2 A519

• [Symphony] [aka Grand Overture] in D major, op. 18/4.
  note: the Andante is an arrangement of the slow movement of the overture to his opera Temistocles; the first and third movement are original to the symphony.
  English Chamber Orchestra. William Boughton, conductor.
  Nimbus Records NI 5403 A1117

• Symphony in D major, op. 18/4.
  note: the Andante is an arrangement of the slow movement of the overture to his opera Temistocle; the first and third movement are original to the symphony.
  The Hanover Band. Anthony Halstead, conductor.
  cpo 999 752-2 A519

• [Symphony] [aka Grand Overture] for double orchestra in E major. op. 18/5.
  English Chamber Orchestra. William Boughton, conductor.
  Nimbus Records NI 5403 A1117

• Symphony for double orchestra in E major, op. 18/5.
  The Hanover Band. Anthony Halstead, conductor.
  cpo 999 752-2 A519

• [Symphony][aka Grand Overture] in D major. op. 18/6.
  note: an arrangement, not by Johann Christian Bach, but possibly by William Forster, of the overture and two of the ballet movements in Johann Christian Bach's opera Amadis de Gaule.
  English Chamber Orchestra. William Boughton, conductor.
  Nimbus Records NI 5403 A1117

• Symphony in D major, op. 18/6.
  note: an arrangement, not by Johann Christian Bach, but possibly by William Forster, of the overture and two of the ballet movements in Johann Christian Bach's French opera Amadis de Gaule.
  The Hanover Band. Anthony Halstead, conductor.
  cpo 999 752-2 A519

Bach, Johann Christoph. (1642-1703)

• Ach Gott, vom Himmel sieh' darein. BWV 741. Psalm 12 translated and paraphrased by Martin Luther.
  note: once attributed to Johann Sebastian Bach and placed listed among his Miscellaneous Choral Preludes [hence BWV 741], now attributed to Johann Christoph Bach.
  note: Johann Christoph Bach was the son of a first cousin of Johann Sebasian Bach's father.
  Peter Hurford, organ. The organ in School Hall, Eton College, Windsor.
  TELDEC 4509-94459-2 A1762

Bach, Johann Michael. (ca. 1656-1745)

• In dulci jubilo. BWV 751.
  note: from Miscellaneous Choral Preludes.
  note: once attributed to Johann Sebastian Bach, now attributed to Johann Michael Bach.
  Peter Hurford, organ. The organ in St. Catharine's College Chapel
  London 425 635-2 A1762

Bach, Johann Sebastian. (1685-1750)

Ach bleib bei uns, Herr Jesu Christ,
Schübler Choral Preludes. 5.
• Ach Gott, vom Himmel sieh' darein. BWV 741. Psalm 12 translated and paraphrased by Martin Luther.
  note: from Miscellaneous Chorale Preludes.
  note: problems of composer authenticity, attributed to Johann Christoph Bach.
  Peter Hurford, organ. The organ in School Hall, Eton College, Windsor.
  TELDEC 4509-94459-2 A1762

• Ach Herr, mich armen Sünder. BWV 742.
  note: from Miscellaneous Chorale Preludes.
  Peter Hurford, organ. The organ in St. Catharine's College Chapel, Cambridge.
  TELDEC 4509-94459-2 A1762

• Ach, was ist doch unser Leben. BWV 743.
  note: from Miscellaneous Choral Preludes.
  note: authenticity problems
  Peter Hurford, organ. The organ in St. Catharine's College Chapel, Cambridge.
  TELDEC 4509-94459-2 A1762

  Ach wie nichtig, ach wie flüchtig,
  see: Orgelbüchlein. 46.

• Adagio in G major. BWV 968.
  note: virtually identical to the first movement of Johann Sebastian Bach's violin sonata in C major, BWV 1005; however this arrangement for keyboard is thought by some sources to be by Wilhelm Friedemann Bach.
  Rosalyn Tureck, piano.
  VAi AUDIO VAIA 1041 A965

  Air on the G string,
  see: Orchestral Suite no. 3.
  When the second movement is performed alone, it is usually in an arrangement known as Air on the G string by August Wilhelmj.

  Alle Menschen müssen sterben. BWV 643,
  see: Orgelbüchlein. 45.

  Allein Gott in der Höh sei Ehr'.
  Leipzig Chorale Preludes. 12, 13, 14 (trio)

  Allein Gott in der Höh sei Ehr'. BWV 675, 676, 677.
  see: Catechism Preludes 7, 8, 9 Fughetta.

  Das alte Jahr vergangen ist. BWV 614,
  see: Orgelbüchlein. 16.

  An Wasserflössen Babylon,
  see: Leipzig Chorale Preludes. 3.

• Aria variata alla maniera italiana. Aria and 10 Variations in the Italian Style in A minor. BWV 989.
  Rosalyn Tureck, piano.
  VAi AUDIO VAIA 1041 A965

• The Art of the Fugue. Die Kunst der Fuge. BWV 1080/1-19.
  1. Contrapunctus I. 2. Contrapunctus II. 3. Contrapunctus III. 4. Contrapunctus IV. 5. Contrapunctus V. 6. Contrapunctus VI, a 4 in Stylo Francese. 7. Contrapunctus VII, a 4 per Augmentationem et Diminutionem. 8. Contrapunctus VIII, a 3. 9. Contrapunctus IX, a 4 alla Duodecima. 10. Contrapunctus X, a 4 alla Decima. 11. Contrapunctus XI, a 4. 12. Contrapunctus XII, a 4 (12a. rectus, 12b. inversus) 13. Contrapunctus XIII, a 3 (13a. rectus, 13b. inversus) 14. Canon per augmentationem in Contrario Motu. 15. Canon alla Ottava. 16. Canon alla Decima in Contrapunto alla Terza. 17. Canon alla Duodecima in Contrapunto alla Quinta. 18a. Fuga a 2 (rectus) and 18b. Alio modo Fuga a 2 (inversus) 19. Fuga a 3 Sogetti (10a. Contrapunctus XIV, a 4, ... fragment)
  note: concludes with 18.a and 18.b., alternative fugues not included under the title; the 4 canons do not appear in sequence after Contrapunctus 7, but rather before Contrapunctus 8 and the inverse of same, Contrapunctus inversus 12 a 4, and before the final fugue.
  Evgeni Koroliov, piano and Ljupka Hadẑigeorgieva, piano II.
  TACET 13 A627
  • The Art of the Fugue/1, 4, 5, 7, 19.
    1. Contrapunctus I; 4. Contrapunctus IV; 5. Contrapunctus V; 7. Contrapunctus VII, a 4 per Augmentationem et Diminutionem. 19. Fuga a 3 Soggetti (Contrapunctus XIV, a 4, ... fragment of a quadruple fugue.
    Academy of St. Martin in the Fields. Sir Neville Marriner, conductor.
    Philips 438 900-2 A53

• Auf meinen lieben Gott. BWV 744.
  note: from the Miscellaneous Chorale Preludes.
  note: authenticity problems
  Peter Hurford, organ. The organ in St. Catharine's College Chapel, Cambridge.
  London 425 635-2 A1762

• Aus der Tiefe rufe ich. BWV 745.
  note: from the Miscellaneous Chorale Preludes.
  note: authenticity problems.
  Peter Hurford, organ. The organ in St. Catharine's College Chapel, Cambridge.
  London 425 635-2 A1762

  Aus tiefer Not schrei ich zu dir. BWV 686, BWV 687,
  see: Catechism Choral Preludes 18 & 19 (alio modo)

  Ave Maria,
  see: Well-tempered Clavier. Prelude no. 1. BWV 856. Ave Maria. Charles Gounod melody adaptation.

• Bist du bei mir. BWV 508.
  note: long attributed to Johann Sebastian Bach, because of its inclusion in his 1725 Notenbüchlein für Anna Magdalena Bach, is now known to be an aria by Gottfried Heinrich Stölzel (1690-1749) from his opera Diomedes.
  Elisabeth Schwarzkopf, soprano. Gerald Moore, piano.
  EMICDM 7 636542 A981

• Bist du bei mir. BWV 508.
  note: long attributed to Johann Sebastian Bach, because of its inclusion in his 1725 Notenbüchlein für Anna Magdalena Bach, is now known to be an aria by Gottfried Heinrich Stölzel (1690-1749) from his opera Diomedes.
  Kiri Te Kanawa, soprano.
  English Chamber Orchestra. Barry Rose, conductor.
  Philips 438 900-2 A53

• Brandenburg Concerto no. 1 in F major. BWV 1046.
  Simon Standage, violono piccolo concertato.
  The English Concert (on original instruments). Trevor Pinnock, harpsichord and conductor.
  ARCHIV PRODUKTION 410 500-2 A131

• Brandenburg Concerto no. 2 in F major. BWV 1047.
  Academy of St. Martin in the Fields. Sir Neville Marriner, conductor.
  Philips 438 900-2 A53

• Brandenburg Concerto no. 2 in F major. BWV 1047.
  Wynton Marsalis, trumpet; Cho-Liang Lin, violin; William Bennett, flute; Neal Blak, oboe; Charles Tunnell, cello continuo; Ian Watson, harpsichord continuo.
  English Chamber Orchestra. Anthony Newman, conductor.
  SK 66244 A661

• Brandenburg Concerto no. 2 in F major. BWV 1047.
  Micaela Comberti, trumpet; Philip Pickett, recorder; David Reichenberg, oboe; Simon Standage, violino concertante.
  The English Concert (on original instruments). Trevor Pinnock, harpsichord and conductor.
  ARCHIV PRODUKTION 410 500-2 A131

• Brandenburg Concerto no. 3 in G major. BWV 1048.
  note: string group concerto with continuo (harpsichord)
  The English Concert (on original instruments). Trevor Pinnock, harpsichord and conductor.
  ARCHIV PRODUKTION 410 500-2 A131

• Brandenburg Concerto no. 4 in G major. BWV 1049.
  Simon Standage, violin; Philip Pickett, recorder I; Rachel Beckett, recorder II.
  The English Concert (on original instruments). Trevor Pinnock, harpsichordist and conductor.
  ARCHIV PRODUKTION 410 500-2 A132

• Brandenburg Concerto no. 5 in D major. BWV 1050.
  Lisa Beznosiuk, flute; Simon Standage, violin; Trevor Pinnock, harpsichord.
  The English Concert (on original instruments). Trevor Pinnock, harpsichordist and conductor.
  ARCHIV PRODUKTION 410 500-2 A132

• Brandenburg Concerto no. 6 in B flat major. BWV 1051.
  note: string group (violas, violas da gamba, cellos, bass violins) concerto with continuo (harpsichord)
  The English Concert (on original instruments). Trevor Pinnock, harpsichordist and conductor.
  ARCHIV PRODUKTION 410 500-2 A132

• Canon a 8 voices. [Canon trias harmonica] BWV 1072.
  Gottfried von der Goltz, violin, viola; Karl Kaiser, flutist; Ekkehard Weber, viola da gamba; Michael Behringer, piano.
  Musical Heritage Society 5161257 A1806

• Canon a 4 voices. [Canon a 4 preparatus] BWV 1073.
  Gottfried von der Goltz, violin, viola; Karl Kaiser, flutist; Ekkehard Weber, viola da gamba; Michael Behringer, piano.
  Musical Heritage Society 5161257 A1806

• Canon a 4 voices. [Canon a 4] BWV 1074.
  Gottfried von der Goltz, violin, viola; Karl Kaiser, flutist; Ekkehard Weber, viola da gamba; Michael Behringer, piano.
  Musical Heritage Society 5161257 A1806

• Canon a 2 voices. [Canon a 4 preparatus] BWV 1075.
  Gottfried von der Goltz, violin, viola; Karl Kaiser, flutist; Ekkehard Weber, viola da gamba; Michael Behringer, piano.
  Musical Heritage Society 5161257 A1806

• Canon a 6 voices. [Canon triplex] BWV 1076.
  Gottfried von der Goltz, violin, viola; Karl Kaiser, flutist; Ekkehard Weber, viola da gamba; Michael Behringer, piano.
  Musical Heritage Society 5161257 A1806

• Canon a 4 voices and bass (Sogetto) [Canone doppio sopr'il Sogetto] BWV 1077.
  Gottfried von der Goltz, violin, viola; Karl Kaiser, flutist; Ekkehard Weber, viola da gamba; Michael Behringer, piano.
  Musical Heritage Society 5161257 A1806

• Canon a 7 voices and basso continato. [Canon super Fa Mi a 7 post Tempus Musicum] BWV 1078.
  Gottfried von der Goltz, violin, viola; Karl Kaiser, flutist; Ekkehard Weber, viola da gamba; Michael Behringer, piano.
  Musical Heritage Society 5161257 A1806

• Canon a 2 voices. [Canon concordia discors; Kanon zu 2 Stimmen]. Canon in D major. BWV 1086.
  Gottfried von der Goltz, violin, viola; Karl Kaiser, flutist; Ekkehard Weber, viola da gamba; Michael Behringer, harpsichord, piano.
  Musical Heritage Society Gottfried5161257 A1806

• Canonical Variations on "Vom Himmel hoch, da komm ich her." BWV 769.
  (Miscellaneous Chorale Preludes)
  Helmut Walcha, organ. Silbermann organ in the Church of Saint-Pierre-le-Jeune, Strasbourg.
  Deutsche Grammophon 453 064-2 A1800

• 14 Canons on the 1st 8 fundamental notes of the aria from the Goldberg Variations. BWV 1087/1-14.
  1. Canon Simplex. (harpsichord) 2. all' revescio. (harpsichord) 3. Beede vorigen Cantones zugleich, motu recto e concentrario (violin, harpsichord) 4. motu contrario e recto. (violin, harpsichord) 5. Canon duplex a 4. (violin I and II, viola, cello, harpsichord) 6. Canon simplex &uu;ber besagtes Fundament a 3. 7. Idem a 3. (viola I, and II, harpsichord) 8. Canon simplex a 3, il soggetto in Alto. (viola, violin and cello) 9. Canon in unisono postsemifusam a 3. (violin I and II, cello, harpsichord) 10. Alio modo , per syncopationes et pur ligaturas a 2/Evolutio. 11. Canon duplex übers Fundament a 5. (violin I and II, harpsichord) 12. Canon duplex, übers besagten Fundamental-Noyen a 5. (violin I and II, viola I and II, cello, harpsichord) 13. Canon triplex a 6. (violin I and II, viola I and II, cello, harpsichord) 14. Canon a 4 per Augmentationem et Diminutionem. (violin I, viola I, violin II and viola II unisono, cello, harpsichord).
  Gottfried von der Goltz, violin, viola; Karl Kaiser, flutist; Ekkehard Weber, viola da gamba; Michael Behringer, harpsichord, piano.
  Musical Heritage Society Gottfried5161257 A1806

• Cantata no. 1. Wie schön leuchtet der Morgenstern. BWV 1/1-6. Unknown librettist, possibly Andreas Stübel. The opening and closing chorale movements based on Philipp Nicolai's hymn "Wie schön leuchtet der Morgenstern."
  1. Wie schön leuchtet der Morgenstern. 2. Du wahrer Gottes und Marien Sohn. 3. Erfüllet, ihr himmlischen göttlichen Flammen. 4. Ein irdischer Glanz, ein leiblich Licht. 5. Unser Mund und Ton der Saiten. 6. Wie bin ich doch so herzlich gut.
  • 3. Erfüllet, ihr himmlischen göttlichen Flammen. (aria)
    Soloist of the Wiener Sängerknaben.
    Concentus musicus Wien. Nikolaus Harnoncourt, conductor.
    TELDEC D 102965 A592

• Cantata no. 4. Christ lag in Todesbanden. BWV 4/1-8. Text is Martin Luther's hymn of the same name, melody by Martin Luther and Johann Walter.
  1. Sinfonia. 2. (Chorus) Christ lag in Todesbanden. 3. (Duet: soprano, alto) Den Tod niemand zwingen kann. 4. (Aria: tenor) Jesus Christus, Gottes Sohn. 5. (Chorus) Es war ein wunderlicher Krieg. 6. (Aria: bass) Hier ist das rechte Osterlamm. 7. (Duet: soprano, tenor) So feiern wir das hohe Fest. 8. (Chorale) Wir essen und leben wohl.
  Barbara Schlick, soprano; Kai Wessel, alto; Guy de Mey, tenor; Klaus Mertens,bass.
  The Amsterdam Orchestra and Choir. Ton Koopman, director.
  note: this recording also includes the expanded version (plus cornet and 3 trombones) of movements 2-3 and 8; and the expanded version (plus a 16' bass viol) of movement 1, for the Leipzig revival.
  Erato 4509-98536-2 A1112

• Cantata no. 4. Christ lag in Todesbanden. BWV 4/1-8. Text is Martin Luther's hymn of the same name, melody by Martin Luther and Johann Walter.
  1. Sinfonia. 2. (Chorus) Christ lag in Todesbanden. 3. (Duet: soprano, alto) Den Tod niemand zwingen kann. 4. (Aria: tenor) Jesus Christus, Gottes Sohn. 5. (Chorus) Es war ein wunderlicher Krieg. 6. (Aria: bass) Hier ist das rechte Osterlamm. 7. (Duet: soprano, tenor) So feiern wir das hohe Fest. 8. (Chorale) Wir essen und leben wohl.
  Yumiko Kurisu, soprano; Akira Tachikawa, counter tenor; Koki Katano, tenor; Peter Kooy, bass.
  Bach Collegium Japan. Masaaki Suzuki, conductor.
  BIS CD-751 A98

• Cantata no. 5. Wo soll ich fliehen hin? BWV 5/1-7. Some text from Johann Heermann's hymn of the same name, otherwise anonymous.
  1. Wo soll ich fliehen hin. (chorus) 2. Der Sünden Wust hat mich nicht nur befleckt. (recitative: bass) 3. Ergiesse dich reichlich. (aria: tenor) 4. Mein treuer Heiland tröstet mich. (recitative: alto) 5. Verstumme, Höllenheer. (aria: bass) 6. Ich bin ja nur der kleinste Theil der Welt. (recitative: soprano) 7. Führ auch mein Herz und Sinn. (choral)
  Joanne Lunn, soprano; William Towers, alto; James Gilchrist, tenor; Peter Harvey, bass.
  The Monteverdi Choir. The English Baroque Soloists. John Eliot Gardiner, conductor.
  Soli Deo Gloria SDG 110 A1129

• Cantata no. 8. Liebster Gott, wenn werd' ich sterben? BWV 8/1-6. Text based on the chorale of the same name by Caspar Neumann.
  1. (Chorus) Liebster Gott, wenn werd' ich sterben? 2. (Aria, tenor) Was willst du dich, mein Geist, entsetzen. 3. (Recitative, alto) Zwar fühlt mein schwaches Herz. 4. (Aria, tenor) Doch weichet ihr tollen vergeblichen Sorgen. 5. (Recitative, bass) Behalte nur, O Welt das Meine. 6. (Chorale) Herrscher über Tod und Leben.
  Julianne Baird, Judith Nelson, sopranos; Judith Malafronte, alto; Steven Rickards, counter-tenor; Jeffrey Thomas, tenor; William Sharp, baritone; James Weaver, bass.
  American Bach Soloists. Jeffrey Thomas, music director.
  CD Baby Bach Cantata Series, vol. 2: Trauerode. A1131
  • 1. Liebster Gott, wenn werd' ich sterben? (chorale)
    King's College Choir Cambridge. David Willcocks, chorus master.
    Leonhardt-Consort. Gustav Leonhardt, conductor.
    TELDEC D 102965 A592

• Cantata no. 12. Weinen, Klagen, Sorgen, Zagen. BWV 12/1-7. Text assumed to be by Salomon Franck; movement 3 is Acts 14:22; the closing chorale is the last stanza of Samuel Rodigast's hymn "Was Gott tut ist wohlgetan."
  1. Sinfonia. 2. Weinen, Klagen, Sorgen, Zagen. 3. Wir müssen durch viel Trübsal. 4. Kreuz und Krone sind verbunden. 5. Ich folge Christo nach. 6. Sei getreu, alle Pein. 7. Was Gott tut, ist wohlgetan.
  Carolyn Sampson, soprano. Daniel Taylor, countertenor. Mark Padmore, tenor. Peter Kooy, bass.
  Collegium Vocale Gent. Phillippe Herreweghe, conductor.
  harmonia mundi HMC 901843 A1054
  • Variations (by Franz Liszt) on a theme of Bach. S. 180.
    note: theme from the b. c. of Cantata no. 12/1, Weinen, Klagen, Sorgen, Zagen and from the Crucifixus of the B minor mass.
    Michel Dalberto, piano.
    DENON 81757 9289 2 A1903

• Cantata no. 21. Ich hatte viel Bekümmernis. BWV 21/1-11. Text probably by Salomon Franck; movements 2, 6, 9, and 11 are Biblical texts: Psalm 94:19, Psalm 42:5, Psalm 116:7 and Revelation 5:12-13, respectively; movement 9 includes also stanzas 2 and 5 from Georg Neumark's hymn "Wer nur den lieben Gott lässt walten."
  1. Part I: 1. Sinfonia. 2. (Chorus) Ich hatte viel Bekümmernis. 3. (Aria: soprano) Seufzer, Tränen, Kummer, Not. 4. (Recitative: soprano) Wie hast du dich, mein Gott. 5. (Aria: soprano) Bäche von gesalz'nen Zähren. 6. (Chorus) Was betrübst du dich, meine Seele. Part II: (Recitative: soprano, bass) 7. Ach Jesu, meine Ruh'. 8. (Duet: soprano, bass) Komm, mein Jesu und erquicke. 9. (Chorus) Sei nun wieder zufrieden, meine Seele. 10. (Aria: soprano) Erfreue dich, Seele, erfreue dich, Herze. 11. (Chorus) Das Lamm, das erwürget ist.
  Barbara Schlick, soprano; Klaus Mertens, bass.
  The Amsterdam Orchestra and Choir. Ton Koopman, director.
  note: this recording also includes the expanded version (plus cornet and 3 trombones) of movement 9 for the Leipzig revival.
  Erato 4509-98536-2 A1112

  • 3. Seufzer, Tränen, Kummer, Not. (aria)
    Duet: Kathleen Battle, soprano and Wynton Marsalis, trumpet.
    Anthony Newman, Harpsichord and Organ Continuo; Daire Fitzgerald, Cello Continuo; John Feeney, Bass Continuo; John T. Kulowitsch, Bass Continuo.
    Orchestra of St. Luke's. John Nelson, conductor.
    Sony SK 46672 A162

• Cantata no. 22. Jesu nahm zu sich die Zwölfe. BWV 22/1-5. Poet unknown. 1st movement is Luke 18:31-43; closing chorale is "Ertöt' uns durch dein' Güte," a stanza from Elisabeth Cruciger's hymn, "Herr Christ, der einig Gotts Sohn."
  1. Jesu nahm zu sich die Zwölfe. 2. Mein Jesu, ziehe mich nach dir. 3. Mein Jesu, ziehe mich, so werd' ich laufen. 4. Mein Alles in Allein, mein ewiges Gut. 5. Ertöt' uns durch dein' Güte.
  
  • 5. Ertöt' uns durch dein' Güte. Sanctify us by thy goodness. (chorale) Arranged for piano by Harriet Cohen.
    Alicia de Larrocha, piano.
    London 443 810-2 A55

• Cantata no. 31. Der Himmel lacht! Die Erde jubilieret. BWV 31/1-9. Text Salomon Franck. The final chorale "So fahr ich hin zu Jesu Christ" is the last verse of "Wenn mein Stündlein vorhanden ist" by Nikolaus Herman.
  1. Sonata. 2. (Chorus-soprano, alto) Der Himmel lacht! Die Erde jubilieret. 3. (Recitative: bass) Erwünschter Tag! Sei, Seele, wieder froh. 4. (Aria: bass) Fürst des Lebens, starker Streiter. 5. (Recitative: tenor) So stehe denn du Göttergebne Seele. 6. (Aria: tenor) Adam muss' in uns verwesen. 7. (Recitative: soprano) Weil dann das Haupt sein Glied. 8. (Aria: soprano) Letzte Stunde, brich herein. 9. (Chorus) So fahr ich hin zu Jesu Christ.
  Barbara Schlick, soprano; Kai Wessel, alto; Guy de Mey, tenor; Klaus Mertens, bass.
  The Amsterdam Orchestra and Choir. Ton Koopman, director.
  Erato 4509-98536-2 A1112

  • 2. Der Himmel lacht! Die Erde jubilieret. (chorus)
    Wiener Sängerknaben.
    Chorus Viennensis. Hans Gillesberger, chorus master.
    Concentus musicus Wien. Nikolaus Harnoncourt, conductor.
    TELDEC D 102965 A592

  • 8. Letzte Stunde, brich herein. (aria)
    Soloist of the Wiener Sängerknaben.
    Concentus musicus Wien. Nikolaus Harnoncourt, conductor.
    TELDEC D 102965 A592

• Cantata no. 36. Schwingt freudig dich empor. (final version) BWV 36/1-8. Anonymous text plus 2 newly composed arrangements of Philipp Nicolai's hymn "Wie schön leuchtet der Morgenstern" and Martin Luther's hymn "Nun komm, der Heiden Heiland" in movement 2 and 6 and its final strophe as the concluding chorale.
  Erster Teil: 1. Schwingt freudig euch empor. (chorus) 2. Nun komm, der Heiden Heiland. (soprano and bass chorale) 3. Die Liebe zieht mit sanften Schritten. (tenor aria) 4. Zwingt die Saiten in Cythara. (chorale) Zweiter Teil: 5. Willkommen werter Schatz. (bass aria) 6. Der du bist dem Vater gleich. (tenor chorale) 7. Auch mit gedämpften, schwachen Stimmen.(soprano aria) 8. Lob sei Gott dem Vater, ton. (chorale)
  Sandrine Piau, soprano. Bogna Bartosz, alto. James Gilchrist, tenor. Klaus Mertens, bass.
  The Amsterdam Baroque Orchestra & Choir. Ulrike Grosch, choir master. Ton Koopman, director.
  Challenge Classics CC72218 A1993

• Cantata no. 38. Aus tiefer Not schrei ich zu dir. BWV 38/1-6. Hymn by Martin Luther as a paraphrase of Psalm 130.
  1. Aus tiefer Not schrei ich zu dir. 2. In Jesu Gnade wird allein der Trost. 3. Ich höre mitten in dem Leiden. 4. Ach! dass mein Glaube noch so schwach. 5. Wenn meine Trübsal als mit Ketten. 6. Ob bei uns der Sünden viel.
  Carolyn Sampson, soprano. Daniel Taylor, countertenor. Mark Padmore, tenor. Peter Kooy, bass.
  Collegium Vocale Gent. Phillippe Herreweghe, conductor.
  harmonia mundi HMC 901843 A1054

• Cantata no. 42. Am Abend aber desselbigen Sabbats. BWV 42/1-7. Unknown poet. 2nd movement is John 20:19. 4th movement begins with Verzage nicht, the first stanza of Jakob Fabricius' hymn. The closing chorale begins with two stanzas from the Martin Luther hymn "Erhalt uns, Herr, bei deinem Wort" and concludes with Martin Luther's translation of "Da pacem Domine, "Man kann hervon ein schön Exempel sehen" and a stanza from Johann Walter's paraphrase of 1 Timothy 2:2.
  1. Sinfonia. 2. Am Abend aber desselbigen Sabbats. 3. Wo Zwei und Drei versammelt. 4. Verzage nicht. 5. Man kann hervon ein schö Exempel sehen. 6. Jesu ist ein Schild der Seinen. 7. Verleih' uns Frieden gnädiglich.
  • 1. Sinfonia.
    note: on authentic instruments
    The English Concert. Peter Hanson, concert master. Trevor Pinnock, director from the harpischord.
    Archiv Produktion 430 780-2 A202

• Cantata no. 45. Es ist dir gesagt, Mensch, was gut ist. BWV 45/1-7. Text attributed to Ernst Ludwig, Duke of Saxe-Meiningen (Micah 6:8-); the chorale is derived from "O Gott, du frommer Gott," a hymn by Johann Heermanns.
  Part I. 1. Es ist dir gesagt, Mensch, was gut ist. (Chorus) 2. Der Höchste lässt mich seinen Willen lassen. (tenor recitative) 3. Weiß ich Gottes Rechte. (tenor aria) Part II: 4. Es werden viele zu mir sagen an jenem Tage, (bass arioso) 5. Wer Gott bekennt. (alto aria) 6. So wird denn Herz und Mund selbst. (alto recitative) 7. Gib, daß ich tu' mit Fleiß. (chorale)
  Bogna Bartosz, alto. Christoph Prégardien, tenor. Klaus Mertens, bass.
  The Amsterdam Baroque Orchestra & Choir. Ulrike Grosch, choir master. Ton Koopman, director.
  Challenge Classics CC72218 A1993

• Cantata no. 47. Wer sich selbst erhöhet, der soll erniedriget werden. BWV 47/1-5. Text (2-4) by Johann Friedrich Helbig; 1 is Luke 14:11; 5 is 11th verse, of "Warum betrübst du dich, mein Herz", anonymous hymn.
  1. Wer sich selbst erhöhet. (chorus) 2. Wer ein wahrer Christ soll heißen. (soprano aria) 3. Der Mensch ist Kot, Staub, Asch und Erde. (bass recitative) 4. Jesu, beuge doch mein Herze. (bass aria) 5. Die zeitlichen Ehrn will ich gern entbehrn. (chorale)
  Appendix: 1. later version accompanied by violin rather than organ obbligato. (disc 1, track 23)
  The Amsterdam Baroque Orchestra & Choir. Ulrike Grosch, choir master. Ton Koopman, director.
  Challenge Classics CC72218 A1993

• Cantata no. 48. Ich elender Mensch, wer wird mich erlösen? BWV 48/1-7. Text from Romans 24; Martin Rutilius' hymn "Ach Gott und Herr;" and anonymous.
  1. Ich elender Mensch, wer wird mich erlösen. (chorus) 2. O Schmerz, o Elend! so mich trifft. (recitative: alto) 3. Soll's ja so sein. (choral) 4. Ach, lege das Sodom der sündlichen Glieder. (aria: alto) 5. Hier aber tut des Heilands Hand. (recitative: tenor) 6. Vergiebt mir Jesu meine Sünden. (aria: tenor) 7. Herr Jesu Christ, einiger Trost. (chorale)
  William Towers, alto; James Gilchrist, tenor.
  The Monteverdi Choir. The English Baroque Soloists. John Eliot Gardiner, conductor.
  Soli Deo Gloria SDG 110 A1129

• Cantata no. 51. Jauchzet Gott in allen Landen. BWV 51/1-5. Unknown poet; closing chorale is the fifth stanza of the hymn, "Nun lob, mein Herren, die Sand" by Johann Gramann
  note: for solo soprano voice; 1st movement for solo soprano and trumpet.
  1. Jauchzet Gott in allen Landen. (aria) 2. Wir beten zu dem Tempel an. (recitative) 3. Höchster, mache deine Güte. (aria) 4. Sei Lob und Preis mit Ehren. (chorale) 5. Alleluja! (aria)
  Monika Frimmer, soprano. Ludwig Güttler, trumpet. Gunar Kaltofen, Ronald Reinecke, violins.
  Basso continuo: Walter Heinz Bernstein, organ; Siegfried Hunger, cello; Rainer Hucke, double bass; Lutz Klepel, bassoon.
  Neues Bachisches Collegium Musicum Leipzig. Max Pommer, conductor.
  Capriccio 49 259 7 A975

• Cantata no. 51. Jauchzet Gott in allen Landen. BWV 51/1-5. Unknown poet; closing chorale is the fifth stanza of the hymn, "Nun lob, mein Herren, die Sand" by Johann Gramann.
  note: for solo soprano voice; 1st movement for solo soprano and trumpet.
  1. Jauchzet Gott in allen Landen. (aria) 2. Wir beten zu dem Tempel an. (recitative) 3. Höchster, mache deine Güte. (aria) 4. Sei Lob und Preis mit Ehren. (chorale) 5. Alleluja! (aria)
  Elisabeth Schwarzkopf, soprano. Harold Jackson, trumpet.
  Manoug Parikian, Gerald Emms, violins; Raymond Clark, Haydn Rogerson, cellos; James Merrett, double bass; Geraint Jones, organ.
  Philharmonia Orchestra. Peter Gellhorn, conductor.
  EMI CDH 7 63201 2 A980
  • 1. Jauchzet Gott in allen Landen. (aria)
    Duet: Kathleen Battle, mezzo-soprano and Wynton Marsalis, trumpet.
    Anthony Newman, Harpsichord and Organ Continuo; Daire Fitzgerald, Cello Continuo; John Feeney, Bass Continuo; John T. Kulowitsch, Bass Continuo; Krista Bennion Feeney, violin; Eriko Sato, violin.
    Orchestra of St. Luke's. John Nelson, conductor.
    Sony SK 46672 A162

  • 4. Sei Lob und Preis mit Ehren. (chorale)
    Edita Gruberova, soprano. German Bach Soloists. Helmut Winschermann, conductor.
    LaserLight 15 274 A6

  • 4.-5. Sei Lob und Preis mit Ehren. (chorale) Alleluja. (aria)
    Duet: Kathleen Battle and Wynton Marsalis, trumpet.
    Anthony Newman, Harpsichord and Organ Continuo; Daire Fitzgerald, Cello Continuo; John Feeney, Bass Continuo; John T. Kulowitsch, Bass Continuo; Krista Bennion Feeney, violin; Eriko Sato, violin.
    Orchestra of St. Luke's. John Nelson, conductor.
    Sony SK 46672 A162

• Cantata no. 52. Falsche Welt, dir trau' ich nicht. BWV 52/1-6. Unknown librettist. The concluding chorale is the first verse of Adam Reusner's "In dich hab ich gehoffet, Herr."
  1. Sinfonia. 2. Falsche Welt, dir trau' ich nicht. (soprano recitative) 3. Immerhin, immerhin. (soprano aria) 4. Gott ist getreu! (soprano recitative) 5. Ich halt' es mit dem lieben Gott. (soprano aria) 6. In dich hab' ich gehoffet. (chorale).
  Sybilla Rubens, soprano.
  The Amsterdam Baroque Orchestra & Choir. Ulrike Grosch, choir master. Ton Koopman, director.
  Challenge Classics CC72218 A1993
  • 1. Sinfonia.
    note: on authentic instruments
    The English Concert. Peter Hanson, concert master. Trevor Pinnock, director from the harpischord.
    Archiv Produktion 430 780-2 A202

• Cantata no. 55. Ich armer Mensch, ich Sündenknecht. BWV 55/1-5. Text 1-4 unknown. 5 is the 6th verse of Johann Rist's hymn "Werde munter, mein Gemüte."
  1. Ich armer Mensch, ich Sündenknecht. (tenor aria) 2. Ich habe wider Gott gehandelt. (tenor recitative) 3. Erbarme dich! Laß die Tränen dich erweichen. (tenor aria) 4. Erbarme dich! Jedoch nun tröst ich mich. (tenor recitative) 5. Bin ich gleich von dir gewichen. (chorale)
  Christoph Prégardien, tenor.
  The Amsterdam Baroque Orchestra & Choir. Ulrike Grosch, choir master. Ton Koopman, director.
  Challenge Classics CC72218 A1993

• Cantata no. 56. Ich will den Kreuzstab gerne tragen. BWV 56/1-5. Text by Christoph Birkmann. The concluding chorale "Komm, o Tod, du Schlafes Bruder" is by Johann Franck from his hymn "Du, o schönes Weltgebäude."
  note: 1-4 for solo bass voice.
  1. Ich will den Kreuzstab gerne tragen. (aria) 2. Mein Wandel auf der Welt. (recitative) 3. Endlich, endlich wird mein Joch. (aria) 4. Ich stehe fertig und bereit. (recitative) 5. Komm, o Tod, du Schlafes Bruder. (chorale).
  Peter Harvey, bass.
  The Monteverdi Choir. The English Baroque Soloists. John Eliot Gardiner, conductor.
  Soli Deo Gloria SDG 110 A1129

• Cantata no. 56. Ich will den Kreuzstab gerne tragen. BWV 56/1-5. Text by Christoph Birkmann. The concluding chorale "Komm, o Tod, du Schlafes Bruder" is by Johann Franck from his hymn "Du, o schönes Weltgebäude."
  note: 1-4 for solo bass voice.
  1. Ich will den Kreuzstab gerne tragen. (aria) 2. Mein Wandel auf der Welt. (recitative) 3. Endlich, endlich wird mein Joch. (aria) 4. Ich stehe fertig und bereit. (recitative) 5. Komm, o Tod, du Schlafes Bruder. (chorale).
  Siegfried Lenz, bass. Klaus-Peter Gütz, oboe.
  Basso continuo: Walter-Heinz Bernstein, organ; Rainer Hucke, double-bass; Burkhart Schmidt, cello; Gerd Schulze, bassoon.
  Leipzig University University Chorus.
  Neues Bachisches Collegium Musicum Leipzig. Max Pommer, conductor.
  Capriccio 49 259 7 A975

• Cantata no. 66.2. Erfreut euch, ihr Herzen. BWV 66.2/1-6. 1-5 texts anonymous; 6 a chorale of Martin Luther, the third verse of the medieval hymn Christ ist erstanden.
  note: the music originated in Bach's secular cantata Der Himmel dacht' auf Anhalts Ruhm und Glück.
  1. Erfreut euch, ihr Herzen. (chorus) 2. Es bricht das Grab. (bass recitative) 3. Lasset den Höchsten ein Danklied erschallen. (bass aria) 4. Bei Jesu leben freudig sein. (alto, tenor recitative). 5. Ich furchte zwar/Ich furchte nicht. (alto, tenor aria) 6. Alleluja! Des solln wir alle froh sein. (Chorale)
  Barbara Schlick, soprano; Kai Wessel, alto; James Taylor, tenor; Peter Kooy, bass.
  Collegium Vocale. Philippe Herreweghe, director.
  harmonia mundi FRANCE HMX 2951513 A1458

• Cantata no. 68. Also hat Gott die Welt geliebt. BWV 68/1-5. Text by Christiana Mariana von Ziegler. 1 opens with the 1st stanza of Salomo Liscow's hymn "Also hat Gott die Welt geliebt;" the text of the concluding chorus is John 3:18.
  1. Also hat Gott die Welt geliebt. 2. Mein gläubiges Herze. 3. Herzlich bin mit Petro nicht vermessen. 4. Du bist geboren mir zugute. 5. Wer an ihn glaubet, der wird nicht gerichtet.
  • 2. Mein gläubiges Herze. (aria)
    Peter Jelosits, soloist of the Wiener Sängerknaben.
    Concentus musicus Wien. Nikolaus Harnoncourt, conductor.
    TELDEC D 102965 A592

  • 2. Mein gläubiges Herze, (aria)
    Elisabeth Schwarzkopf, soprano.
    Manoug Parikian, violin; Raymond Clark, cello; Sidney Sutcliffe, oboe; Geraint Jones, organ.
    EMI CDH 7 63201 2 A980

• Cantata no. 71. Gott ist mein König. BWV 71/1-7. Librettist unknown, possibly Georg Christian Eilmar. Text includes Psalm 74:12, 16-17, 19; Samuel II 19:37; Deut. 33:25, stanza 6 from Johann Heermann's hymn "O Gott, du frommer Gott", and 2 anonymous texts.
  1. (Chorus) Gott ist mein König. 2. (Aria-Chorale: (tenor, soprano) Ich bin nun achtzig Jahr. 3. (Chorus: 4 voices) Dein Alter ist wie deine Jugend. 4. (Arioso: bass) Tag und Nacht ist dein. 5. (Aria: alto) Durch mächtige Kraft. 6. (Chorus) Du wolltest dem Feinde nicht geben. 7. (Chorus) Das neue Regiment.
  Barbara Schlick, soprano; Kai Wessel, alto; Guy de Mey, tenor; Klaus Mertens,bass.
  The Amsterdam Orchestra and Choir. Ton Koopman, director.
  Erato 4509-98536-2 A1112

• Cantata no. 75. Die Elenden sollen essen. BWV 75/1-14. Unknown poet begins with Psalm 22:26 and concludes Part I (7) and II (14) with a stanza from Samuel Rodigast's hymn, "Was Gott tut, ist wohlgetan."
  Part I: 1. Die Elenden sollen essen. 2. Was hilft des Purpurs Majestät. 3. Mein Jesus soll mein Alles sein. 4. Gott stürzet und erhöhet. 5. Ich nehme mein Leiden mit Freuden. 6. Indess schenkt Gott ein gut Gewissen. 7. Was Gott tut, ist wohlgetan.
  Part II: 8. Sinfonia. 9. Nur eines kränkt ein christliches Gemüte. 10. Jesus macht mich geistlich reich. 11. Wer nur in Jesu bleibt. 12. Mein Herze glaubt. 13. O Armut, der kein Reichtum gleicht! 14. Was Gott tut, ist wohlgetan.
  Carolyn Sampson, soprano. Daniel Taylor, countertenor. Mark Padmore, tenor. Peter Kooy, bass.
  Collegium Vocale Gent. Phillippe Herreweghe, conductor.
  harmonia mundi HMC 901843 A1054

• Cantata no. 77. Du sollt Gott, deinen Herren, lieben. BWV 77/1-6. Text of the the opening chorale is Luke 16:27; texts for 2-5 by Johann Oswald Knauer; the text for the closing chorale is lost, often substituted by the 8th stanza of David Denicke's hymn "Wenn einer alle Ding verstünd."
  1. Du sollt Gott, deinen Herren (chorus) 2. So muß es sein! (recitative) 3. Mein Gott, ich liebe dich von Herzen (aria) 4. Gib mir dabei, mein Gott! (recitative) 5. Ach, es bleibt in meiner Liebe (aria) 6. Herr, durch den Glauben (chorus)
  Helen Donath and Arleen Auger, sopranos; Julia Hamari and Carolyn Watkinson, alto; Adalbert Kraus and Aldo Baldin, tenor; Wolfgang Schöne and Philippe Huttenlocher, basses.
  Gächinger Kantorei. Bach-Collegium Stuttgart. Helmuth Rilling, conductor.
  hässler edition bachakademie vol. 25 A882

• Cantata no. 78. Jesu, der du meine Seele. BWV 78/1-7. Texts for 1 and 7 based on the hymn by Johann Rist; texts for 2-6 are anonymous.
  1. Jesu, der du meine Seele (chorus). 2. Wir eilen mit schwachen (aria, duet) 3. Ach! ih bin ein Kind der Sünden (recitative) 4. Das Blut, so meine Schuld durchstreit (aria) 5. Die Wunden, Nägel, Kron und Grab (recitative) 6. Nun du wirst mein Gewissen stillen (aria) 7. Herr, ich glaube (chorale)
  Helen Donath and Arleen Auger, sopranos; Julia Hamari and Carolyn Watkinson, alto; Adalbert Kraus and Aldo Baldin, tenor; Wolfgang Schöne and Philippe Huttenlocher, basses.
  Gächinger Kantorei. Bach-Collegium Stuttgart. Helmuth Rilling, conductor.
  hässler edition bachakademie vol. 25 A882

• Cantata no. 79. Gott der Herr ist Sonn' und Schild. BWV 79/1-6. Texts: Psalm 84:11; Martin Rinckart's hymn "Nun danket alle Gott," and Ludwig Helmbolt's hymn "Und lasst uns Gott den Herrn;" and Anonymous text.
  1. Gott der Herr ist Sonn' und Schild. (chorus) 2. Gott ist unser Sonn' und Schild. (aria: alto) 3. Nun danket Alle Gott. (chorale) 4. Gott Lob! Wir wissen den rechten Weg zur Seligkeit. (recitative: bass) 5. Gott, ach Gott, verlass. (aria a due: soprano, bass) 6. Erhalt uns in der Wahrheit. (chorale)
  Joanne Lunn, soprano; William Towers, alto; Peter Harvey, bass.
  The Monteverdi Choir. The English Baroque Soloists. John Eliot Gardiner, conductor.
  Soli Deo Gloria SDG 110 A1129

• Cantata no. 79. Gott der Herr ist Sonn' und Schild. BWV 79/1-6. Psalm 84:11; Martin Rinckart's hymn"Nun danket alle Gott," and Ludwig Helmbolt's hymn "Und lasst uns Gott den Herrn;" and Anonymous text.
  1. Gott der Herr ist Sonn' und Schild. (chorus) 2. Gott ist unser Sonn' und Schild. (aria: alto) 3. Nun danket Alle Gott. (chorale) 4. Gott Lob! Wir wissen den rechten Weg zur Seligkeit. (recitative: bass) 5. Gott, ach Gott, verlass. (aria a due: soprano, bass) 6. Erhalt uns in der Wahrheit. (chorale)
  Helen Donath and Arleen Auger, sopranos; Julia Hamari and Carolyn Watkinson, alto; Adalbert Kraus and Aldo Baldin, tenor; Wolfgang Schöne and Philippe Huttenlocher, basses.
  Gächinger Kantorei. Bach-Collegium Stuttgart. Helmuth Rilling, conductor.
  hässler edition bachakademie vol. 25 A882

• Cantata no. 80. Ein' feste Burg ist unser Gott. BWV 80/1-8. Text by Martin Luther and Salomon Franck.
  1. Ein' feste Burg ist unser Gott. (chorus) 2. Mit unsrer Macht. (aria: soprano, bass) 3. Erwäge doch, Kind Gottes. (recitative: bass) 4. Komm in mein Herzenshaus. (aria: bass) 5. Und wenn die Welt voll Teufel wär'. (chorale) 6. So stehe denn bei Christi blutgefärbter Fahne. (recitative: tenor) 7. Wie selig sind doch sie (duet: alto, tenor) 8. Das Wort sie sollen lassen stahn. (chorale)
  Joanne Lunn, soprano; William Towers, alto; James Gilchrist, tenor; Peter Harvey, bass.
  The Monteverdi Choir. The English Baroque Soloists. John Eliot Gardiner, conductor.
  Soli Deo Gloria SDG 110 A1129

• Cantata no. 82. Ich habe genug. BWV 82/1-5. Anonymous text.
  note: for solo bass voice (1727)
  1. Ich habe genug. (aria) 2. Ich habe genug. (recitative) 3. Schlummert ein, ihr matten Augen. (aria) 4. Mein Gott! wann kommt das schöne Nun! (recitative) 5. Ich freue mich auf meinen Tod. (aria)
  John Shirley-Quirk, bass. Roger Lord, oboe. George Malcolm, organ continuo.
  Academy of St. Martin-in-the-Fields. Neville Marriner, conductor.
  LONDON 430 260-2 A1799

• Cantata no. 82. Ich habe genug. BWV 82/1-5. Anonymous text.
  note: for solo bass voice (1727)
  1. Ich habe genug. (aria) 2. Ich habe genug. (recitative) 3. Schlummert ein, ihr matten Augen. (aria) 4. Mein Gott! wann kommt das schöne Nun! (recitative) 5. Ich freue mich auf meinen Tod. (aria)
  Siegfried Lorenz, bass. Peter Dietze, oboe.
  Basso continuo: Walter Heinz Bernstein, organ; Burkhard Schmidt, cello; Rainer Hucke, double bass; Gerd Schulze, bassoon.
  Neues Bachisches Collegium Musicum Leipzig. Max Pommer, conductor.
  Capriccio 49 259 7 A975

• Cantata no. 82. Ich habe genug. BWV 82/1-5. Anonymous text.
  note: for solo alto voice (later version, 1735)
  1. Ich habe genug. (aria) 2. Ich habe genug. (recitative) 3. Schlummert ein, ihr matten Augen. (aria) 4. Mein Gott! wann kommt das schöne Nun! (recitative) 5. Ich freue mich auf meinen Tod. (aria)
  Lorraine Hunt Lieberson, mezzo-soprano. Peggy Pearson, oboe.
  The Orchestra of Emmanuel Church, Boston. Craig Smith, conductor.
  Nonesuch 79692-2 A1582

• Cantata no. 84. Ich bin vergnügt mit meinem Glücke. BWV 84/1-5. Text of 1-4 uncertain, but similar to Picander, penname for Christian Friedrich Henrici; chorale text is the 12th stanza of Ämilie Juliane von Schwarzburg-Rudolstadt's funeral hymn "Wer weiß wie nahe mir mein Ende," set to the tune of Georg Neumark's hymn "Wer nur den lieben Gott lässt walten."
  1. Ich bin vergnügt in meinem Glücke. (aria: soprano) 2. Gott ist mir ja nichts schuldig. (recitative: soprano) 3. Ich esse mit Freuden mein weniges Brot. (aria: soprano) 4. Im Schweisse meines Angesichts. (recitative: soprano) 5. Ich leb' indess in dir vegnügt. (chorale)
  Nancy Argenta, soprano. Paul Goodwin, oboe.
  Ensemble Sonnerie. Monica Huggett, director.
  Virgin veritas 7243 5 45059 2 8 A1254

• Cantata no. 90. Es reisset euch ein schrecklich Ende. BWV 90/1-5. Text from Martin Mollers hymn "Nimm von uns, Herr, du treuer Gott;" and Anonymous text.
  1. Es reisset euch ein schrecklich Ende. (aria: tenor) 2. Des Höchsten Güte wird von Tag. (recitative: alto) 3. So löschet im Eifer. (aria: bass) 4. Doch Gottes Auge sieht. (recitative: tenor) 5. Leit' uns mit deiner rechten Hand. (choral).
  William Towers, alto; James Gilchrist, tenor; Peter Harvey, bass.
  The Monteverdi Choir. The English Baroque Soloists. John Eliot Gardiner, conductor.
  Soli Deo Gloria SDG 110 A1129

• Cantata no. 98. Was Gott tut, das ist wohlgetan. BWV 98/1-5. Text is a hymn by Samuel Rodigast.
  1. Was Gott tut, das ist wohlgetan. (chorus) 2. Ach Gott! Was wirst du mich einmal. (tenor recitative) 3. Hört, ihr Augen, auf zu weinen. (soprano aria) 4. Gott hat ein Herz, das des Erbarmens Überfluss. (alto recitative) 5. Meinen Jesum laß ich nicht. (bass aria)
  Johannette Zomer, soprano. Bogna Bartosz, alto. Christoph Prégardien, tenor. Klaus Mertens, bass.
  The Amsterdam Baroque Orchestra & Choir. Ulrike Grosch, choir master. Ton Koopman, director.
  Challenge Classics CC72218 A1993

• Cantata no. 106. Gottes Zeit ist die allerbeste Zeit. (Actus tragicus) BWV 106/1, 2.1-3, 3.1-2, 4. Old and New Testament texts and texts from 3 funereal hymns, Johann Leon (Ich hab mein Sach Gott heimgestellt), Martin Luther (Mit Fried und Freud ich fahr dahin), Adam Reusner (In dich hab ich gehoffet Herr) and 2 anonymous texts.
  1. Sonatina. 2. a. (Chorus) Gottes Zeit ist die allerbeste Zeit. 2. b. (Arioso: tenor) Ach, Herr, lehre uns bedenken. 2. c. (Arioso: bass) Bestelle dein Haus. 3. a. (Aria: alto) In deine Hände befehl ich meinen Geist. 3. b. (Arioso-chorale: bass-alto) Heute wirst du mit mir in Paradies sein-Mit Fried und Freud ich fahr dahin. 4. (Chorus) Glorie, Lob, Ehr und Herrlichkeit.
  Kai Wessel, alto; Guy de Mey, tenor; Klaus Mertens, bass.
  The Amsterdam Orchestra and Choir. Ton Koopman, director.
  Erato 4509-98536-2 A1112

• Cantata no. 110. Unser Mund sei voll Lachens. BWV 110/1-7. Text by Georg Christian Lehms; and 3 Biblical verses: Psalm 125:2-3, Jeremiah 10:6, and Luke 2:14. The closing chorale is the fifth stanza from Caspar Fügers hymn "Wir Christenleut."
  1. Unser Mund sei voll Lachens. 2. Ihr Gedanken und ihr Sinnen. 3. Dir, Herr, ist niemand gleich. 4. Ach Herr! was ist ein Menschenkind. 5. Ehr sei Gott. 6. Wacht auf. 7. Alleluja!
  • 1. Unser Mund sei voll Lachens. (chorale)
    note: on authentic instruments
    Choir of the English Concert. Soloists: Rachel Platt, soprano; Angus Davidson, alto; Andrew Carwood, tenor; Simon Birchall, bass.
    The English Concert. Peter Hanson, concert master. Trevor Pinnock, director from the harpischord.
    Archiv Produktion 430 780-2 A202

• Cantata no. 113. Herr Jesu Christ, du höchstes Gut. BWV 113/1-8. Texts for 1, 2, 4 and 8 from a penitential hymn of the same name by Bartolomäus Ringwaldt; texts 3, 5, 6 and 7 paraphrase verses from the hymn and related Gospel passages, such as the parable of the tax collector.
  1. (Chorale) Herr Jesu Christ, du höchstes Gut. 2. (Alto chorale) Erbarm dich mein in solcher Last. 3. (Bass aria) Führwahr, wenn mir das kommet ein. 4. (Bass chorale and recitative) Jedoch dein heilsam Wort, das macht. 5. (Tenor aria) Jesus nimmt die Sünder an. 6. (Tenor recitative) Der Heiland nimmt die Sünder an. 7. (Soprano, Alto aria duet) Ach Herr, mein Gott, vergib mir doch. 8. (Chorale) Stärk mich mit deinem Freudengeist.
  Magdalena Kožená, soprano. William Towers, countertenor (alto). Mark Padmore, tenor. Stephan Loges, bass.
  The Monteverdi Choir. The English Baroque Soloists, on authentic instruments. John Eliot Gardiner, director.
  ARCHIV 463 591-2 A1804

• Cantata no. 131. Aus der Tiefe rufe ich, Herr, zu dir. BWV 131/1-5. Librettist, George Christain Eilmar. Texts from Psalm 130 and 2 verses from Bartholomäus Ringwaldt's hymn "Herr Jesu Christ, du höchstes Gut."
  1. Sinfonia-(Chorale) Aus der Tiefe rufe ich, Herr, zu dir. 2. (Aria: bass, chorale) So du willst. 3. (Chorus) Ich harre des Herrn. 4. (Aria: tenor, chorale) Meine Seele wartet. 5. (Chorus) Israel, hoffe auf den Herrn.
  Guy de Mey, tenor; Klaus Mertens, bass.
  The Amsterdam Orchestra and Choir. Ton Koopman, director.
  Erato 4509-98536-2 A1112
  • Fugue in G minor. BWV 131a.
    note: a transcription of the last movement of Cantata no. 131.
    note: attributed by some to Johann Sebastian Bach.
    Peter Hurford, organ. The organ in School Hall, Eton College, Windsor.
    London 425 635-2 A1762

• Cantata no. 137. Lobe den Herren, den mächtigen König der Ehren. BMV 137/1-5. Texts, the chorale strophes of Joachim Neander's hymn "Lobe den Herren, den mächtigen König der Ehren".
  1. Lobe den Herren, den mächtigen König der Ehren. (chorus) 2. Lobe den Herren, der alles so herrlich regieret. (alto aria) 3. Lobe den Herren, der künstlich und fein dich bereitet. (soprano and bass duet) 4. Lobe den Herren, der deinen Stand sichtbar gesegnet. (tenor aria) 5. Lobe den Herren, was in mir ist, lobe den Namen! (chorale)
  Johannette Zomer, soprano. Christoph Prégardien, tenor. Klaus Martens, bass.
  The Amsterdam Baroque Orchestra & Choir. Ulrike Grosch, choir master. Ton Koopman, director.
  Challenge Classics CC72218 A1993

• Cantata no. 140. Wachet auf, ruft uns die Stimme. BMV 140/1-7. Texts for movements 1, 4, and 7 from the Philipp Nicolai hymn of the same name; other movements by an unknown librettist are based on the Song of Solomon.
  1. Wachet auf, ruft uns die Stimme. 2. Er kommt, er kommt, der Bräut'gam kommt. 3. Wann kommst du mein Heil? 4. Zion hört das Wächter singen. 5. So geh' herein zu mir. 6. Mein Freund ist mein. 7. Gloria sei dir gesungen.
  Ruth Holton, soprano; Michael Chance, countertenor; Anthony Rolfe, tenor; Stephen Varcoe, bass.
  The Monteverdi Choir. The English Baroque Soloists. John Eliot Gardiner, conductor.
  ARCHIV Produktion 463 587-2 A391

• Cantata no. 140. Wachet auf, ruft uns die Stimme. BWV 140/1-7. Texts for movements 1, 4, and 7 from the Philipp Nicolai hymn of the same name; other movements by an unknown librettist are based on the Song of Solomon.
  1. Wachet auf, ruft uns die Stimme. 2. Er kommt, er kommt, der Bräut'gam kommt. 3. Wann kommst du mein Heil? 4. Zion hört das Wächter singen. 5. So geh' herein zu mir. 6. Mein Freund ist mein. 7. Gloria sei dir gesungen.
  Elly Ameling, soprano; Linda Finnie, alto; Aldo Baldin, tenor; Samuel Ramey, bass.
  London voices. English Chamber Orchestra. Raymond Leppard, conductor.
  Philips 438 900-2 A53
  • 1. Wachet auf, ruft uns die Stimme. (chorus).
    Tölzer Knabenchor. Gerhart Schmidt-Gaden, chorus master. Concentus musicus Wien. Nikolaus Harnoncourt, conductor.
    TELDEC D 102965 A592

• Cantata no. 143. Lobe den Herrn, meine Seele. BWV 143/1-7. Unknown librettist drew text from Psalm 146:1, 5, and 10; and the text for the chorale from the hymn Du Friedefürst, Herr Jesu by Jakob Ebert.
  note: doubtful and spurious
  1. Lobe dem Herrn, meine Seele. 2. Du Friedefürst, Herr Jesu Christ. 3. Wohl dem, der Hülfe der Gott Jakob ist. 4. Tausendfaches Unglück. 5. Der Herr ist König ewiglich. 6. Jesu, Retter deiner Herde. 7. Hallelujah - Gedenk, Herr Jesu, an dein Amt.
  
  • 1. Lobe den Herrn, meine Seele. (chorus)
    Knabenchor Hannover. Heinz Hennig, chorus master.
    Collegium Vocale. Philippe Herreweghe, chorus master.
    Leonhardt-Consort. Gustav Leonhardt, conductor.
    TELDEC D 102965 A592

  • 2. Du Friedefürst, Herr Jesu Christ. (chorale)
    Leipzig Thomanerchor. New Leipzig Bach Collegium Musicum. Hans-Joachim Rotzsch, conductor.
    LaserLight 15 274 A6
    • 2. Du Friedefürst, Herr Jesu Christ. (chorale)
      Roger Cerecius (soprano), soloist of the Knabenchor Hannover.
      Leonhardt-Consort. Gustav Leonhardt, conductor.
      TELDEC D 102965 A592

  • 7. Hallelujah. (chorus)
    Leipzig Thomanerchor. New Leipzig Bach Collegium Musicum. Hans-Joachim Rotzsch, conductor.
    LaserLight 15 274 A6

• Cantata no. 147. Herz und Mund und Tat und Leben. BWV 147/1-10. Text by Salomon Franck; chorale text from the hymn Jesu meiner Seelen Wonne by Martin Jahn.
  Part I: 1. Herz und Mund und Tat und Leben. 2. Gebenedeiter Mund. 3. Schäme mich, o Seele nicht. 4. Verstockung kann Gewaltige verblenden. 5. Bereite dich, Jesu, noch itzo die Bahn. 6. Wohl mir, dass ich Jesum habe. Part II: 7. Hilf, Jesu, hilf, dass ich auch dich bekenne. 8. Du höchsten Allmacht Wunderhand. 9. Ich will von Jesu Wundern singen. 10. Jesu bleibet meine Freude.
  Ruth Holton, soprano; Michael Chance, countertenor; Anthony Rolfe, tenor; Stephen Varcoe, bass.
  The Monteverdi Choir. The English Baroque Soloists. John Eliot Gardiner, conductor.
  ARCHIV Produktion 463 587-2 A391
  

  • 1. Herz und Mund und Tat und Leben. (chorus)
    Tölzer Knabenchor. Gerhard Schmidt-Gaden, chorus master.
    Concentus musicus Wien. Nikolaus Harnoncourt, conductor.
    TELDEC D 102965 A592

  • 10. Jesu, bleibet meine Freude. (chorale)
    Tölzer Knabenchor. Gerhard Schmidt-Gaden, chorus master.
    Concentus musicus Wien. Nikolaus Harnoncourt, conductor.
    TELDEC D 102965 A592

  • 10. Jesu, bleibet meine Freude. Jesu, Joy of Man's Desiring. Jesu que ma joie demeure. (chorale) Text derived from hymn Jesu, meiner seelen wonne by Martin Jahn (Janus); melody from hymn Werde munter mein gemuete by Johan Schop (harmonized by Bach)
    note: sung in English
    Choir of St. Paul's Cathedral. English Chamber Orchestra. Barry Rose.
    Philips 438 900-2 A53

  • 10. Jesu, bleibet meine Freude. Jesu, joy of man's desiring. Arranged by Myra Hess for solo piano. Melody from hymn Werde munter mein gemuete by Johan Schop (harmonized by Bach)
    Julius Katchen, piano.
    London 443 810-2 A55

  • 10. Jesu, bleibet meine Freude. Jesu, Joy of Man's Desiring. Arranged by Myra Hess for solo piano. Melody from hymn Werde munter mein gemuete by Johan Schop (harmonized by Bach)
    Dinu Lipatti, piano.
    Philips Classics 456 892-2 A231

  • 10. Jesu, bleibet meine Freude. Jesu, joy of man's desiring. (chorale)
    With organ. Text derived from hymn Jesu, meiner seelen wonne by Martin Jahn (Janus); melody from hymn Werde munter mein gemuete by Johan Schop (harmonized by Bach)
    note: sung in English.
    Richard Crooks, tenor.
    Delos DE 5501 A90

• Cantata no. 150. Nach dir, Herr, verlanget mich. BWV 150/1-7. Texts from Psalm 25:1, 2, 5, and 15; other texts by an unknown librettist.
  1. Sinfonia. 2. (Chorus) Nach dir, Herr, verlanget mich. 3. (Aria: soprano) Doch bin und bleibe ich vergnügt. 4. (Chorus) Leite mich und lehre mich. 5. (Aria: Trio-alto, tenor, bass) Zedern müssen von den Winden. 6. (Chorus) Meine Augen stehen stets. 7. (Chorus) Meine Tage in den Leiden.
  Anne Grimm, soprano; Peter de Groot, alto; Joost va der Linden, tenor; Donald Bentvelsen, bass.
  The Amsterdam Orchestra and Choir. Ton Koopman, director.
  Erato 4509-98536-2 A1112

• Cantata no. 150. Nach dir, Herr, verlanget mich. BWV 150/1-7. Texts from Psalm 25:1, 2, 5, and 15; other texts by an unknown librettist.
  1. Sinfonia. 2. (Chorus) Nach dir, Herr, verlanget mich. 3. (Aria: soprano) Doch bin und bleibe ich vergnügt. 4. (Chorus) Leite mich und lehre mich. 5. (Aria: Trio-alto, tenor, bass) Cedern müssen von den Winden. 6. (Chorus) Meine Augen stehen stets. 7. (Chorus) Meine Tage in den Leiden.
  Yumiko Kurisu, soprano; Akira Tachikawa, counter tenor; Koki Katano, tenor; Peter Kooy, bass.
  Bach Collegium Japan. Masaaki Suzuki, conductor.
  BIS CD-751 A98

• Cantata no. 151. Süßer Trost, mein Jesus kömmt. BMW 151/1-5. Texts from Georg Christian Lehms collection; 5 is verse 8 of Nicolaus Herman's hymn "Lobt Gott, ihr Christen allzugleich".
  1. Süßer Trost, mein Jesus kömmt. (soprano aria) 2. Erfreue dich, mein Herz. (bass recitative) 3. In Jesu Demut kann ich Trost. (alto aria) 4. Du teurer Gottessohn. (tenor recitative) 5. Heut' schleußt er wieder auf die Tür. (chorale)
  1. Johannette Zomer, soprano. Begna Boartosz, alto. Christoph Prégardien, tenor. Klaus Mertens, bass.
  The Amsterdam Baroque Orchestra & Choir. Ulrike Grosch, choir master. Ton Koopman, director.
  Challenge Classics CC72218 A1993

• Cantata no. 156. Ich steh mit einem Fuss im Grabe. BWV 156/1-6. Libretto by Picander, penname of Christian Friedrich Henrici, with 2 incorporated chorale tunes, "Mach's mit mir, Gott, nach deiner Güt," by Johann Herman Schein and "Herr, wie du willt, so schicks mit mir" by Kaspar Bienemann.
  1. Sinfonia. 2. (Chorale: soprano and aria: tenor) Ich steh mit einem Fuss im Grabe. 3. (Recitative: bass) Mein Angst und Not. 4. (Aria: alto) Herr, was du willt, soll mir gefallen." 5. (Recitative: bass) Was willst du, dass ich soll nicht kranken. 6. (Chorale) Wie du willt, so schicks mit mir."
  Julianne Baird, Judith Nelson, sopranos; Judith Malafronte, alto; Jeffrey Thomas, tenor; James Weaver, bass.
  American Bach Soloists. Jeffrey Thomas, music director.
  CD Baby Bach Cantata Series, vol. 2: Trauerode. A1131

• Cantata no. 157. Ich lasse dich nicht, du segnest mich denn. BWV 157/1-5. Text by Christian Friedrich Henrici (Picander) after Mose 32:27; 5 is 6th verse from "Meinem Jesum laß ich nicht" by Christan Keymann.
  1. Ich lasse dich nicht. (tenor and bass duet) 2. Ich halte meinem Jesum feste. (tenor aria) 3. Mein lieber Jesu du. (tenor recitative) 4. Ja, ja, ich halte Jesum feste. (bass aria and recitative) 5. Meinen Jesum laß ich nicht. (chorale)
  James Gilchrist, tenor. Klaus Mertens, bass.
  The Amsterdam Baroque Orchestra & Choir. Ulrike Grosch, choir master. Ton Koopman, director.
  Challenge Classics CC72218 A1993

• Cantata no. 159. Sehet, wir gehn hinauf gen Jerusalem. BWV 159/1-5. Libretto by Picander, penname of Christian Friedrich Henrici, with inclusion of passage from Luke and stanzas from Paul Gerhardts "O Haupt voll Blut und Wunden" and Paul Stockmanns "Jesu Leiden, Pein und Tod."
  1.a. bass arioso: Sehet, sehet. 1.b. alto recitative: Komm, schaue doch mein Sinn. 2. soprano, alto chorale: Ich folge dir nach. 3. tenor recitative: Nun will ich mich. 4. bass aria: Es ist vollbracht. 5. choral: Jesu, deine Passion ist mir lauter Freude.
  Janet Baker, alto. Robert Tear, tenor. John Shirley-Quirk, bass.
  Philip Ledger, harpsichord continuo. St. Anthony Singers.
  Academy of St. Martin-in-the-Fields. Neville Marriner, conductor.
  LONDON 430 260-2 A1799

• Cantata no. 164. Ihr, die ihr euch von Christo nennet. BWV 164/1-6. Text by Salomon Franck. 6 is the 5th verse of Herr Jesu Christ der einig Gottes Sohn by Elisabeth Creutziger.
  1. Ihr, die ihr euch von Christo nennet. (tenor aria) 2. Wir hören zwar, was selbst die Liebe spricht. (bass recitative) 3. Nur durch Lieb und durch Erbarmen. (alto aria) 4. Ach, schmelze doch durch deinen Liebesstrahl. (tenor recitative) 5. Händen, die sich nicht verschließen. (soprano and bass duet aria) 6. Ertöt uns durch dein' Güte. (chorale)
  Johannette Zomer, soprano. Bogna Bartosz, alto. Christoph Prégardien, tenor. Klaus Mertens, bass.
  The Amsterdam Baroque Orchestra & Choir. Ulrike Grosch, choir master. Ton Koopman, director.
  Challenge Classics CC72218 A1993

• Cantata no. 170. Vergnügte Ruh, beliebte Seelenlust BWV 170/1-5. Libretto by Picander, penname of Christian Friedrich Henrici, from Gottgefälliges Kirchen-Opfer by Georg Christian Lehms.
  note: cantata for solo alto
  1. Alto Aria: Vergnügte Ruh', beliebte Seelenlust. 2. Alto Recitative: Die Welt, das Sündenhaus. 3. Alto Aria: Wie jammern mich doch die verkehrten Herzen. 4. Alto Recitative: Wer sollte sich demnach. 5. Alto Aria: Mir ekelt mehr zu leben.
  Janet Baker, alto.
  Philip Ledger, organ obbligato.
  Academy of St. Martin-in-the-Fields. Neville Marriner, conductor.
  LONDON 430 260-2 A1799

• Cantata no. 172. Erschallet, ihr Lieder. BWV 172/1-6. Text probably by Salomon Franck; the recitative text is John 14:23, and the closing chorale is verse four of Philipp Nicolai's hymn Wie schön leuchtet der Morgenstern.
  1. Erschallet, ihr Lieder, erklinget ihr Saiten. 2. Wer mich liebet. 3. Heiligste Dreieinigkeit. 3. O Seelen Paradies. 4. Komm, lass mich nicht länger warten. 5. Von Gott kommt mir ein Freudenschein.
  
  • 1. [chorus] Erschallet, ihr Lieder.
    Knabenchor Hannover. Heinz Hennig, chorus master.
    Collegium Vocale. Philippe Heereweghe, chorus master.
    Leonhardt-Consort. Gustav Leonhardt, conductor.
    TELDEC D 102965 A592

• Cantata no. 174. Ich liebe den Höchsten von ganzem Gemüte. BWV 174/1-5. Text by Picander, penname Christian Friedrich Henrici. Text of the chorale is the first stanza of Martin Schallings hymn Herzlich lieb hab ich dich, o Herr.
  1. Sinfonia. 2. Ich liebe den Höchsten von ganzem Gemüte. 3. O Liebe, welcher keiner gleich! 4. Greifet zu, fasst das Heil. 5. Herzlich lieb' hab' ich dich, o Herr.
  
  • 1. Sinfonia.
    note: on authentic instruments
    The English Concert. Peter Hanson, concert master. Trevor Pinnock, director from the harpischord.
    Archiv Produktion 430 780-2 A202

• Cantata no. 179. Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei. BWV 179/1-6. Text of the 1st movement is from Sirach 1:34; movements 2-5 by an anonymous poet paraphrase Luke, especially the parable of the tax collecter and the publican. Movement 6 is the 1st verse of Christoph Tietze's hymn "Ich armer Mensch, ich armer Sünder."
  1. (Chorus-Concerto) Siehe zu daß deine Gottesfurcht nicht Heucheiei sei. 2. (Tenor recitative) Das heutge Christentum. 3. (Tenor aria) Falscher Heuchler Ebenbild. 4. (Bass recitative) Wer so von innen wie von außen ist. 5. (Soprano aria) Liebster Gott, erbarme mich. 6. (Chorale) Ich armer Mensch, ich armer Sünder;.
  Magdalena Kožená, soprano. Mark Padmore, tenor. Stephan Loges, bass.
  The Monteverdi Choir. The English Baroque Soloists, on authentic instruments. John Eliot Gardiner, director.
  ARCHIV 463 591-2 A1804

• Cantata no. 185. Barmherziges Herze der ewigen Liebe. BWV 185/1-6. Text by Salomon Franck. Movement 6 is the first stanza of Johannes Agricola song "Ich ruf zu dir, Herr Jesu Christ."
  1. (Duet: soprano, tenor) Barmherziges Herze der ewigen Liebe. 2. (Recitative: alto) Ihr Herzen, die ihr euch. 3. (Aria: alto) Sei bemüht in dieser Zeit. 4. (Recitative: bass) Die Eigenliebe schmeichelt sich. 5. (Aria: bass) Das ist der Christen Kunst. 6. Chorale) Ich ruf zu dir, Herr Jesu Christ.
  Barbara Schlick, soprano; Kai Wessel, alto; Guy de Mey, tenor; Klaus Mertens, bass.
  The Amsterdam Orchestra and Choir. Ton Koopman, director.
  Erato 4509-98536-2 A1112

• Cantata no. 187. Es wartet alles auf dich. BWV 187/1-7. Text by Herzog Ernst Ludwig von Sachsen Meinigen. 1 is Psalm 104:27-28; 4 is Mathew 6: 31-32. 7 is verses 4 and 6 from "Singen wir aus Herzensgrund" by Hans Vogel.
  Erster Teil: 1. Es wartet alles auf dich. (Chorus) 2. Was Kreaturen hält das große Rund der Welt! (bass recitative) 3. Du Herr, du krönst allein das Jahr mit deinem Gut. (alto aria) Zweite Teil: 4. Darum sollt ihr nicht sorgen. (bass aria) 5. Gott versorget alles Leben. (soprano aria) 6. Halt ich nur fest an ihm. (soprano recitative) 7. Gott hat die Erde zugericht. (chorale)
  Sandrine Plau, soprano. Bogna Batosz, alto. Klaus Mertens, bass.
  The Amsterdam Baroque Orchestra & Choir. Ulrike Grosch, choir master. Ton Koopman, director.
  Challenge Classics CC72218 A1993

• Cantata no. 192. Nun danket alle Gott. BWV 192/1-3. Text by Martin Rinckart.
  1. Nun danket alle Gott. (chorus) 2. Der ewig reichte Gott. (duet: soprano, bass) 3. Lob, Ehr und Preis sei Gott. (chorus)
  Joanne Lunn, soprano; Peter Harvey, bass.
  The Monteverdi Choir. The English Baroque Soloists. John Eliot Gardiner, conductor.
  Soli Deo Gloria SDG 110 A1129

• Cantata no. 196. Der Herr denket an uns. BWV 196/1-5. Text from Psalm 115/12-15.
  1. Sinfonia. 2. (Chorus) Der Herr denket an uns. 3. (Aria: soprano) Er segnet. 4. (Duet: tenor, bass) Der Herr segne euch. 5. (Chorus) Ihr seid die Gesegneten.
  Els Bongers, soprano; Richard Bryan, alto; Joost van der Linden, tenor; Matthijs Mesdag, bass.
  The Amsterdam Orchestra and Choir. Ton Koopman, director.
  Erato 4509-98536-2 A1112

• Cantata no. 196. Der Herr denket an uns. BWV 196/1-5. Text from Psalm 115/12-15.
  1. Sinfonia. 2. (Chorus) Der Herr denket an uns. 3. (Aria: soprano) Er segnet. 4. (Duet: tenor, bass) Der Herr segne euch. 5. (Chorus) Ihr seid die Gesegneten.
  Yumiko Kurisu, soprano; Akira Tachikawa, counter tenor; Koki Katano, tenor; Peter Kooy, bass.
  Bach Collegium Japan. Masaaki Suzuki,conductor.
  BIS CD-751 A98

• Cantata no. 198. Lass, Fürstin, lass noch einen Strahl. BWV 198/1-10. Text by Johann Christoph Gottsched.
  note: aka Trauerode or Trauerode auf den Tod der Königin Christiane Eberhardine.
  First Part: 1. (Chorus) Lass, Fürstin, lass noch einen Strahl. 2. (Recitative, soprano) Dein Sachsen, dein bestürztes Meissen. 3. (Aria, soprano) Verstummt, verstummt, ihr holden Saiten. 4. (Recitative, alto) Der Glocken bebendes Getön. 5. (Aria, alto) Wie starb die Heldin so vergnügt. 6. (Recitative, tenor) Ihr Leben liess die Kunst zu sterben. 7. (Chorus) An dir, du Fürbild grosser Frauen. Second Part: 8. (Aria, tenor) Der Ewigkeit saphirnes Haus. 9. (Recitative, bass) Was Wunder ists? Du bist es wert. 10. (Chorus) Doch, Königin! du stirbest nicht.
  Julianne Baird, Judith Nelson, sopranos; Judith Malafronte, alto; Steven Rickards, counter-tenor; Jeffrey Thomas, tenor; William Sharp, baritone; James Weaver, bass.
  American Bach Soloists. Jeffrey Thomas, music director.
  CD Baby Bach Cantata Series, vol. 2: Trauerode. A1131

• Cantata no. 199. Mein Herze schwimmt in Blut. BWV 199/1-8. Text by Georg Christian Lehms, 6th movement taken from the 3rd movement of Johann Heermanns hymn "Wo soll ich fliehen hin."
  note: for solo soprano voice.
  1. Mein Herze schwimmt in Blut. (recitative) 2. Stumme Seufzer, stille Klagen. (aria and recitative) 3. Doch Gott muß mir gnädig sein. (recitative) 4. Tief gebückt und voller Reue. (aria) 5. Auf diese Schmerzensreu. (recitative) 6. Ich, dein betrübtes Kind. (chorale) 7. Ich lege mich in diese Wunden. (recitative) 8. Wie freudig ist mein Herz. (aria)
  Magdalena Kožená, soprano.
  The English Baroque Soloists, on authentic instruments. John Eliot Gardiner, director.
  ARCHIV 463 591-2 A1804

• Cantata no. 199. Mein Herze schwimmt in Blut. BWV 199/1-8. Text by Georg Christian Lehms, 6th movement taken from the 3rd movement of Johann Heermanns hymn "Wo soll ich fliehen hin."
  note: for solo soprano voice.
  1. Mein Herze schwimmt in Blut. (recitative) 2. Stumme Seufzer, stille Klagen. (aria and recitative) 3. Doch Gott muß mir gnädig sein. (recitative) 4. Tief gebückt und voller Reue. (aria) 5. Auf diese Schmerzensreu. (recitative) 6. Ich, dein betrübtes Kind. (chorale) 7. Ich lege mich in diese Wunden. (recitative) 8. Wie freudig ist mein Herz. (aria)
  Lorraine Hunt Lieberson, mezzo-soprano.
  The Orchestra of Emmanuel Church, Boston. Craig Smith, conductor.
  Nonesuch 79692-2 A1582

• Cantata no. 202. Weichet nur, betrübte Schatten. BWV 202/1-9. Librettist unknown, possibly Salomon Franck. "Hochzeitskantate." "Wedding Cantata."
  1. Weichet nur, betrübte Schatten. (aria: soprano) 2. Die Welt wird wieder neu. (recitative: soprano) 3. Phoebus eilt mit schnellen Pferden. (aria: soprano) 4. Drum such auch Amor sein Vergnügen. (recitative: soprano) 5. Wenn die Frühlingslüfte streichen. (aria: soprano) 6. Und dieses ist das Glücke. (recitative: soprano) 7. Sich üben im Lieben. (aria: soprano) 8. So sei das Band der keuschen Liebe. (recitative: soprano) 9. Sehet in Zufriedenheit. (gavotte: soprano)
  Nancy Argenta, soprano. Paul Goodwin, oboe.
  Ensemble Sonnerie. Monica Huggett, director.
  Virgin veritas 7243 5 45059 2 8 A1254

• Cantata no. 208. Was mir behagt, das ist nur die muntre Jagd. BMV 208/1-15. Text by Saloman Franck. "Jagdkantate," "Hunt Cantata."
  1. Was mir behagt, das ist die muntre Jagd. (recitative, Diana) 2. Jagen ist die Lust der Götter. (aria, Diana) 3. Wie, schönste Göttin, wie? (recitative, Endymion) 4. Willst du dich nur mehr ergetzen. (aria, Endymion) 5. Ich liebe dich zwar noch! (recitative, Diana, Endymion) 6. Ich, der ich sonst ein Gott in diesen Feldern bin. (aria, Pan) 7. Ein Fürst ist seines Landes Pan. (aria, Pan) 8. Soll den der Pales Opfer hier das letzte sein (recitative, Pales) 9. Schafe können sicher weiden. (aria, Pales) 10. So stimmt mit ein. (recitative, Diana) 11. Lebe, Sonne dieser Erden. (chorale) 12. Entzükket uns beide. (duet, Diana, Endymion) 13. Weil die wollenreichen Herden. (aria, Pales) 14. Ihr Felder und Auen. (Pan) 15. Ihr lieblichste Blicke! (chorus)
  Yvonne Kenny (Diana), Angela Maria Blasi (Pales), sopranos; Kurt Equiluz (Endymion), tenor; Robert Holl (Pan), bass.
  Arnold Schoenberg Chor. Erwin Ortner, chorus master. Concentus Musicus Wien. Nikolaus Harnoncourt, conductor.
  Warner Classics 0825646480869 A1012
  8-9. Soll den der Pales Opfer. (recitative, Pales); Schafe können sicher weiden. (aria, Pales)
  Elisabeth Schwarzkopf, soprano. Josef Niedermayer, Karl Rezniček, flutes.
  Karl Maurer, cello; Isolde Ahlgrimm, harpsichord.
  EMI CDH 7 63201 2 A980

• Cantata no. 209. Non sa che sia dolore. BWV 209/1-5. Librettist unknown.
  note: for soprano solo; possibly not by Johann Sebastian Bach; perhaps by several composers; perhaps by Telemann.
  1. Sinfonia. 2. Non sa che sia dolore. (recitative: soprano) 3. Parti pur, e con dolore. (aria: soprano) 4. Tuo saver al tempo e l'etá contrasta. (recitative: soprano) 5. Ricetti gramezza e pavento. (aria: soprano)
  Nancy Argenta, soprano. Lisa Beznosiuk, flute.
  Ensemble Sonnerie. Monica Huggett, director.
  Virgin veritas 7243 5 45059 2 8 A1254

• Cantata no. 210. "O holder Tag, erwünschte Zeit. BWV 210/1-10. Librettist unknown. "Hochzeitskantate." "Wedding Cantata."
  note: for solo soprano
  1. O holder Tag, erwünschte Zeit. (recitative) 2. Spielet, ihr beseelten Lieder. (aria) 3. Doch, haltet ein. (recitative) 4. Ruhet hie, matte Töne. (aria) 5. So glaubt man denn, dass die Musik verführe. (recitative) 6. Schweigt, ihr Flöten, schweigt, ihr Töne. (aria) 7. Was Luft? was Grab? (recitative) 8. Großer Gönner, dein Vergnügen. (aria) 9. Hochteurer Mann, so fahre ferner fort. (recitative) 10. Seid beglückt, edle beide. (aria)
  Carolyn Sampson, soprano.
  Bach Collegium Japan. Masaaki Suzuki, director.
  BIS-CD-1411 A1073

• Cantata no. 211. "Schweigt stille, plaudert nicht." BWV 211/1-10. Text by Picander, penname of Christian Friedrich Henrici. "Kaffeekantate." "Coffee Cantata."
  1. Schweigt stille. (recitative) 2. Hat man nicht mit seinen Kindern. (aria) 3. Du böses Kind. (recitative) 4. Ei! wie schmeckt der Kaffee süße. (aria) 5. Wenn du mir nicht den Kaffee läßt. (recitative) 6. Mädchen, die von harten Sinne. (aria) 7. Nun folge, was dein Vater spricht! (recitative) 8. Heute noch, Lieber Vater, tut es doch! (aria) 9. Nun geht und sucht der alte Schlendrian. (recitative) 10. Die Katze lässt das Mausen nicht. (trio)
  Carolyn Sampson, soprano; Makoto Sakurada, tenor; Stephan Schreckenberger, bass.
  Bach Collegium Japan. Masaaki Suzuki, director.
  BIS-CD-1411 A1073

• Cantata no. 212. "Mer hahn en neue Oberkeet." BMV 212/1-24. Text by Picander, penname of Christian Friedrich Henrici. "Bauernkantate." "Peasant Cantata."
  1. Ouvertüre. 2. Mer hahn en neue Oberkeet.(aria, duet). 3. Nu, Mieke, gib dein Guschel immer her. (recitative). 4. Ach, es schmeckt doch gar zu gut" (aria). 5. Der Herr ist gut. (recitative). 6. Ach, Herr Schösser. (aria). 7. Es bleibt dabei. (recitative). 8. Unser trefflicher lieber Kammerherr. (aria) 9. Es hilft uns allen, alt und jung. (recitative). 10. Das ist galant. (aria). 11. Und unsre gnäd'ge Frau. 12. Fünfzig Taler bares Geld. (aria). 13. Im Ernst ein Wort! (recitative). 14. Klein-Zschocher müsse. (aria). 15. Das ist zu klug vor dich. (recitative). 16. Es nehme zehntausend Dukaten. (aria). 17. Das klingt zu liederlich. (recitative). 18. Gib, Schöne. (aria). 19. Du hast wohl recht. (recitative). 20. Dein Wachstum sei feste. (aria). 21. Und damit sei es auch genug. (recitative). 22. Und dass ihr's alle wisst. (aria). 23. Mein Schatz, erraten! (recitative). 24. Wir gehn nun. (chorus).
  Angela Maria Blasi, soprano; Robert Hall, bass.
  Arnold Schoenberg Chor. Erwin Ortner, chorus master. Concentus Musicus Wien. Nikolaus Harnoncourt, conductor.
  Warner Classics 0825646480869 A1012

• Cantata no. 214. Tönet, ihr Pauken! Erschallet Trompeten! BWV 214/1-9. Librettist unknown.
  note: aka Glückwünschkantate zum Geburtstage der Königen, in honor of Maria Josepha, Queen of Poland and Electress of Saxony.
  1. Tönet, ihr Pauken! Erschallet Trompeten! 2. Heut ist der Tag. 3. Blast die wohlgegriffnen Flöten. 4. Mein knallen das Metal. 5. Fromme Musen! Meine Glieder. 6. Unsre Königin im Lande. 7. Kron und Preis gekrönter Damen. 8. So dringe in das weite Erdenrund. 9. Blühet, ihr Linden in Sachsen.
  
  • 1. Tönet, ihr Pauken.
    Leipzig University Chorus. New Leipzig Bach Collegium Musicum. Max Pommer, conductor.
    LaserLight 15 274 A6

• Capriccio in honorem Johann Christian Bachs Ohrdrufiensis in E major. BWV 993.
  Angela Hewitt, piano.
  hyperion CDA67306 A1760

• Capriccio on the Departure of His Most Beloved Brother in B flat major. BWV 992.
  Angela Hewitt, piano.
  hyperion CDA67306 A1760

• Capriccio on the Departure of His Most Beloved Brother in B flat major. BWV 992.
  Rosalyn Tureck, piano.
  VAi AUDIO VAIA 1041 A965

• Catechism preludes, for organ, nos. 1-21. BWV 669-BWV 689. (published in Clavierübung III)
  1. Kyrie, Gott Vater in Ewigkeit. 2. Christe, aller Welt Trost. 3. Kyrie, Gott heiliger Geist. 4. Kyrie, Gott Vater in Ewigkeit. (alio modo) 5. Christe, aller Welt Trost. 6. Kyrie, Gott heiliger Geist. 7. Allein Gott in der Höh' sei Ehr'. 8. Allein Gott in der Höh' sei Ehr'. 9. Allein Gott in der Höh' sei Ehr'. Fughetta super. 10. Dies sind die heil'gen zehn Gebot'. 11. Dies sind die heil'gen zehn Gebot'. Fughetta super. 12. Wir glauben all' an einen Gott. 13. Wir glauben all' an einen Gott. Fughetta super. 14. Vater unser im Himmelreich. 15. Vater unser im Himmelreich. (alio modo) 16. Christ, unser Herr, zum Jordan kam. 17. Christ, unser Herr, zum Jordan kam. (alio modo). 18. Aus tiefer Not schrei ich zu dir. 19. Aus tiefer Not schrei ich zu dir. (alio modo) 20. Jesus Christus unser Heiland, der von uns den Zorn Gottes wand. 21. Jesus Christus unser Heiland (fuga super).
  Clavierübung III, v. 1: Catechism preludes, for organ, nos. 1-13, BWV 669-681, preceded by Prelude in E flat major, BWV 552. "St. Anne."
  Clavierübung III, v. 2: Catechism preludes, for organ, nos. 14-21, BWV 682-689, followed by 4 Duets, BWV 892-805, followed by Fugue in E flat major, BWV 552. "St. Anne."
  Wolfgang Rübsam, organ.
  Naxos 8.550929, Naxos 8.550930 A1758/1, A1758/2

  • 1. Kyrie, Gott Vater in Ewigkeit. BWV 669.
    David White, organ. St. Thomas Parish Church Episcopal Church, Medina, Washington.
    St. Paul's Episcopal Chuch. DS1 A1577

  • 2. Christe, aller Welt Trost. BWV 670.
    David White, organ. St. Thomas Parish Church Episcopal Church, Medina, Washington.
    St. Paul's Episcopal Chuch. DS1 A1577

  • 3. Kyrie, Gott heiliger Geist. BWV671.
    David White, organ. St. Thomas Parish Church Episcopal Church, Medina, Washington.
    St. Paul's Episcopal Chuch. DS1 A1577

  Chorales,
  see: individual chorale title, or under title of collection of chorales in which the chorale appeared, such as Cathechism preludes; Leipzig chorale preludes; Schübler chorale preludes; or Orgelbüchlein chorale preludes. Miscellaneous Choral Preludes, and Harmonized Chorales from C. P. E. Bach collection are not listed under the collection title, but only by chorale specific title.

  Christ ist erstanden. BWV 627,
  see: Orgelbüchlein. 29.

• Christ ist erstanden. BWV 746.
  note: from Miscellaneous Choral Preludes.
  note: once thought to be by Johann Sebastian Bach, now attributed to Johann Kaspar Ferdinand Fischer.
  Peter Hurford, organ. The organ in St. Catharine's College Chapel, Cambridge.
  London 425 635-2 A1762

  Christ lag in Todesbanden. BWV 625,
  see: Orgelbüchlein. 27.

  Christ, unser Herr, zum Jordan kam. BWV 684 & BWV 685 (alio modo),
  see: Catechism Choral Preludes. 16 & 17.

  Christe, aller Welt Trost. BWV 670,
  see: Cathechism preludes, no. 2.

  Christe, aller Welt Trost. BWV 673,
  see: Catechism Preludes, no. 5.

  Christe, du Lamm Gottes. BWV 619,
  see: Orgelbüchlein. 21.

• Christmas Oratorio. Weihnachts-Oratorium. BWV 248/1-64. Librettist unknown, but likely it was Picander, penname of Christian Friedrich Henrici, in collaboration with Bach; some passages from Paul Gerhardt, Martin Luther, Johann von Rust, Christoph Runge, Georg Weissel, Johann Franck, and Georg Werner.
  note: many sections are parodies, new texts to work previously composed by Bach.
  1. Jauchet, frohlocket. 2. Es begab sich aber zu der Zeit. ... 8. Grosser Herr, und starker König. ... 10. Sinfonia. 11. Und es waren Hirten. 12. Brich an, o schönes Morgenlicht. ... 23. Wir singen dir in deinm Heer. 24. Herrscher des Himmels, erhöre das Lallen. ... 38. Immanuel, o süsses Wort! 39. Flösst mein Heiland. ... 63. Was will der Hölle Schrecken nun. 64. Nun seid ihr wohl gerochen.
  Anthony Rolfe Johnson (Evangelist), tenor; Ruth Holton (Angel), soprano; Katie Pringle, (Echo), soprano; Olaf Bär, (Herodes), bass; Nancy Argenta, soprano; Anne Sofie von Otter, mezzo-soprano; Hans Peter Blochwitz, tenor; Olaf Bär, bass.
  The Monteverdi Choir, The English Baroque Soloists: Alison Bury, Maya Homburger, violin; Anthony Robson, Valerie Darke, oboe, oboe d'amore; Lisa Beznosiuk, flute; Crispian Steele Perkins, trumpet. Continuo: Timothy Mason, cello; Valerie Botwright, double bass; Alastair Ross, organ; Paul Nicholson, harpischord.
  John Eliot Gardiner, conductor.
  Archiv Produktion 423 233-2 A258
  • 1. Jauchzet, frohlocket! (chorus). Rejoice and Sing, edited by Robert Shaw,
    note: sung in English.
    Norman Mackenzie, organ.
    Robert Shaw Chamber Choir. Robert Shaw, conductor.
    TELARC 20 CD-80461 A1812

  • 8. [aria] Grosser Herr, o starker König.
    Siegfried Lorenz, baritone.
    New Leipzig Bach Collegium Musicum. Max Pommer, conductor.
    LaserLight 15 274 A6

  • 10. Sinfonia.
    Virtuosi Saxoniae. Ludwig Güttler, conductor.
    LaserLight 15 274 A6

  • 12. Brich an, o schönes Morgenlicht. Break forth, o Wondrous Heavenly Light, edited by Robert Shaw and Alice Parker. (chorus)
    note: sung in English.
    Norman Mackenzie, organ.
    Robert Shaw Chamber Choir. Robert Shaw, conductor.
    TELARC 20 CD-80461 A1812

  • 24. Herrscher des Himmels, erhöre das Lallen. (chorus)
    Wiener Sängerknaben. Chorus Viennensis. Hans Gillesberger, chorus master.
    Concentus musicus Wien. Nikolaus Harnoncourt, conductor.
    TELDEC D 102965 A592

  • 39. Flösst mein Heiland. (aria)
    Soloist of the Wiener Sängerknaben.
    Concentus musicus Wien. Nikolaus Harnoncourt, conductor.
    TELDEC D 102965 A592

  Christum wir sollen loben schon,
  see: Orgelbüchlein. 13.

  Christus, der uns selig macht. BWV 620.
  see: Orgelbüchlein. 22.

• Christus, der uns selig macht. BWV 747.
  note: from the Miscellaneous Chorale Prelude Collection.
  note: doubtful authenticity.
  Peter Hurford, piano. The organ in School Hall, Eton College, Windsor.
  London 425 635-2 A1762

• Chromatic Fantasia and Fugue in D minor. BWV 903.
  Rosalyn Tureck, piano.
  VAi AUDIO VAIA 1041 A965

• Chromatic Fantasia and Fugue in D minor. BWV 903.
  Blandine Verlet, harpsichord.
  Philips 438 900-2 A53

  Clavierübung I (assembled and published 1731),
  see: 6 Partitas for harpsichord. BWV 825-830. (published separately 1726-1730)

  Clavierübung II (2 works published 1735),
  see: Italian Concerto,
  and see: Overture in the French style for harpsichord in B minor.
  

  Clavierübung III, aka Deutsche Orgelmesse, (assembled and published 1739),
  see: Prelude and Fugue in E flat major. BWV 552. "St. Anne,"
  and see: Cathechism Preludes, BWV 669-689,
  and see: 4 Duets. BWV 802-805.

• Concerto for [harpsichord] keyboard and orchestra no. 1 in D minor. BWV 1052.
  Raymond Leppard, harpsichord.
  English Chamber Orchestra. Raymond Leppard, director.
  Philips 438 900-2 A53

• Concerto for harpsichord and strings in D minor. BWV 1052.
  Trevor Pinnock, harpsichord.
  The English Consort. Trevor Pinnock, director.
  Archiv Produktion 289 471 754-2 A225

• Concerto for harpsichord and strings in E major. BWV 1053.
  Trevor Pinnock, harpsichord.
  The English Consort. Trevor Pinnock, director.
  Archiv Produktion 289 471 754-2 A225

• Concerto for harpsichord and strings in D major. BWV 1054.
  Trevor Pinnock, harpsichord.
  The English Consort. Trevor Pinnock, director.
  Archiv Produktion 289 471 754-2 A225

• Concerto for harpsichord and strings in A major. BWV 1055.
  Trevor Pinnock, harpsichord.
  The English Consort. Trevor Pinnock, director.
  Archiv Produktion 289 471 754-2 A225

• Concerto for harpsichord and strings in F minor. BWV 1056.
  note: two movements from lost oboe concerto.
  Trevor Pinnock, harpsichord.
  The English Consort. Trevor Pinnock, director.
  Archiv Produktion 289 471 754-2 A225
  • Concerto for oboe and strings in G minor. BWV 1056.
    Malcolm Messiter, oboe. Paul Nicholson, harpsichord.
    Guildhall String Ensemble. Robert Salter, leader/director.
    RCA VICTOR RED SEAL 60224-2-RC A865

• Concerto for harpsichord, two recorders and strings in F major. BWV 1057.
  Trevor Pinnock, harpsichord. Philip Pickett, Rachel Beckett, recorders.
  The English Consort. Trevor Pinnock, director.
  Archiv Produktion 289 471 754-2 A225

• Concerto for harpsichord and strings in G minor. BWV 1058.
  Trevor Pinnock, harpsichord.
  The English Consort. Trevor Pinnock, director.
  Archiv Produktion 289 471 754-2 A225

• Concerto for two harpsichords and strings in C minor. BWV 1060.
  note: only surviving version, for reconstruction for oboe, see: Concerto for oboe, violin, strings, and continuo in C minor.
  Trevor Pinnock, Kenneth Gilbert, harpsichords.
  The English Consort. Trevor Pinnock, director.
  Archiv Produktion 289 471 754-2 A225

• Concerto for two harpsichords and strings in C major. BWV 1061.
  Kenneth Gilbert, Trevor Pinnock, harpsichords.
  The English Consort. Trevor Pinnock, director.
  Archiv Produktion 289 471 754-2 A225

• Concerto for two harpsichords and strings in C minor. BWV 1062.
  Trevor Pinnock, Kenneth Gilbert, harpsichords.
  The English Consort. Trevor Pinnock, director.
  Archiv Produktion 289 471 754-2 A225

• Concerto for three harpsichords and strings in D minor. BWV 1063.
  Kenneth Gilbert, Trevor Pinnock, Lars Ulrik Mortensen, harpsichords.
  The English Consort. Trevor Pinnock, director.
  Archiv Produktion 289 471 754-2 A225

• Concerto for three harpsichords and strings in C major. BWV 1064.
  Kenneth Gilbert, Trevor Pinnock, Lars Ulrik Mortensen, harpsichords.
  The English Consort. Trevor Pinnock, director.
  Archiv Produktion 289 471 754-2 A225

• Concerto for four harpsichords and strings in A minor. BWV 1065.
  Raymond Leppard, Andrew Davis, Philip Ledger, Blandine Verlet, harpsichords.
  English Chamber Orchestra. Raymond Leppard, director.
  Philips 438 900-2 A53

• Concerto for four harpsichords and strings in A minor. BWV 1065.
  Trevor Pinnock, Kenneth Gilbert, Lars Ulrik Mortensen, Nicholas Kraemer, harpsichords.
  The English Consort. Trevor Pinnock, director.
  Archiv Produktion 289 471 754-2 A225

• Concerti for keyboard: Arrangement of Various Other Composers Works. BWV 592a, 972-987.
  Peter Watchorn, harpsichord.
  hänssler 92.111 A398
  • Concerto for keyboard in G major. Arrangement of a lost concerto of Duke Johann Ernst. BWV 592a.
    Peter Watchorn, harpsichord.
    hänssler 92.111 A398

  • Concerto for keyboard in D major. Arrangement of Antonio Vivaldi's Violin Concerto in D major RV 230, op. 3/9. BWV 972.
    Peter Watchorn, harpsichord.
    hänssler 92.111 A398

  • Concerto for keyboard in G major. Arrangement of Antonio Vivaldi's Violin Concerto RV 299, op. 7/8. BWV 973.
    Peter Watchorn, harpsichord.
    hänssler 92.111 A398

  • Concerto for keyboard in D minor. Arrangement of Alessandro Marcello's Oboe Concerto in D minor. BWV 974.
    Peter Watchorn, harpsichord.
    hänssler 92.111 A398

  • Concerto for keyboard in G minor. Arrangement of Antonio Vivaldi's Violin Concerti G minor RV 316a (the first two movements) and lost earlier version of op. 4/6 (the gigue movement). BWV 975.
    Peter Watchorn, harpsichord.
    hänssler 92.111 A398

  • Concerto for keyboard in C major. Arrangement of Antonio Vivaldi's Violin Concerto in E major RV 265, op. 3/12. BWV 976.
    Peter Watchorn, harpsichord.
    hänssler 92.111 A398

  • Concerto for keyboard in C major. Arrangement of an unknown (Antonio Vivaldi?) source. BWV 977.
    Peter Watchorn, harpsichord.
    hänssler 92.111 A398

  • Concerto for keyboard in F major. Arrangement of Antonio Vivaldi's Violin Concerto in G major RV 310, op. 3/3. BWV 978.
    Kenneth Gilbert, harpsichord.
    NOVALIS 150 018-2 A668

  • Concerto for keyboard in F major. Arrangement of Antonio Vivaldi's Violin Concerto RV 310, op. 3/3. BWV 978.
    Peter Watchorn, harpsichord.
    hänssler 92.111 A398

  • Concerto for keyboard in B minor. Arrangement of Giuseppe Torelli's Violin Concerto in D minor. BWV 979.
    Peter Watchorn, harpsichord.
    hänssler 92.111 A398

  • Concerto for keyboard in G major. Arrangement of Antonio Vivaldi's Violin Concerti in B flat major RV 381 and RV 383a, op. 4/1. BWV 980.
    Peter Watchorn, harpsichord.
    hänssler 92.111 A398

  • Concerto for keyboard in C minor. Arrangement of Benedetto Marcello's Violin Concerto in E minor. BWV 981.
    Peter Watchorn, harpsichord.
    hänssler 92.111 A398

  • Concerto for keyboard in B flat major. Arrangement of Duke Johann Ernst's Violin Concerto, op.1/1. BWV 982.
    Peter Watchorn, harpsichord.
    hänssler 92.111 A398

  • Concerto for keyboard in G minor. Arrangement of an unknown (possibly Johann Sebastian Bach?) source. BWV 983.
    Peter Watchorn, harpsichord.
    hänssler 92.111 A398

  • Concerto for keyboard in C major. Arrangement of an unpublished concerto (probably for strings in C major) by Duke Johann Ernst. BWV 984.
    Peter Watchorn, harpsichord.
    hänssler 92.111 A398

  • Concerto for keyboard in G minor. Arrangement of Georg Philipp Telemann's Violin Concerto in G minor. TWV 51:g1. BWV 985.
    Peter Watchorn, harpsichord.
    hänssler 92.111 A398

  • Concerto for keyboard in G major. Arrangement of an unknown [lost Georg Philipp Telemann concerto?] BWV 986.
    Peter Watchorn, harpsichord.
    hänssler 92.111 A398

  • Concerto for keyboard in D minor. Arrangement of Duke Johann Ernst's Violin Concerto in D minor, op. 1/4. BWV 987.
    Peter Watchorn, harpsichord.
    hänssler 92.111 A398

• Concerto for oboe, violin, strings, and continuo in C minor. BWV 1060.
  note: reconstruction by Franz Giegling (musicologist) from the only surviving version for two keyboards; for only surviving version, see: Concerto for two harpsichords and strings in C minor.
  Heinz Holliger, oboe. Arthur Grumiaux, violin.
  New Philharmonia Orchestra. Edo De Waart, conductor.
  Philips 420 700-2 A84

• Concerto for violin and orchestra no. 1 in A minor. BMV 1041.
  Arthur Grumiaux, violin.
  Les Solistes Romands. Arpad Gerecz, conductor.
  Philips 420 700-2 A84

• Concerto for violin and orchestra no. 2 in E major. BMV 1042.
  Arthur Grumiaux, violin.
  Les Solistes Romands. Arpad Gerecz, conductor.
  Philips 420 700-2 A84

• Concerto for violin and orchestra no. 2 in E major. BWV 1042.
  Henryk Szeryng, violin.
  Academy of St. Martin in the Fields. Sir Neville Marriner, conductor.
  Philips 438 900-2 A53

• Concerto for two violins, strings, and continuo in D minor. BWV 1043.
  Arthur Grumiaux, violin; Herman Krebbers, violin II.
  Les Solistes Romands. Arpad Gerecz, conductor.
  Philips 420 700-2 A84

• Concerto for two violins in D minor. BWV 1043.
  Yehudi Menuhin, violin; Christian Ferras, violin.
  Festival Chamber Orchestra. Yehudi Menuhin, conductor.
  EMI CDZ 7 62526 2 A125

  Da Jesus an dem Kreuze stund. BWV 621,
  see: Orgelbüchlein. 23.

  Dies sind die heil'gen zehn Gebot, BWV 10, BWV 11,
  see: Catechism Preludes 10 and 11.

  Dies sind die heil'hen zehn Gebot',
  see: Orgelbüchlein. 37.

• 4 Duets, for keyboard. BWV 802-805.
  (published in Clavierübung III)
  1. E minor. 2. F major. 3. G major. 4. A minor.
  Angela Hewitt, piano.
  hyperion CDA67306 A1760

• 4 Duets, for keyboard. BWV 802-805.
  (published in Clavierübung III)
  1. E minor. 2. F major. 3. G major. 4. A minor.
  Wolfgang Rübsam, organ.
  Naxos 8.550930 A1758/2

  Durch Adams Fall ist ganz verderbt. BWV 637,
  see: Orgelbüchlein. 39.

• Easter Oratorio. Oster-Oratorium. BWV 249/1-11. The librettist is likely Picander, penname for Christian Friedrich Henrici.
  note: the music originated in one of Bach's secular cantatas.
  1. Sinfonia. 2. Adagio. 3. Kommt, eilet, und laufet. (chorus) 4. O kalter Männer Sinn. (recitative) 5. Seele, meine Specereien. (soprano aria) 6. Hier ist die Gruft. (recitative) 7. Sanfte soll mein Todeskummer. (tenor aria) 8. In dessen Seufzen. (alto recitative) 9. Saget mir geschwinde. (soprano, alto aria) 10. Wir sind erfreut. (bass recitative) 11. Preis und Dank. (chorus)
  Barbara Schlick, soprano; Kai Wessel, alto; James Taylor, tenor; Peter Kooy, bass.
  Collegium Vocale. Philippe Herreweghe, director.
  harmonia mundi FRANCE HMX 2951513 A1458
  • 1. Sinfonia.
    note: on authentic instruments
    The English Concert. Peter Hanson, concert master. Trevor Pinnock, director from the harpischord.
    Archiv Produktion 430 780-2 A202

• English Suites. BWV 806-811.
  1. A major. 2. A minor. 3. G minor. 4. F major. 5. E minor. 6. D minor.
  Andras Schiff, piano.
  London 421 640-2 A465

  Erschienen ist der herrliche Tag,
  see: Orgelbüchlein. 31.

  Erstanden ist der heil'ge Christ. BWV 628,
  see: Orgelbüchlein. 30.

  Es ist das Heil uns kommen her. BWV 638,
  see: Orgelbüchlein. 40.

• Fantasia in C minor for organ. BWV 562.
  Christopher Herrick, organ.
  note: organ of the Jesuitenkirche, Lucerne, Switzerland
  hyperion CDA66791 A505

• Fantasia in G major for organ. BWV 572.
  Gerre Hancock, organist. E. M. Skinner organ, St. Thomas Church, New York City.
  Gothic G 49038 A1982

• Fantasia in G major for organ. BWV 572.
  Christopher Herrick, organ.
  note: organ of the Jesuitenkirche, Lucerne, Switzerland
  hyperion CDA66791 A505

• Fantasia in G major for organ. BWV 572.
  Helmut Walcha, organ. Great organ of St. Laurenskerk, Alkmaar (Netherlands)
  Deutsche Grammophon 453 064-2 A1800

• Fantasia and Fugue in C minor for organ. BWV 537.
  Christopher Herrick, organ.
  note: organ of the Jesuitenkirche, Lucerne, Switzerland
  hyperion CDA66791 A505

• Fantasia (Prelude) and Fugue ["The Great Fugue"] in G minor for organ. BWV 542.
  Christopher Herrick, organ.
  note: organ of the Jesuitenkirche, Lucerne, Switzerland
  hyperion CDA66791 A505

• Fantasia (Prelude) and Fugue ["The Great Fugue"] in G minor for organ. BWV 542.
  Helmut Walcha, organ. Great organ of St. Laurenskerk, Alkmaar (Netherlands)
  Deutsche Grammophon 453 064-2 A1800
  • Fugue in G minor for organ. "The Great Fugue." BWV 542.
    E. Power Biggs, on the Flentrop organ at the Busch-Reisinger Museum, Harvard University.
    CBS RECORDS MASTERPIECE MK 42644 A1357

• Fantasia in C minor. BWV 919.
  note: Some sources consider the attribution of the composership of this fantasia to Johann Sebastian Bach to be spurious.
  Rosalyn Tureck, piano.
  VAi AUDIO VAIA 1041 A965

• Ein feste Burg ist unser Gott. BWV 720.
  note: in Miscellaneous Chorale preludes.
  E. Power Biggs, on the Flentrop organ at the Busch-Reisinger Museum, Harvard University.
  CBS RECORDS MASTERPIECE MK 42644 A1357

  French Overture in B minor,
  see: Overture in the French style. BWV 831.

• French Suites. BWV 812-817/1-6.
  1. D minor. 2. C minor. 3. B minor. 4. E flat major. 5. G major. 6. E major.
  Christophe Rousset, harpischord.
  ambroisie AMB 9960 A431

  • 2. French Suite in C minor. BWV 813.
    Gustave Leonhardt, harpsichord.
    Philips 438 900-2 A53

  Freut euch und jubilieret,
  see: Magnificat in E flat major. BWV 243a/B.

• Fugue in G minor, for lute solo. BWV 1000.
  Lutz Kirchhof, theorbo.
  SONY CLASSICAL S2K 45 858 A823

• Fugue in G minor, for organ. "The Great G minor Fugue." BWV 542.
  E. Power Biggs, on the Flentrop organ at the Busch-Reisinger Museum, Harvard University.
  CBS RECORDS MASTERPIECE MK 42644 A1357

• Fugue in G major, for organ. BWV 577. "The Jig"
  note: autograph lost, stylistic analysis indicates may not be by Johann Sebastian Bach.
  E. Power Biggs, on the Flentrop organ at the Busch-Reisinger Museum, Harvard University.
  CBS RECORDS MASTERPIECE MK 42644 A1357

• Fugue in G minor, for organ. "The Little G minor Fugue." BWV 578.
  E. Power Biggs, on the Flentrop organ at the Busch-Reisinger Museum, Harvard University.
  CBS RECORDS MASTERPIECE MK 42644 A1357

  Gelobet seist du, Jesu Christ. BWV 604,
  see: Orgelbüchlein. 6.

  Gloria in excelsis deo,
  see: Magnificat in E flat major. BWV 243a/C.

• Goldberg Variations. BWV 988.
  Vladimir Feltsman, piano.
  Musical Heritage Society MHS 513260T A1233

• Goldberg Variations, BWV 988.
  Glenn Gould, piano.
  CBS RECORDS MASTERWORKS MK 37779 A664

• Goldberg Variations, BWV 988.
  Murray Perahia, piano.
  Sony Classical SK 89243 A126

• Gott der Vater wohn' uns bei. BWV 748.
  note: from Miscellaneous Choral Preludes.
  note: now attributed to Johann Gottfried Walther.
  Peter Hurford, organ. The organ in St. Catharine's College Chapel, Cambridge.
  London 425 635-2 A1762

  Gott, durch deine Güte. BWV 600,
  see: Orgelbüchlein. 2.

  Gottes Sohn ist kommen. BWV 601,
  see: Orgelbüchlein 2.

  Helft mir Gottes Güte preisen,
  see: Orgelbüchlein. 15.

  Herr Christ, der ein'ge Gottes Sohn. BWV 601,
  see: Orgelbüchlein. 3.

• Herr Christ, der einig' Gottes Sohn. BWV Anh. 55.
  note: probably by Johann Sebastian Bach.
  Peter Hurford, organ. The organ in School Hall, Eton College, Windsor.
  London 425 635-2 A1762

  Herr Gott, nun schleuss den Himmel auf,
  see: Orgelbüchlein. 19.

  Herr Gott, nun sei gepreiset,
  see: Orgelbüchlein. 3.

  Herr Jesu Christ, dich zu uns wend. BWV 631,
  see: Leipzig Chorale Preludes. 5.

  Herr Jesu Christ, dich zu uns wend. BWV 632,
  see: Orgelbüchlein. 34.
  

  Heut' trumphieret Gottes Sohn,
  see: Orgelbüchlein. 32.

  Hilf Gott, dass mir's gelinge,
  see: Orgelbüein. 26.

  Ich ruf' zu dir, Herr Jesu Christ. BWV 639,
  see: Orgelbüchlein. 41.

  In dich hab' ich gehoffet, Herr,
  see: Orgelbüchlein. 42.

  In dir ist Freude. BWV 615,
  see: Orgelbüchlein. 17.

• In dulci jubilo. BWV 368. Heinrich Seuse is thought to be the librettist.
  note: chorale harmonization of the 14th C. Latin hymn; from C. P. E. Bach's collection of harmonized chorales.
  The Deller Consort: Alfred Deller, April Cantelo, Gerald English, Maurice Bevan.
  VANGUARD CLASSICS OVC 8023 P50

• In dulci jubilo. BWV 368. Heinrich Seuse is thought to be the librettist.
  note: chorale harmonization of the 14th-15th C. Latin hymn; from C. P. E. Bach's collection of harmonized chorales.
  Rostock Motet Choir. Leipzig Capella Fidicinia. Hartwig Eschenburg, conductor.
  LaserLight 15 274 A6

  In dulci jubilo. BWV 608,
  see: Orgelbüchlein. 10.

• In dulci jubilo. BWV 729.
  note: from Miscellaneous Chorale Preludes.
  Benjamin Bayl, organ.
  EMI Classics 7243 5 73693 2 A234

• In dulci jubilo. BWV 729.
  note: from Miscellaneous Chorale Preludes.
  Peter Hurford, organ.
  London 425 635-2 A1762

• In dulci jubilo. BMV 751.
  note: from Miscellaneous Chorale Preludes.
  note: once attributed to Johann Sebastian Bach, now attributed to Johann Michael Bach.
  Peter Hurford, organ. The organ in St. Catharine's College Chapel, Cambridge.
  London 425 635-2 A1762

  Inventions,
  see: Two-Part Inventions
  [and] see: Three-Part Inventions.
  In the earlier version, the Clavierbüchlein of 1720, the Two-Part and Three-Part Inventions appeared as Praeambula and Fantasias, respectively. In the 1923 revision, they appeared as Inventionen and Sinfonien, respectively, both known as Inventions in English.

• Two-Part Inventions. Zweistimmige Inventionen. [1723] BMV 772a-786.
  note: BWV 772a is a variant of BWV 772m the Two-Part Invention no. 1 in C major.
  Glenn Gould, piano.
  SONY CLASSICAL SMK 52 596 A1476

• Two-Part Inventions. Zweistimmige Inventionen. [1723] BWV 772a-786.
  note: BWV 772a is a variant of BWV 772, the Two-Part Invention no. 1 in C major.
  Andras Schiff, piano.
  London 411 974-2 A699

• Three-Part Inventions. Dreistimmige Sinfonien. [1723] BWV 772-801.
  Glenn Gould, piano.
  SONY CLASSICAL SMK 52 596 A1476

• Three-part Inventions. Dreistimmige Sinfonien. [1723] BWV 787-801.
  Andras Schiff, piano.
  London 411 974-2 A699

• Italian Concerto. BWV 971.
  note: published as Clavierübung II in 1735 with Overture in the French style.
  Blandine Verlet, harpsichord.
  Philips 438 900-2 A53

• Italian Concerto. BWV 971.
  note: published as Clavierübung II in 1735 with Overture in the French style.
  Angela Hewitt, piano.
  hyperion CDA67306 A1760

  Jesu bleibet meine Freude. Jesu, Joy of Man's Desiring. Jesu que ma joie demeure. BWV 147/10.
  note: last movement of Cantata no. 147,
  see: Cantata no. 147.

• Jesu, der du meine Seele. BWV 752.
  note: from the Miscellaneous Chorale Preludes.
  note: authenticity in doubt.
  Peter Hurford, organ.
  London 425 635-2 A1762

• Jesu mein Herzens Freud. BWV 361. Text by Johann Flitter.
  note: from 186 harmonized chorales from C. P. E. Bach's collection.
  Rostock Motet Choir. Leipzig Capella Fidicinia. Hartwig Eschenburg, conductor.
  LaserLight 15 274 A6

  Jesu, meine Freude,
  see: Orgelbüchlein. 12.

  Jesus Christus, unser Heiland. BWV 688 & 689 (fugue)
  see: Catechism Choral Preludes. 20 & 21 (fugue)

  Jesus Christus, unser Heiland.
  Leipzig Choral Preludes. 15 & 16 (alio modo)

  Jesus Christus, unser Heiland,
  see: Orgelbüchlein. 28.

  Komm, Gott, Schöpfer, heiliger Geist,
  see: Leipzig Chorale Preludes. 17.

  Komm, Gott, Schöpfer, heiliger Geist,
  see: Orgelbüchlein. 33.

  Komm, heiliger Geist, Herre Gott,
  see: Leipzig Chorale Preludes, for organ. 15 (fantasia) & 16 (alio modo).

• Komm, Jesu, Komm, motet. BWV 229.
  Nederlands Chamber Choir. Ton Koopman.
  Philips 438 900-2 A53

• Komm, süsser Tod, komm selge Ruh. BWV 478.
  note: solo voice, from Schemelli's Gesangbuch.
  Marian Anderson, contralto.
  Pearl GEMM CD 9318 A982

  Kommst du nun, Jesu, vom Himmel herunter,
  see: Schübler Choral Preludes. 6.

  Kyrie, Gott heiliger Geist. BWV 671 & BWV 674.
  see: Catechism preludes, no. 3 & 6.

  Kyrie, Gott Vater in Ewigkeit. BWV. 669 & BWV. 672
  see: Catechism preludes, no. 1 & 4.

• 18 Leipzig chorale preludes for organ. BWV 651-668.
  note: in each case the organ chorale prelude (1.a.-18.a.) is paired with the vocal chorale (1.b.-18.b.) on which it is based.

  1.a. Fantasia super: Komm, heiliger Geist, Herre Gott. BWV 651. 1.b. Komm, heiliger Geist, Herre Gott. Text and melody from Ebersberg ca. 1480 after the antiphon Veni sancte Spiritus. Cantata 59/3.
  2.a. Komm, heiliger Geist, Herre Gott. BWV 652. 2.b. Du heilige Brunst, süsser Trost. Text and melody by Martin Luther. 3rd verse of the motet, Der Geist hilft unser Schwachheit auf. BWV 226.
  3.a. An Wasserflüssen Babylon. BWV 653. 3.b. An Wasserflüssen Babylon. Text and melody by Wolfgang Dachstein. Chorale BWV 267.
  4.a. Schmücke dich, o liebe Seele. BWV 654. 4.b. Schmücke dich, o liebe Seele. Text and melody by Johann Franck. Cantata 180/7.
  5.a. Trio super: Herr Jesu Christ, dich zu uns wend. BWV 655. 5.b. Herr, Jesu Christ, dich zu uns wend. Text and melody from Pensum sacrum, possibly by Herzog Wilhelm II zu Sachsen-Weimar. Chorale BWV 332.
  6.a. O Lamm Gottes unschuldig. BWV 656. 6.b. O Lamm Gottes unschuldig. Melody and text by Nikolaus Decius. Chorale BWV 401.
  7.a. Nun danket alle Gott. BWV 657. 7.b. Nun danket alle Gott. Text by Martin Rinckart. Melody by Johann Crüger. Chorale BWV 386.
  8.a. Von Gott will ich nicht lassen. BWV 658. 8.b. Von Gott will ich nicht lassen. Text by Ludwig Helmhold. Melody by Lyon, 1557. Chorale BWV 418.
  9.a. , der Heiden Heiland. BWV 659. 9.b. Nun komm, der Heiden Heiland. Text from the hymn Veni creator spiritus and melody by Martin Luther. Cantata BWV 36/8 and Cantata 62/6.
  10.a. Trio super: Nun Komm, der Heiden Heiland. BWV 660. 10.b. Die Kripp glänzt hell und klar. BWV 36/8.
  11.a. Nun komm, der Heiden Heiland. BWV 661. 11.b. Lob sei Gott, dem Vater g'than. BWV 62/6.
  12.a. Allein Gott in der Höh sei Ehr. BWV 662. 12.b. Allein Gott in der Höh sei Ehr. Text, verses 1 and 3 from Gloria in excelsis Deo by Nikolaus Decius. Verse 2 by Joachim Slüter. Melody by Nikolaus Decius. Chorale BWV 260.
  13.a. Allein Gott in der Höh sei Ehr. BWV 663. 13.b. O Jesu Christ, Sohn eingeborn. BWV 260.
  14.a. Trio super: Allein Gott in der Höh sei Ehr. BWV 664. 14.b. O Heilger Geist, du höchstes Gut.
  15.a. Jesus Christus, unser Heiland. BWV 665. 15.b. Jesus Christus, unser Heiland. Text and melody from the Erfurter Enchiridion. Chorale BWV 363.
  16.a. Jesus Christus, unser Heiland, alio modo, BWV 666. 16.b. Wer sich will zu dem Tisch machen.
  17.a. Komm, Gott Schöpfer, heiliger Geist. BWV 667. 17.b. Komm, Gott Schöpfer, heiliger Geist. Text and melody from the Gesangbuch by Jos. Klug. BWV 370.
  18.a. Vor deinen Thron tret ich. BWV 668. 18.b. Wenn wir in höchsten Nöten sein. Text and melody by Franz Eler. "Beschere mir ein selig End." BWV 431.
  

  Ton Koopman, organ. Christian Miller organ, Grote Kerk, Leeuwarden.
  The Amsterdam Baroque Choir. Simon Schouten, choirmaster. Ton Koopman, director.
  TELDEC 4509-94459-2 A1761

  • 9.a. Nun komm, der Heiden Heiland. BWV 659.
    Michael-Christfried Winkler, organ. Silbermann organ at Reinhartsgrimma.
    BERLIN Classics BC 1038-2 A99
    • Nun komm, der Heiden Heiland. Transcribed for piano by Ferruccio Busoni.
      Frederic Chiu, piano.
      harmonia mundi 7907054 A732

  Liebster Jesu, wir sind hier. BWV 633,
  see: Orgelbüchlein. 35.

  Liebster Jesu, wir sind hier. BWV 634,
  see: Orgelbüchlein. 36.

• Liebster Jesu, wir sind hier. Beloved Jesu, we are here. BWV 731.
  note: Miscellaneous choral prelude.
  • Liebster Jesu, wir sind hier. Beloved Jesu, we are here. BWV 731. Arranged for piano by Harriet Cohen.
    Alicia de Larrocha, piano.
    London 443 810-2 A55

• Liebster Jesu, wir sind hier. BWV 754.
  note: from the Miscellaneous Choral Preludes.
  note: authenticity doubted
  Peter Hurford, organ. The organ in St. Catharine's College Chapel, Cambridge.
  London 425 635-2 A1762

  Lob sei dem allmächtigen Geist,
  see: Orgelbüchlein. 4.

• Lobet den Herrn, alle Heiden, motet. BWV 230. Psalm 117 text.
  Rostock Motet Choir. Leipzig Capella Fidicinia. Hartwig Eschenburg, .conductor.
  LaserLight 15 274 A6

• Lobet den Herrn, alle Heiden, motet. BWV 230. Psalm 117 text.
  Nederlands Chamber Choir. Ton Koopman.
  Philips 438 900-2 A53

  Lobt Gott, ihr Christen, allzugleich. BWV 609,
  see: Orgelbüchlein. 11.

• Magnificat in D major. BWV 243.
  note: revision of the Magnificat in E flat major (BWV 243a) without the Christmas texts.
  Nancy Argenta, soprano I; Patrizia Kwella, soprano II; Charles Brett, alto; Anthoney Rolfe-Johnson, tenor; David Thomas, bass; Monteverdi Choir. English Baroque Soloists. John Eliot Gardiner.
  Philips 438 900-2 A53

• Magnificat in E flat major. BWV 243a.
  note: original version of BWV 243.
  note: includes 4 Christmas interpolations: A. Vom Himmel hoch, B. Freut euch und jubilieret, C. Gloria in excelsis, D. Virga Jesse floruit.
  

  • A. Vom Himmel hoch, da komm ich her. BWV 243a.
    note: harmonization of Martin Luther hymn.
    Leontyne Price, soprano.
    Vienna Philharmonic Orchestra. Herbert von Karajan, conductor.
    London 421 103-2 A73

  • A. Vom Himmel hoch, da komm ich her. BWV 243a.
    note: harmonization of Martin Luther hymn.
    Rostock Motet Choir. Leipzig Capella Fidicina. Hartwig Eschenburg, conductor.
    LaserLight 15 274 A6

  • B. Freut euch und jubilieret. BWV 243a.
    Rostock Motet Choir. Leipzig Capella Fidicina. Hartwig Eschenburg, conductor.
    LaserLight 15 274 A6

  • C. Gloria in excelsis Deo. BWV 243a.
    Rostock Motet Choir. Leipzig Capella Fidicina. Hartwig Eschenburg, conductor.
    LaserLight 15 274 A6

• Mass in B minor. BWV 232.
  The Monteverdi Choirs, soloists: Nancy Argenta, Lynne Dawson, Jane Fairfield, Jean Knibbs, Patrizia Kwella, sopranos; Carol Hall, Mary Nichols, mezzo-sopranos; Michael Chance, Patrick Collin, Ashley Stafford, altos; Wynford Evans, Howard Milner, Andrew Murgatroyd, tenors; Richard Lloyd Morgan, Stephen Varcoe, basses.
  The English Baroque Soloists: Elizabeth Wilcox, violin; Lisa Beznosiuk, flute; Sophia McKenna, Valerie Darke, oboe d'amore; Michael Thompson, horn; continuo- Timothy Mason, violoncello, Valerie Botwright, double bass; Alastair Ross, organ; Paul Nicholson, harpsichord.
  John Eliot Gardiner, conductor.
  ARCHIV PRODUKTION 415 514-2 A127
  • Variations (Franz Liszt) on a theme of Bach. S. 180.
    note: theme from the b. c. of Cantata no. 12/1, Weinen, Klagen, Sorgen, Zagen and from the Crucifixus of the B minor mass.
    Michel Dalberto, piano.
    DENON 81757 9289 2 A1903

  Meine Seele erhebet den Herren,
  see: Schübler Chorale Preludes. 4.

• Meine Seele erhebet den Herren. Fuge über das Magnificat. BWV 733.
  note: Miscellaneous Chorale Prelude for organ.
  Michael-Christfried Winkler, organ. Silbermann organ at Reinhartsgrimma.
  BERLIN Classics BC 1038-2 A99

  Mit Fried' und Freud' ich fahr' dahin,
  see: Orgelbüchlein. 18.

• Musical Offering. Musikalisches Opfer. BWV 1079/1-16.
  1. Ricercar a 3. 2. Canon perpetua a 2. 3. Canon a 2. 4. Canon a 2 per motum contrarium. 5. Canon a 2 per augmentationem, contrario motu. 6. Canon a 2 per tonos. 7. Fuga canonica in epidiapente. 8. Canon perpetua super thema regium. 9. Canon perpetua. 10. Canon a 2. 11. Canon a 4. 12. Sonata for flute, violin and viola da gamba: a. Largo. b. [13] Allegro. c. [14] Andante. d. [15] Allegro. 13. [16] Ricercar a 6.
  Musica Antiqua Köln: Reihard Goebel, violin I; Hajo Bäss, violin II; Charles Medlam, viola da gamba; Wilbert Hazelzet, flute; Jaap ter Linden, cello; Henk Bouman, harpsichord. Reinhard Goebel, director.
  eloquence 469 680-2 A778

• Musical Offering. Musikalisches Opfer. BWV 1079/-16.
  1. Ricercar a 3. (piano) 2. Canon perpetuus super Thema Regium. (violin, flute, harpsichord) 3. Canon 1. a 2 cancrizans. violins. harpsichord. 4. Canon 2. a 2 Violin: in unisono. 5. Canon 3. a 2 per Motum contrarium. (flute, violin, viola) 6. Canon 4. a 2 per Augmentationem, con Motu. (violin, harpsichord). 7. Canon 5. 2 per Tonos. (violin I and II, harpsichord) 8. Fuga canonica in Epidiapente. (flute, violin, viola da gamba) 9. Ricercar a 6. (harpsichord) 10. Quaerendo Invenietis: Canon a 2. (harpsichord) 11. Canon a 4. (violin I and II, harpsichord) 12. Largo. 13. Allegro. 14. Andante. 15. Allegro. 16. Canon perpetuus. (flute, violin, piano)
  Gottfried von der Goltz, violin, viola; Karl Kaiser, flutist; Ekkehard Weber, viola da gamba; Michael Behringer, piano.
  Musical Heritage Society 5161257 A1806
  • Canon a 2 quaerendo invenietis (Canon contrarium stricte reversum); Canon a 4; Canon a perpetuus; Canon 4 a 2 per augmentationem, contrario moto (super Thema Regium); Fuga canonica in epidiapente; Ricercar 2 a 6.
    Academy of St. Martin in the Fields. Sir Neville Marriner, conductor.
    Philips 438 900-2 A53

  • Fuga (Ricercata) a 6 voci aus dem Musikalischen Opfer. Arranged by Anton Webern.
    Vienna Philharmonic Orchestra. Claudio Abbado, conductor.
    Deutsche Grammophon 431 774-2 A210

  Nun danket alle Gott,
  see: Leipzig Chorale Preludes. 7.

• Nun freut euch, lieben Christen, g'mein, for organ. BWV 734.
  note: Miscellaneous Chorale Prelude for organ.
  E. Power Biggs, on the Flentrop organ at the Busch-Reisinger Museum, Harvard University.
  CBS RECORDS MASTERPIECE MK 42644 A1357
  • Nun freut euch, lieben Christen, g'mein. Transcribed for piano by Ferruccio Busoni.
    Frederic Chiu, piano.
    harmonia mundi 7907054 A732

• Nun freut euch, lieben Christen. BWV 755.
  note: doubtful authenticity.
  Peter Hurford, organ. The organ in School Hall, Eton College, Windsor.
  London 425 635-2 A1762

  Nun komm, der Heiden Heiland. BWV 659.
  see: Leipzig Chorale Preludes for organ. 9. & 10 (trio) & 11.

  Nun komm, der Heiden Heiland, BWV 599,
  see: Orgelbüchlein. 1.

• O Herre Gott, dein göttlich's wort. BWV 757.
  note: from Miscellaneous Chorale Preludes.
  note: doubtful authenticity.
  Peter Hurford, organ. The organ in St. Catharine's College Chapel, Cambridge.
  London 425 635-2 A1762

• O Jesulein süss. Traditional tune harmonized by Johann Sebastian Bach. BWV 493.
  Desmond Dupré, lute. Alfred Deller, counter-tenor.
  VANGUARD CLASSICS OVC 8023 P50

  O Lamm Gottes unschuldig,
  see: Orgelbüchlein. 20.

  O Lamm Gottes unschuldig,
  see: Leipzig Chorale Preludes. 6.

  O Mensch, bewein dein Sünde gross. BWV 622,
  see: Orgelbüchlein. 24.

• O Vater, allmächtiger Gott. BWV 758.
  note:from Miscellaneous Choral Preludes.
  note: doubtful authenticity.
  Peter Hurford, organ. The organ in School Hall, Eton College, Windsor.
  London 425 635-2 A1762

• Orchestral Suite no. 1. BWV 1066.
  note: on authentic instruments
  The English Concert. Peter Hanson, concert master. Trevor Pinnock, director from the harpischord.
  Archiv Produktion 430 780-2 A202

• Orchestral Suite no. 2. BWV 1067.
  note: on authentic instruments
  The English Concert. Peter Hanson, concert master. Trevor Pinnock, director from the harpischord.
  Archiv Produktion 430 780-2 A202

• Orchestral Suite no. 3. BWV 1068.
  1. Ouvertüre. 2. Air. 3. Gavotte. 4. Bourée. 5. Gigue.
  Academy of St. Martin in the Fields. Sir Neville Marriner, conductor.
  Philips 438 900-2 A53

• Orchestral Suite no. 3. BWV 1068.
  1. Ouvertüre. 2. Air. 3. Gavotte. 4. Bourëe. 5. Gigue.
  note: on authentic instruments
  The English Concert. Peter Hanson, concert master. Trevor Pinnock, director from the harpischord.
  Archiv Produktion 430 780-2 A202
  When the second movement is performed alone, it is often known as Air on the G string, an arrangement by August Wilhelmj, in which the key is transposed from D major to C major, allowing the violin (usually just one violin) to play the entire piece on the G string
  with markings characteristic of the Romantic Period.
  • 2. Air.
    note: the Air in this suite is sometimes known as Air on the G String.
    Academy of St. Martin in the Fields. Sir Neville Marriner, conductor.
    London 430 411-2 A96

  • 2. Air.
    Roderick Brydon, harpsichord. Scottish Chamber Orchestra. Paul Tortelier, conductor.
    EMI CDZ 7 62526 2 A125

  • 2. Air.
    David Bell, organ. Berlin Philharmonic Orchestra. Herbert von Karajan, conductor.
    Deutsche Grammophon 413 309-2 A122

  • 2. Air.
    German Bach Soloists. Helmut Winschermann, conductor.
    LaserLight 15 274 A6

  • 2. Air.
    note: historical recording, 1903.
    Fritz Kreisler, violin. Michael Raucheisen, piano.
    EMI TOCE-6960-70 A1140
    • 2. Air. Lyrics by Claudio Sanfilippo. "Solo Amore."
      Marcelo Álvarez, tenor. Salvatore Licitra, tenor. Vocals arranged by Steve Wood; orchestrated by Daniel May.
      The City of Prague Philharmonic. Daniel May, conductor.
      Sony Classical SK 87957 A368

• Orchestral Suite no. 4. BWV 1069.
  note: on authentic instruments
  The English Concert. Peter Hanson, concert master. Trevor Pinnock, director from the harpischord.
  Archiv Produktion 430 780-2 A202

• Orgelbüchlein. Chorale Preludes. BWV 599-644/1-46. 46 Chorale Preludes for organ.
  note: for specific Sundays, instrumental settings based on Luthern hymns
  1. Nun komm der Heiden Heiland. 2. Gott, durch deine Güte. [or] Gottes Sohn ist kommen. 3. Herr Christ, der ein'ge Gottes-Sohn. [or] Herr Gott, nun sei gepreiset. 4. Lob sei dem allmächtigen Geist. 5. Puer natus in Bethlehem. 6. Gelobet seist du, Jesu Christ. 7. Der Tag, der ist so freudenreich. 8. Vom Himmel hoch da komm' ich her. 9. Vom Himmel kam der Engel Schar. 10. In dulci jubilo. 11. Lobt Gott, ihr Christen, allzugleich. 12. Jesu, meine Freude. 13. Christum wir wollen loben schon. 14. Wir Christenleut'. 15. Helft mir Gottes Güte preisen. 16. Das alte Jahr vergangen ist. 17. In dir ist Freude. 18. Mit Fried und Freud ich fahr dahin. 19. Herr Gott, nun schleuss den Himmel auf. 20. O Lamm Gottes, unschuldig. 21. Christe, du Lamm Gottes. 22. Christus, der uns selig macht. 23. Da Jesus an dem Kreuze stund. 24. O Mensch, bewein dein Sünde gross. 25. Wir danken dir, Herr Jesu Christ. 26. Hilf Gott, dass mir's gelinge. 27. Christ lag in Todesbanden. 28. Jesus Christus, unser Heiland. 29. Christ ist erstanden. 30. Erstanden ist der heilge Christ. 31. Erschienen ist der herrliche Tag. 32. Heut triumphieret Gottes Sohn. 33. Komm, Gott Schöpfer, heiliger Geist. 34. Herr Jesu Christ, dich zu uns wend. 35. Liebster Jesu, wir sind hier. 36. Liebster Jesu, wir sind hier. 37. Dies sind die heilgen zehn Gebot. 38. Vater unser im Himmelreich. 39. Durch Adams Fall ist ganz verderbt. 40. Es ist das Heil uns kommen her. 41. Ich ruf' zu dir, Herr Jesu Christ. 42. In dich hab ich gehoffet, Herr. 43. Wenn wir in höchsten Nöten sein. 44. Wer nur den lieben Gott lässt walten. 45. Alle Menschen müssen sterben. 46. Ach wie nichtig, ach wie flüchtig.
  Peter Hurford, organ. Organ of the Church of Our Lady of Sorrows, Toronto.
  London 425 635-2 A1762
  • 1. Nun komm der Heiden Heiland, BWV 599.
    note: performed on the Melker Stiftsorgel (1970 built by Gregor Hradetsky)
    Josef Schweighofer, organist.
    Stift Melk CMO2 A786

  • 2. Gott, durch deine Güte. BWV 600.
    note: performed on the Melker Stiftsorgel (1970 built by Gregor Hradetsky)
    Josef Schweighofer, organist.
    Stift Melk CMO2 A786

  • 3. Herr Christ, der ein'ge Gottes Sohn. BWV 601.
    note: performed on the Melker Stiftsorgel (1970 built by Gregor Hradetsky)
    Josef Schweighofer, organist.
    Stift Melk CMO2 A786

  • 6. Gelobet seist du, Jesu Christ. BWV 604.
    note: performed on the Melker Stiftsorgel (1970 built by Gregor Hradetsky)
    Josef Schweighofer, organist.
    Stift Melk CMO2 A786

  • 8. Vom Himmel hoch, da komm' ich her. BWV 606.
    note: performed on the Melker Stiftsorgel (1970 built by Gregor Hradetsky)
    Josef Schweighofer, organist.
    Stift Melk CMO2 A786

  • 11. Lobt Gott, ihr Christen, allzugleich. BWV 609.
    note: performed on the Melker Stiftsorgel (1970 built by Gregor Hradetsky)
    Josef Schweighofer, organist.
    Stift Melk CMO2 A786

  • 16. Das alte Jahr vergangen ist. BWV 614.
    note: performed on the Melker Stiftsorgel (1970 built by Gregor Hradetsky)
    Josef Schweighofer, organist.
    Stift Melk CMO2 A786

  • 17. In dir ist freude. BWV 615.
    note: performed on the Melker Stiftsorgel (1970 built by Gregor Hradetsky)
    Josef Schweighofer, organist.
    Stift Melk CMO2 A786

  • 21. Christe, du Lamm Gottes. BWV 619.
    note: performed on the Melker Stiftsorgel (1970 built by Gregor Hradetsky)
    Josef Schweighofer, organ.
    Stift Melk CMO2 A786

  • 22. Christus, der uns selig macht. BWV 620.
    • Christus, der uns selig macht. BWV 620a.
      note: the original version of Christus, der uns selig macht. BWV 620.
      Peter Hurford, organ. The organ of St. Catharine's College Chapel, Cambridge.
      London 425 635-2 A1762

  • 23. Da Jesus an dem Kreuze stund. BWV 621.
    note: performed on the Melker Stiftsorgel (1970 built by Gregor Hradetsky)
    Josef Schweighofer, organist.
    Stift Melk CMO2 A786

  • 24. O Mensch, bewein dein Sünde gross. BWV 622.
    note: performed on the Melker Stiftsorgel (1970 built by Gregor Hradetsky)
    Josef Schweighofer, organist.
    Stift Melk CMO2 A786

  • 27. Christ lag in Todesbanden. BWV 625.
    note: performed on the Melker Stiftsorgel (1970 built by Gregor Hradetsky)
    Josef Schweighofer, organ.
    Stift Melk CMO2 A786

  • 30. Erstanden ist der heil'ge Christ. BWV 628.
    note: performed on the Melker Stiftsorgel (1970 built by Gregor Hradetsky)
    Josef Schweighofer, organist.
    Stift Melk CMO2 A786

  • 34. Herr Jesu Christ, dich zu uns wend. BWV 632,
    Matthias Eisenberg, organ.
    LaserLight 15 274 A6

  • 38. Vater unser im Himmelreich. BWV 636.
    note: performed on the Melker Stiftsorgel (1970 built by Gregor Hradetsky)
    Josef Schweighofer, organist.
    Stift Melk CMO2 A786

  • 39. Durch Adams Fall ist ganz verderbt. BWV 637.
    note: performed on the Melker Stiftsorgel (1970 built by Gregor Hradetsky)
    Josef Schweighofer, organist.
    Stift Melk CMO2 A786

  • 40. Es ist das Heil uns kommen her. BWV 638.
    note: performed on the Melker Stiftsorgel (1970 built by Gregor Hradetsky)
    Josef Schweighofer, organist.
    Stift Melk CMO2 A786

  • 41. Ich ruf' zu dir, Herr Jesu Christ. BWV 639.
    note: performed on the Melker Stiftsorgel (1970 built by Gregor Hradetsky)
    Josef Schweighofer, organist.
    Stift Melk CMO2 A786
    • Ich ruf' zu dir. Transcribed for solo piano by Ferruccio Busoni (B. 27/5/5)
      Vladimir Horowitz, piano.
      SONY SK 48093 A1081

  • 44. Wer nur den lieben Gott lässt walten. BWV 642.
    note: performed on the Melker Stiftsorgel (1970 built by Gregor Hradetsky)
    Josef Schweighofer, organist.
    Stift Melk CMO2 A786

  • 45. Alle Menschen müssen sterben. BWV 643.
    note: performed on the Melker Stiftsorgel (1970 built by Gregor Hradetsky)
    Josef Schweighofer, organist.
    Stift Melk CMO2 A786

• Overture in the French style. BWV 831.
  note: aka French overture in B minor.
  note: aka Partita for clavier no. 7 in B minor.
  note: published in 1735 with the Italian Concerto as Clavierübung II.
  Angela Hewitt, piano.
  hyperion CDA67306 A1760

• Partita in A minor for flute solo. BWV 1013.
  András Adorjájan, flute.
  DENON CM-1713/14 A972

• 6 Partitas for clavier. BWV 825-830.
  (assembled and published as Clavierübung I, 1731; published separately 1726-1730)
  1. B flat major. 2. C minor. 3. A minor. 4. D major. 5. G major. 6. E minor.
  note: The Overture in the French style is sometimes aka Partita no. 7 in B minor.
  Trevor Pinnock, harpsichord.
  hänssler 115 A1759
  • Partita for keyboard no. 1 in B flat major. BWV 825.
    Dinu Lipatti, piano.
    Philips Classics 456 892-2 A231 (recorded 7/1950)

• Partita for violin solo no. 1 in B minor. BWV 1002.
  Rachel Podger, violin.
  Channel Classics CCS SEL 2498 A367

• Partita for violin solo no. 2 in D minor. BWV 1004.
  Gidon Kremer, violin.
  Philips 438 900-2 A53

• Partita for violin solo no. 2 in D minor. BWV 1004.
  1. Allemanda. 2. Corrente. 3. Sarabanda. 4. Giga. 5. Ciaconna.
  Rachel Podger, violin.
  Channel Classics CCS SEL 2498 A367
  • 5. Chaconne.
    Juliette Kang, violin.
    Discover International DICD 920241 A743

• Partita for violin solo no. 3 in E major. BWV 1006.
  note: for transcription, see Suite for solo lute no. 4 in E major. BWV 1006a.
  1. Preludio. 2. Loure. 3. Gavotte en rondeau. 4. Menuet I. 5. Menuet II. 6. Bourrée. 7. Gigue.
  Rachel Podger, violin.
  Channel Classics CCS SEL 2498 A367
  • 3. Gavotte.

    • 3. Gavotte arranged for piano and violin by Fritz Kreisler.
      Fritz Kreisler, violin. Franz Rupp, violin.
      EMI TOCE-6960-70 A1140

    • Suite (1. Prelude, 3. Gavotte and 7. Gigue) from Johann Sebastian Bach's Partita for violin solo no. 3 in E major (BWV 1006) transcribed for piano solo by Sergei Rachmaninoff. TNiii/1.
      Frederic Chiu, piano.
      harmonia mundi 7907054 A732

• Passacaglia and Fugue in C minor, for organ. BWV 582.
  E. Power Biggs, on the Flentrop organ at the Busch-Reisinger Museum, Harvard University.
  CBS RECORDS MASTERPIECE MK 42644 A1357

• Passacaglia and Fugue in C minor, for organ. BWV 582.
  Daniel Chorzempa, organ.
  Philips 438 900-2 A53

• Passacaglia and Fugue in C minor, for organ. BWV 582.
  Helmut Walcha, organ. Great organ of St. Laurenskerk, Alkmaar (Netherlands)
  Deutsche Grammophon 453 064-2 A1800

• Prelude in C minor for lute solo. BWV 999.
  Lutz Kirchhof, theorbo.
  SONY CLASSICAL S2K 45 858 A823

• Prelude and Fugue in D major for organ. BWV 532.
  Christopher Herrick, organ. Organ of the Jesuitenkirche, Lucerne, Switzerland
  hyperion CDA66791 A505

• Prelude and Fugue in D major for organ. BWV 532.
  Helmut Walcha, organ. Silbermann organ in the Church of Saint-Pierre-le-Jeune, Strasbourg.
  Deutsche Grammophon 453 064-2 A1800

• Prelude and Fugue in F minor for organ. BWV 534.
  Christopher Herrick, organ. Organ of the Jesuitenkirche, Lucerne, Switzerland
  hyperion CDA66791 A505

• Prelude and Fugue in A major for organ. BWV 536.
  Christopher Herrick, organ. Organ of the Jesuitenkirche, Lucerne, Switzerland
  hyperion CDA66791 A505

• Prelude and Fugue in G major for organ. BWV 541.
  Mattias Eisenberg, organ.
  LaserLight 15 274 A6

• Prelude and Fugue in G major for organ. BWV 541.
  Christopher Herrick, organ. Organ of the Jesuitenkirche, Lucerne, Switzerland
  hyperion CDA66791 A505

• Prelude and Fugue in A minor for organ. BWV 543.
  Christopher Herrick, organ. Organ of the Jesuitenkirche, Lucerne, Switzerland
  hyperion CDA66791 A505

• Prelude and Fugue in B minor for organ. BWV 544.
  Christopher Herrick, organ. Organ of the Jesuitenkirche, Lucerne, Switzerland
  hyperion CDA66791 A505

• Prelude and Fugue in C major for organ. BWV 545.
  Christopher Herrick, organ. Organ of the Jesuitenkirche, Lucerne, Switzerland
  hyperion CDA66791 A505

• Prelude and Fugue in C minor for organ. BWV 546.
  Christopher Herrick, organ. Organ of the Jesuitenkirche, Lucerne, Switzerland
  hyperion CDA66791 A505

• Prelude and Fugue in C major for organ. BWV 547.
  Christopher Herrick, organ. Organ of the Jesuitenkirche, Lucerne, Switzerland
  hyperion CDA66791 A505

• Prelude and Fugue in E minor for organ. BWV 548. "The Wedge."
  Christopher Herrick, organ. Organ of the Jesuitenkirche, Lucerne, Switzerland
  hyperion CDA66791 A505

• Prelude and Fugue in E flat major for organ. BWV 552. "St. Anne."
  (published in Clavierübung III)
  Christopher Herrick, organ. Organ of the Jesuitenkirche, Lucerne, Switzerland
  hyperion CDA66791 A505

• Prelude and Fugue in E flat major for organ. BWV 552. "St. Anne."
  (published in Clavierübung III)
  Wolfgang Rübsam, organ.
  Naxos 8.550929, Naxos 8.550930 A1758/1 [the prelude], A1758/2 [the fugue]

• Prelude and Fugue in E flat major for organ. BWV 552. "St. Anne."
  (published in Clavierübung III)
  Helmut Walcha, organ. Silbermann organ of the Church of Saint-Pierre-le-Jeune, Strasbourg.
  Deutsche Grammophon 453 064-2 A1800

• Prelude, Fugue and Allegro in E flat major for solo lute. BWV 998.
  Lutz Kirchhof, theorbo.
  SONY CLASSICAL S2K 45 858 A823

  Puer natus in Bethlehem,
  see: Orgelbüchlein. 5.

• St. John Passion. Johannes-Passion. BWV 245/1-40. Biblical text (Gospel of John, chapters 18 and 19) interspersed by hymn and poem texts by Johann Heermann, Martin Luther, Paul Gerhardt, Paul Stockmann, Michael Weisse, Valerius Herberger, Martin Schalling and Christian Weise.
  1. Herr, unser Herrscher. ... 9. Ich folge dir. ... 30. Es ist vollbracht. ... 40. Ach Herr, lass dein lieb Engelein.
  Gerd Tuerek (Evangelist), tenor; Stephan MacLeod (Jesus), bass; Chiyuki Urano (Pilate), bass; Miduri Suzuki, soprano; Robin Blaze, countertenor/alto.
  Bach Collegium Japan. Masaaki Suzuki, conductor.
  NHK/EuroArts ID0672EIDVD A630

  • 9. Ich folge dir gleichfalls mit freudigen Schritten. [aria]
    Soloist of the Wiener Sängerknaben.
    Concentus musicus Wien. Nikolaus Harnoncourt, conductor.
    TELDEC D 102965 A592

  • 30. Es ist vollbracht. [aria]
    Christa Ludwig, mezzo-soprano. Berliner Symphoniker. Karl Forster, conductor.
    EMI Classics CMS 7 64074 2 A60

• St. Matthew Passion. Matthäus-Passion. BWV 244/1-68. Biblical text interspersed by recitative and aria texts of Picander, pseud. of Christian Friedrich Henrici, and chorale texts by N. Decius, Johann Heermann, Paul Gerhardt, Markgraf Albrecht von Brandenburg, Sebald Heyden, Adam Reusner, and Johann von Rist.
  1. Kommt, ihr Töchter. ... 8. Blute nur, mein liebes Herz. ... 49. Aus Liebe will mein Heiland sterben. ... 54. O Haupt voll Blut und Wunden. ...68. Wir setzen uns mit Tränen nieder.
  Anthony Rolfe Johnson (Evangelist), tenor; Andreas Schmidt (Jesus), baritone; Barbara Bonney (Pilate's Wife & Nos. 12, 13, 27), soprano; Ann Monoyios (Nos. 8, 48, 49), soprano; Anne Sofie von Otter (Nos. 5, 6, 30, 51, 52), alto (contralto); Michael Chance (First Witness & Nos. 27, 39, 59, 60), countertenor; Howard Crook (Second Witness & Nos. 19, 20, 34, 35), tenor; Olaf Bär (Pilate, Peter, Pontifex I & Nos. 22, 23, 56, 57), baritone; Cornelius Hauptmann (Judas, Pontifex, & Nos. 42, 64, 65), bass.
  The Monteverdi Choir, soloists: Gill Ross, Ruth Holton, (Maids) sopranos; The London Oratory Junior Choir: Patrick Russell, chorus master; The English Baroque Soloists: Lisa Beznosiuk, flute; Anthony Robson, oboe; Elizabeth Wilcock, Alison Bury, violins; Richard Campbell, viola da gamba; Alastair Mitchell, Andrew Watts, bassoon continuo; Timothy Mason, Richard Campbell, Richard Tunnicliffe, Julie Lehwalder, cello continuo; Valerie Botwright, Judith Evans, double bass continuo; Alastair Ross, Paul Nicholson, organ continuo.
  John Eliot Gardiner, director.
  ARCHIV PRODUKTION 427 648-2 A423
  • 8. Blute nur, mein liebes Herz. (aria)
    Soloist of the Wiener Sängerknaben.
    Concentus musicus Wien. Nikolaus Harnoncourt, conductor.
    TELDEC D 102965 A592

  • 49. Aus Liebe will mein Heiland sterben. (aria)
    Soloist of the Wiener Sängerknaben.
    Concentus musicus Wien. Nikolaus Harnoncourt, conductor.
    TELDEC D 102965 A592

  • 54. O Haupt voll Blut und Wunden. (chorale)
    Regensburger Domchor(boys' voices). Christoph Lickleder, chorus master.
    King's College Choir Cambridge (mens' voices). Donald Willocks, chorus master.
    Concentus musicus Wien. Nikolaus Harnoncourt, conductor.
    TELDEC D 102965 A592

  Schmücke dich, o liebe Seele. BWV 654,
  see: Leipzig Choral Preludes. 4.

• Schmücke dich, o liebe Seele. BWV 759.
  note: from the Miscellaneous Chorale Preludes.
  note: once attributed to Johann Sebastian Bach, now attributed to Gottfried August Homilius.
  Peter Hurford, organ. The organ in St. Catharine's College Chapel, Cambridge.
  London 425 635-2 A1762

• 6 Schübler Chorale Preludes, 6 chorales of various kinds to be played on an organ with two manuals and pedal. BWV 645-650.
  note: These organ chorales (1.b., 2.b., 3.b., 4.b., 5.b., 6.a.) were based on movements from his cantatas, which in turn were based on Lutheran hymns by various composers. In this recording each organ chorale (except 6) is preceded by the initial (1.a., 2.a., 3.a., 4.a., 5.a.) and followed (including 6) by final vocal chorale (1.c., 2.c., 3.c., 4.c., 5.c., 6.b.) of the cantata or vocal chorale on which the organ chorale is based.

  1.a. (initial vocal chorale from Cantata 140) Wachet auf, ruft uns die Stimme. Text and melody by Philippe Nicolai. BWV 140/1.
  1.b. (organ chorale) Wachet auf, ruft uns die Stimme. BWV 645.
  1.c. (final vocal chorale from Cantata 140) Gott sei dir gesungen. BWV 140/7.

  2.a. (initial vocal chorale from Cantata 5) Wo soll ich fliehen hin? Text and melody by Johann Heermann. BWV 5/1.
  2.b. (organ chorale) Wo soll ich fliehen hin? BWV 646.
  2.c. (final vocal chorale from Cantata 5) Für auch mein Herz und Sinn. BWV 5/7.

  3.a. (initial vocal chorale from Cantata 93) Wer nur den lieben Gott lä&sz-lig;t walten. Text and melody by Georg Neumark. BWV 93/1.
  3.b. (organ chorale) Wer nur den lieben Gott lä&sz-lig;t walten. BWV 647.
  3.c. (final7vocal chorale from Cantata 93) Sing, bet und geh auf Gottes Wegen. BWV 93/7.

  4.a. (initial vocal chorale from Cantata 10) Meine Seele erhebet den Herren. Text: Luke I:46-48. Melody by Georg Rhau. BWV 324.
  4.b. (organ chorale) Meine Seele erhebet den Herren. BWV 648.
  4.c. (final vocal chorale from Cantata 10) Lob und Preis sei Gott, dem Vater. BWV 324.

  5.a. (initial vocal chorale from Cantata 6) Ach, bleib bei uns, Herr Jesu Christ. Verse 1 from Vespera iam venit by Philipp Melanchton, Verse 2 by Nikolaus Schnecker. Melody by Martin Luther. BWV 253.
  5.b. (organ chorale) Ach bleib bei uns, Herr Jesu Christ. BWV 649.
  5.c. (final vocal chorale) In dieser letzt'n betrübten Zeit. BWV 253.

  6.a. (organ chorale) Kommst du nun, Jesu, vom Himmel herunter. BWV 650.
  6.b. (vocal chorale from Cantata 57/8) Kommst du nun, Jesu, vom Himmel herunter. Text and melody by Ahasverus Fritsch Verse 6 from the song Hast du denn, Jesu, dein Angesicht. "Selig ist der Mann." Cantata BWV 57/8.
  

  Ton Koopman, organ. Christian Miller organ, Grote Kerk, Leeuwarden.
  The Amsterdam Baroque Choir. Simon Schouten, choirmaster. Ton Koopman, director.
  TELDEC 4509-94459-2 A1761

• 6 Schübler Chorale Preludes. BWV 645-650.
  1. Wachet auf, ruft uns die Stimme. 2. Wo soll ich fliehen hin. 3. Wer nur den lieben Gott lässt walten. 4. Meine Seele erhebet den Herren. 5. Ach, blieb bei uns, Herr Jesu Christ. 6. Kommst du nun, Jesu, vom Himmel hernieder.
  Helmut Walcha, organ. Silbermann organ of the Church of Saint-Pierre-le-Jeune, Strasbourg.
  Deutsche Grammophon 453 064-2 A1800
  • 1. Wachet auf, ruft uns die Stimme. BWV 645.
    E. Power Biggs, on the Flentrop organ at the Busch-Reisinger Museum, Harvard University.
    CBS RECORDS MASTERPIECE MK 42644 A1357

  • 1. Wachet auf, ruft uns die Stimme. BWV 645.
    Daniel Chorzempa, organ.
    Philips 438 900-2 A53

    Wachet auf, ruft uns die stimme,
    see: Schübler Choral Preludes. 1.

    • Wachet auf, ruft uns die Stimme. BWV 645. Transcribed for piano by Ferruccio Busoni.
      Frederic Chiu, piano.
      harmonia mundi 7907054 A732

• Singet dem Herrn ein neues Lied, motet for 8-part double choir. BWV 225.
  Dresdner Kreuzchor. Martin Flämig, director.
  Pilz 44 2057-2 A1078

• Flute [or Violin] Sonata in G minor. BWV 1020.
  note: once attributed to Johann Sebastian Bach, now attributed to Carl Philipp Emanuel Bach
  András Adorján, flute.
  Huguette Dreyfus, harpsichord. Joachim Rabe, viola da gamba.
  DENON CM-1713/14 A972

• 6 Flute Sonatas. BWV 1030-1035.
  1. B minor. *2. E flat major. 3. A major. *4. C major. 5. E minor. 6. E major.
  *nos. 2 and 4 now attributed to Carl Philipp Emanuel Bach.
  András Adorján, flute.
  Huguette Dreyfus, harpsichord. Joachim Rabe, viola da gamba.
  DENON CM-1713/14 A972
  • Sonata for flute and harpsichord no. 2 in E flat major. BWV 1031.
    note: possibly by Carl Philipp Emanuel Bach as H. 545.
    Wilbert Hazelet, flute. Henk Boumen, harpsichord.
    eloquence 469 680-2 A778

  • Sonata for flute and continuo no. 3 in A major. BWV 1032.
    (the 3rd of Six Flute Sonatas)
    • Sonata for descant recorder and harpsichord in G major. Arranger?
      Michala Petri, recorder; Hanne Petri, harpsichord; David Petri, cello.
      St. Paul Chamber Orchestra. Pinchas Zukerman, conductor.
      RCA VICTOR RED SEAL 7749-2-PC A866

  • Sonata for flute and continuo no. 6 in E major. BWV 1035.
    Wilbert Hazelet, flute.
    eloquence 469 680-2 A778

  • Sonata for flute and continuo no. 6 in E major. BWV 1035.
    Maxence Larrieu, flute; Rafael Puyana, harpsichord; Wieland Kuijken, viola da gamba.
    Philips 438 900-2 A53

  6 Organ Sonatas. BWV 525-530,
  see: 6 Organ Trio Sonatas. BWV 525-530.

• Sonata for viola da gamba no. 1 in G major. BWV 1027.
  Jordi Savall, viola da gamba. Ton Koopman, harpsichord.
  Virgin theClassics 7243 5 62065 2 6 A1292

• Sonata for viola da gamba no. 2 in D major. BWV 1028.
  Jordi Savall, viola da gamba. Ton Koopman, harpsichord.
  Virgin theClassics 7243 5 62065 2 6 A1292

• Sonata for viola da gamba no.3 in G minor. BWV 1029.
  Jordi Savall, viola da gamba. Ton Koopman, harpsichord.
  Virgin theClassics 7243 5 62065 2 6 A1292

• Sonata for violin solo no. 1 in G minor. BWV 1001/1-5.
  1. Adagio. 2. Fuga. 3. Siciliana. 4. Presto.
  Rachel Podger, violin.
  Channel Classics CCS SEL 2498 A367
  • 1. Adagio arranged by Fritz Kreisler for violin and piano.
    Fritz Kreisler, violin. Michael Raucheisen, piano.
    EMI TOCE-6960-70 A1140

• Sonata for violin solo no. 2 in A minor. BWV 1003.
  Rachel Podger, violin.
  Channel Classics CCS SEL 2498 A367

• Sonata for violin solo no. 3 in C major. BWV 1005.
  Rachel Podger, violin.
  Channel Classics CCS SEL 2498 A367

  6 Sonatas for violin and clavichord BWV 1014-1019,
  see under individual title and BWV.

• Sonata for violin and clavichord (no. 1) in B minor. BWV 1014.
  Arthur Grumiaux, violin. Christiana Jaccottet, harpsichord.
  Philips 426 452-2 A821

• Sonata for violin and clavichord (no. 2) in A major. BWV 1015.
  Arthur Grumiaux, violin. Christiana Jaccottet, harpsichord.
  Philips 426 452-2 A821

• Sonata for violin and clavichord (no. 3) in E major. BWV 1016.
  Arthur Grumiaux, violin. Christiana Jaccottet, harpsichord.
  Philips 426 452-2 A821

• Sonata for violin and clavichord (no. 4) in C minor. BWV 1017.
  Arthur Grumiaux, violin. Christiana Jaccottet, harpsichord.
  Philips 426 452-2 A821

• Sonata for violin and clavichord (no. 5) in F minor. BWV 1018.
  Arthur Grumiaux, violin. Christiana Jaccottet, harpsichord.
  Philips 426 452-2 A821

• Sonata for violin and clavichord (no. 6) in G major. BWV 1019.
  Arthur Grumiaux, violin. Christiana Jaccottet, harpsichord.
  Philips 426 452-2 A821

• Sonata for violin and clavichord in G major. BWV 1019a.
  note: variant of BWV 1019. 3-5 movements.
  Arthur Grumiaux, violin. Christiana Jaccottet, harpsichord.
  Philips 426 452-2 A821

• Sonata for violin and clavichord in G minor. BWV 1020.
  Arthur Grumiaux, violin. Christiana Jaccottet, harpsichord.
  Philips 426 452-2 A821

• Sonata for violin and continuo in G major. BWV 1021.
  Arthur Grumiaux, violin. Philippe Mermoud, cello.
  Philips 426 452-2 A821

• Sonata for violin and clavichord in F minor. BWV 1022.
  Arthur Grumiaux, violin. Christiana Jaccottet, harpsichord.
  Philips 426 452-2 A821

• Sonata for violin and continuo in E minor. BWV 1023.
  Arthur Grumiaux, violin. Philippe Mermoud, cello.
  Philips 426 452-2 A821

• Suite for solo cello no. 1 in G major. BWV 1007.
  Jacqueline Du Pré, cello.
  EMI Classics 7243 5 68132 2 9 B A718

• Suite for solo cello no. 1 in G major. BWV 1007.
  Pierre Fournier, cello.
  Archiv Produktion 449-711-2 A248

• Suite for solo cello no. 2 in D minor. BWV 1008.
  Jacqueline Du Pré, cello.
  EMI Classics 7243 5 68132 2 9 B A718

• Suite for solo cello no. 2 in D minor. BWV 1008.
  Pierre Fournier, cello.
  Archiv Produktion 449-711-2 A248

• Suite for solo cello no. 3 in C major. BWV 1009.
  Pierre Fournier, cello.
  Archiv Produktion 449-711-2 A248

• Suite for solo cello no. 4 in E flat major. BWV 1010.
  Pierre Fournier, cello.
  Archiv Produktion 449-711-2 A248

• Suite for solo cello no. 5 in C minor. BWV 1011.
  Pierre Fournier, cello.
  Archiv Produktion 449-711-2 A248

• Suite for solo cello no. 6 in D major. BWV 1012.
  Pierre Fournier, cello.
  Archiv Produktion 449-711-2 A248

• Suite for solo lute no. 1 in E minor. BWV 996.
  Lutz Kirchhof, baroque lute.
  SONY CLASSICAL S2K 45 858 A823

• Suite for solo lute no. 2 in C minor. BMV 997.
  note: called "Partita in C minor" in this recording
  Lutz Kirchhof, theorbo.
  SONY CLASSICAL S2K 45 858 A823

• Suite for solo lute no. 3 in G minor. BMV 995.
  Lutz Kirchhof, theorbo.
  SONY CLASSICAL S2K 45 858 A823

• Suite for solo lute no. 4 in E major. BWV 1006a.
  note: transcription of BWV 1006, Partita for violin solo no. 3 in E major.
  Lutz Kirchhof, baroque lute.
  SONY CLASSICAL S2K 45 858 A823

  Der Tag, der ist so freudenreich,
  see: Orgelbüchlein 7.

  Three-Part Inventions,
  see: Inventions.

• Toccata, Adagio & Fugue in C major, for organ. BWV 564.
  E. Power Biggs, on the Flentrop organ at the Busch-Reisinger Museum, Harvard University.
  CBS RECORDS MASTERPIECE MK 42644 A1357

• Toccata and Fugue in D minor, for organ. "Dorian." BWV 538.
  Helmut Walcha, organ. Great organ of St. Laurenskerk, Alkmaar (Netherlands)
  Deutsche Grammophon 453 064-2 A1800

• Toccata (Prelude) and Fugue in F major, for organ. BWV 540.
  Helmut Walcha, organ. Great organ of St. Laurenskerk, Alkmaar (Netherlands)
  Deutsche Grammophon 453 064-2 A1800

  • Toccata (Prelude) in F major, for organ. BWV 540.
    E. Power Biggs, on the Flentrop organ at the Busch-Reisinger Museum, Harvard University.
    CBS RECORDS MASTERPIECE MK 42644 A1357

• Toccata and Fugue in D minor, for organ. BWV 565.
  E. Power Biggs, on the Flentrop organ at the Busch-Reisinger Museum, Harvard University.
  CBS RECORDS MASTERPIECE MK 42644 A1357

• Toccata and Fugue in D minor, for organ. BWV 565.
  Daniel Chorzempa, organ.
  Philips 438 900-2 A53

• Toccata and Fugue in D minor, for organ. BWV 565.
  Helmut Walcha, organ. Great organ of St. Laurenskerk, Alkmaar (Netherlands)
  Deutsche Grammophon 453 064-2 A1800
  • Toccata and Fugue in D minor. BWV 565. Transcribed for solo piano by Carl Tausig.
    Earl Wild, piano.
    AUDIOFON CD 72008-2 A733

• 7 Toccatas, for piano. BWV 910-BWV 916.
  1. F sharp minor. 2. C minor. 3. D major. 4. D minor. 5. E minor. 6. G minor. 7. G major.
  Angela Hewitt, piano.
  Hyperion CDA67310 A484
  • Toccata, Adagio and Fugue in D major. BWV 912.
    Rosalyn Tureck, piano.
    VAi AUDIO VAIA 1041 A965

• 6 Organ Trio Sonatas. BWV 525-530.
  note: trio=2 manuals and pedal, each independent
  note: performed on the Metzler organ of Trinity College, Cambridge.
  1. E minor. 2. C minor. 3. D minor. 4. E minor. 5. C major. 6. G major.
  David Newsholme, organ.
  opus arte OA CD9037 D A1329
  • Trio Sonata no. 3 in D minor for organ. BWV 527.
    Helmut Walcha, organ. Silbermann Organ in the Church of Saint-Pierre-le-Jeune, Strasbourg.
    Deutsche Grammophon 453 064-2 A1800

  • 5. Trio Sonata for organ in C major. BWV 529/1-3.
    1. Allegro. 2. Largo in A minor. 3. Allegro.
    
    • 2. Largo. Transcribed for solo piano by Samuel Feinberg,
      Arcadi Volodos, piano.
      SONY CLASSICAL SK 62691 A759

  Two-Part Inventions,
  see: Inventions.

  Vater unser im Himmelreich. BWV 636,
  see: Orgelbüchlein. 38.

  Vater unser im Himmelreich. BWV 682, BWV 683,
  see: Catechism Choral Preludes 14 & 15 (alio modo)

• Vater unser im Himmelreich. BWV 760.
  note: from the Miscellaneous Chorale Preludes.
  note: once attributed to Johann Sebastian Bach, now attributed to Georg Böhm.
  Peter Hurford, organ. The organ in St. Catharine's College Chapel, Cambridge.
  London 425 635-2 A1762

• Vater unser im Himmelreich. BWV 761.
  note: from the Miscellaneous Chorale preludes.
  note: once attributed to Johann Sebastian Bach, now attributed to Georg Böhm.
  Peter Hurford, organ. The organ in St. Catharine's College Chapel, Cambridge.
  London 425 635-2 A1762

• Vater unser im Himmelreich. BWV 762.
  note: from the Miscellaneous Chorale Preludes.
  note: authenticity doubtful
  Peter Hurford, organ. The organ in St. Catharine's College Chapel, Cambridge.
  London 425 635-2 A1762

  Vom Himmel hoch, da komm ich her,
  see: Orgelbühlein. 8.

  Vom Himmel hoch, da komm ich her,
  note: harmonization of Martin Luther hymn,
  see: Magnificat in E flat major. BWV 243a/A.

  Von Gott will ich nicht lassen,
  see: Leipzig Chorale Preludes. 8.

  Vor deinen Thron tret ich,
  see: Leipzig Chorale Preludes. 18.

  Wachet auf, ruft uns die Stimme. BWV 645,
  see: Schübler Chorale Preludes. 1.

• The Welltempered Clavier. Book 1. 24 Preludes and Fugues. Das Wohltemperierte Clavier, oder Praeludia, und Fugen durch alle Tone und Semitone. BWV 846-869.
  1. C major. 2. C minor. 3. C sharp major. 4. C sharp minor. 5. D major. 6. D minor. 7. E flat major. 8. Prelude in E flat minor and Fugue in D sharp minor. 9. E major. 10. E minor. 11. F major. 12. F minor. 13. F sharp major. 14. F sharp minor. 15. G major. 16. G minor. 17. A flat major. 18. G sharp minor. 19. A major. 20. A minor. 21. B flat major. 22. B flat minor. 23. B major. 24. B minor.
  Glenn Gould, piano.
  SONY CLASSICAL SM2K 52600A492

• The Welltempered Clavier. Book 1. 24 Preludes and Fugues. Das Wohltemperierte Clavier, oder Praeludia, und Fugen durch alle Tone und Semitone. BWV 846-869.
  1. C major. 2. C minor. 3. C sharp major. 4. C sharp minor. 5. D major. 6. D minor. 7. E flat major. 8. Prelude in E flat minor and Fugue in D sharp minor. 9. E major. 10. E minor. 11. F major. 12. F minor. 13. F sharp major. 14. F sharp minor. 15. G major. 16. G minor. 17. A flat major. 18. G sharp minor. 19. A major. 20. A minor. 21. B flat major. 22. B flat minor. 23. B major. 24. B minor.
  Angela Hewitt, piano.
  Hyperion CDA67301/2 A316
  • 1. Prelude. BWV 846. Ave Maria. Charles Gounod melody adaptation.
    Andrea Bocelli, tenor.
    Orchestra dell'Academia Nazionale di Santa Cecilia, Roma. Myung-Whun Chung, conductor.
    Philips CD and DVD B0001275-00/00CD01 and 00DV01 A235

  • 1. Prelude. BWV 846. Ave Maria. Charles Gounod melody adaptation.
    Celine Dion, singer.
    Sony Music Entertainment BK 69523 P259

  • 1. Prelude. BWV 846. Ave Maria. Charles Gounod melody adaptation.
    Luciano Pavarotti, tenor.
    Wandsworth Boys Choir. Russell Burgess, chorus master.
    National Philharmonic Orchestra. Kurt Herbert Adler, conductor.
    London 414 044-2 A1624

  • 1. Prelude. BWV 846. Ave Maria. Charles Gounod melody adaptation.
    Leontyne Price, soprano.
    Boston Pops Orchestra. Arthur Fiedler, conductor.
    RCA Victor Gold Seal 09026-68157-2 A567

  • 1. Prelude. BWV 846. Ave Maria. Charles Gounod melody adaptation.
    Leontyne Price, soprano.
    Vienna Philharmonic Orchestra. Herbert von Karajan, conductor.
    London 421 103-2 A73

  • 1. Prelude. BWV 846. Ave Maria. Charles Gounod melody adaptation. Arranged by Ray Ellis.
    Barbra Streisand, soprano.
    Columbia CK9557 P298

  • 2. Fugue no. 1 in C major. BWV 846. Transcribed as Fugue in B flat major by Heitor Villa-Lobos.
    The Pleeth Cello Octet and Robin Firman.
    Hyperion CDA66257 A111

  • 8. Prelude no. 8 in E flat minor. BWV 853. Transcribed as Prelude in D minor by Heitor Villa-Lobos.
    The Pleeth Cello Octet and Robin Firman.
    Hyperion CDA66257 A111

  • 21. Prelude and Fugue in B flat major. BWV 866.
    Rosalyn Tureck, piano.
    VAi AUDIO VAIA 1041 A965

  • 22. Prelude no. 22 in B flat minor. BWV 867. Transcribed as Prelude in G minor by Heitor Villa-Lobos.
    The Pleeth Cello Octet and Robin Firman.
    Hyperion CDA66257 A111

• The Welltempered Clavier. Book 2. 24 Preludes and Fugues. Das Wohltemperierte Clavier, oder Praeludia, und Fugen durch alle Tone und Semitone. BWV 870-893.
  1. C major. 2. C minor. 3. C sharp major. 4. C sharp minor. 5. D major. 6. D minor. 7. E flat major. 8. Prelude and Fugue in D sharp minor. 9. E major. 10. E minor. 11. F major. 12. F minor. 13. F sharp major. 14. F sharp minor. 15. G major. 16. G minor. 17. A flat major. 18. G sharp minor. 19. A major. 20. A minor. 21. B flat major. 22. B flat minor. 23. B major. 24. B minor.
  Glenn Gould, piano.
  SONY CLASSICAL SM2K 52603 A493

• The Welltempered Clavier. Book 2. 24 Preludes and Fugues. Das Wohltemperierte Clavier, oder Praeludia, und Fugen durch alle Tone und Semitone. BWV 870-893.
  1. C major. 2. C minor. 3. C sharp major. 4. C sharp minor. 5. D major. 6. D minor. 7. E flat major. 8. Prelude and Fugue in D sharp minor. 9. E major. 10. E minor. 11. F major. 12. F minor. 13. F sharp major. 14. F sharp minor. 15. G major. 16. G minor. 17. A flat major. 18. G sharp minor. 19. A major. 20. A minor. 21. B flat major. 22. B flat minor. 23. B major. 24. B minor.
  Angela Hewitt, piano.
  Hyperion CDA67303/4 A317

  • 5. Fugue no. 5 in D major. BWV 874. Transcribed as Fugue in D major by Heitor Villa-Lobos.
    The Pleeth Cello Octet and Robin Firman.
    Hyperion CDA66257 A111

  Wenn wir in höchsten Nöten sein,
  see: Orgelbüchlein. 43.

  Wer nur den lieben Gott läßt walten,
  see: Schübler Chorale Preludes. 3.

  Wer nur den lieben Gott läßt walten. BWV 642,
  see: Orgelbüchlein. 44.

  Wie schön leuchtet der Morgenstern,
  see: Cantata no. 1. BMV 1, and see BMV 1/1.

• Wie schön leuchtet der Morgenstern. BWV 763.
  note: from the Miscellaneous Chorale Preludes.
  note: authenticity doubtful
  Peter Hurford, organ. The organ in St. Catharine's College Chapel, Cambridge.
  London 425 635-2 A1762

• Wie wohl ist mir, o Freund der Seelen. BWV 517.
  note: from the Anna Magdalena Bach Clavierbüchlein II.
  note: doubtful attribution, composer not known
  Gisela Burkhardt, soprano; Walter Heinz Bernstein, harpischord; Siegfried Pank, viola da gamba.
  LaserLight 15 274 A6

  Wir Christenleut',
  see: Orgelbüchlein. 14.

  Wir danken dir, Herr Jesu Christ,
  see: Orgelbüchlein. 25.

  Wir glauben all an einen Gott. BWV 680, BWV 681,
  see: Catechism Choral Preludes 12 (Giant Fugue) & 13 (fughetta)

• Wir glauben all' an einen Gott, Schöpfer. BWV 765.
  note: from the Miscellaneous Chorale Preludes.
  note: authenticity doubtful
  Peter Hurford, organ. The organ in School Hall, Eton College, Windsor.
  London 425 635-2 A1762

  Wo soll ich fliehen hin?,
  see: Schübler Choral Preludes. 2.

Bach, Wilhelm Friedemann. (1710-1784)

• 7 Chorale Preludes. F38/1-7.
  note: authenticity doubted
  1. Nun komm der Heiden Heiland. 2. Christe, der du bist Tag und Nacht. 3. Jesu, meine Freude. 4. Durch Adams Fall ist ganz verderbt. 5. Was Gott will. 6. Wir Christenleut. 7. Wir danken dir, Herr Jesu Christ.
  • 1. Nun komm, der Heiden Heiland.
    Michael-Christfried Winkler, organ. Silbermann organ at Reinhartsgrimma.
    BERLIN Classics BC 1038-2 A99

• Dies ist der Tag, cantata. F85/1-8.
  1-3. Sinfonia. 4. Dies ist der Tag. Soprano recitative. 5. Süßer Hauch von Gottes Throne. Tenor aria. 6. Ich folge dir. Alto recitative. 7. Entzünde mich, du Kraft der größten Liebe! Bass aria. 8. Heilger Geist in Himmels Throne. Chorale.
  Barbara Schlick, soprano; Claudia Schubert, alto; Wilfried Jochens, tenor; Stephan Schreckenberger, bass.
  Brilliant Classics 94256 A1328

• Erzittert und fallet, cantata. F83/1-7.
  1. Erzittert und fallet. Chorus. 2. Was für reizend sanfte Blicke. Tenor aria. 3. Das Grab ist leer. Tenor, Soprano recitative. 4. Komm, mein Hirte. Soprano, Baritone duet. 5. Mein Heiland kommt. Soprano, Alto recitative. 6. Rauscht, ihr Fluten, donnernd Blizen. Soprano aria. 7. Heute triumphieret Gottes Sohn. Chorale.
  Barbara Schlick, soprano; Claudia Schubert, alto; Wilfried Jochens, tenor; Stephan Schreckenberger, bass.
  Brilliant Classics 94256 A1328

• Es ist eine Stimme eines Predigers in der Wüste, cantata. F89/1-6.
  1. Es ist eine Stimme eines Predigers in der Wüste. Chorus. 2. Gott hat uns Gnad und Heil. Tenor recitative. 3. Der Trost gehöret nur vor Kinder. Soprano aria. 4. Dein Heiland lässt die Bahn. Alto recitative. 5. Holdseligster Engel. Bass aria. 6. Wir Menschen sind zu dem, o Gott.
  Barbara Schlick, soprano; Claudia Schubert, alto; Wilfried Jochens, tenor; Stephan Schreckenberger, bass.
  Brilliant Classics 94256 A1328

• Lasset uns ablegen die Werke der Finsternis, cantata. F78/1-9.
  1. Lasset uns ablegen die Werke der Finsternis. Chorus. 2. Es ist nun hohe Zeit. Alto recitative. 3. Steh auf vom Sündenschlaf. Chorale. 4. Drum, Vater. Tenor recitative. 5. Höre, Vater, mit Erbarmen. Soprano aria. 6. Ich weiß, die Nacht ist schon dahin. Bass recitative. 7. Ich ziehe Jesum an im Glauben. Alto aria. 8. Den Geist, der heilig ist. Chorale. 9. Lasset uns ablegen die Werke der Finsternis.
  Barbara Schlick, soprano; Claudia Schubert, alto; Wilfried Jochens, tenor; Stephan Schreckenberger, bass.
  Brilliant Classics 94256 A1328

Bachelet, Alfred. (1864-1944)

• Chère nuit.
  Barbara Hendricks, soprano. Michel Dalberto, piano.
  EMI Classics EMI 7243 5 55388 2 6 A64

Badarzewska-Baranowska, Tekla. (1834-1861)

• The maiden's prayer. Arranged for piano by Joseph Cooper.
  Joseph Cooper, piano.
  London 443 810-2 A55

Bailly, Henri de. (ca. 1685-1637

• Ballet de la follie.
  

  • Yo soy la locura.
    Shannon Mercer, soprano I.
    Ensemble Caprice. Matthias Maute, conductor.
    Analekta AN 2 9957 A1220

Bairstow, Sir Edward. (1874-1946)

• The Oak and the Ash, choral setting of a ballad attributed to Martin Parker, ca. 1650.
  note: aka Rosemary Lane
  Blossom Street. Hilary Campbell, director.
  Naxos 8.573069 A874

Balada, Leonardo. (1933-

• Concerto for piano and orchestra no. 3.
  Rosa Torres-Pardo, piano.
  Barcelona Symphony and Catalonia National Orchestra. José Serebrier, conductor.
  Naxos 8.555039 A1151

• Concierto Mágico for Guitar and Orchestra.
  Eliot Fisk, guitar.
  Barcelona Symphony and Catalonia National Orchestra. José Serebrier, conductor.
  Naxos 8.555039 A1151

• Music for Flute and Orchestra.
  Magdalena Martínez.
  8222373 Barcelona Symphony and Catalonia national Orchestra. José Serebrier, conductor.
  Naxos 8.555039 A1151

Balakirev, Mily Alexeyevich. (1837-1910)

• Piano Concerto no. 1 in F sharp minor, op. 1.
  Malcolm Binns, piano.
  The English Northern Philharmonia. David Lloyd-Jones, conductor.
  hyperíon CDA66640 A1401

• Piano Concerto no. 2 in E flat major, op. posth.
  note: completed by Sergei Lyapunov.
  Malcolm Binns, piano.
  The English Northern Philharmonia. David Lloyd-Jones, conductor.
  hyperíon CDA66640 A1401

• Piano Concerto no. 2 in E flat major, op. posth.
  note: unfinished, completed by Sergei Lyapunov.
  Michael Ponti, piano.
  Westphalian Symphony Orchestra. Siegfried Landau, conductor.
  Vox Box 2 CDX 5068 A1161

  3 Forgotten Songs,
  see: Songs.

• Islamey - Oriental fantasy for solo piano (1869)
  
  • Islamey - Oriental fantasy, orchestrated by Sergei Lyapunov.
    USSR Symphony Orchestra. Evgeny Svetlanov, conductor.
    Masterworks Portrait MPK 46727 A961

  Lieder,
  see: Songs.
  

  Romans, Romanov,
  see: Songs.
  

• Rus, symphonic poem, op. 10. "Russia."
  note: 2nd Overture on Russian Themes; themes from various folk songs: It was not the wind, I'll go up, Jolly Katya in the field, and a song apparently from the Caucusus.
  Russian Symphony Orchestra. Igor Golovschin, conductor.
  Naxos 8.550793 A1470

  (Songs) 3 Forgotten Songs. 3 Zabitikh romansa/1-3.
  1. Ti plentel'noy. Thou art so captivating. Text by A. Golovinsky. 2. Zveno. The Limit. Text by Vasily Tumansky. 3. Ispanskaya pesnya. Spanish Song. Text by Mikhail Mikhailov.

  • 3. Spanish Song. Ispanskaya pesnya.
    Daniil Stoda, tenor. Larissa Gergieva, piano.
    EMI 7243 5 74232 2 9 A709

• 20 Songs/1-20.
  1. Pesnya razboynika. Brigand's Song. Text by Aleksey Kol'tsov. 2. Oboymi, pozelui. Embrace, kiss. Text by Aleksey Kol'tsov. 3. Barkarola. Barcarolle. Text by A. Arsenev. 4. Kolibel' naya pesnya. Cradle Song. Text by A. Arsenev. 5. Vzoshol no nebo mesyats yasniy. The bright moon. Text by M. Yatsevich. 6. Kogda bezzabotno, ditya, ti rezvish' sya. When thou playest, carefree child. Text by K. Vilde. 7. Ritsar. The Knight. Text by K. Vilde. 8. Mne li, molodtsu razudalomu. I'm a fine fellow. Text by Aleksey Koltsov. 9. Tak i rvyotsya dusha. My heart is torn. Text by Aleksey Koltsov. 10. Pridi ko mne. Come to me. Text by Aleksey Koltsov. 11. Pesnya Selima. Song of Selim. Text by Mikhail Lermontov. 12. Vvedi menya, o noch'. Lead me, O night! Text by Apollon Maykov. 13. Yevreyskaya melodiya. Hebrew melody. My soul is dark. Text by Mikhail Lermontov after Lord Byron. 14. Isstupleniye. Rapture. Text by Aleksey Koltsov. 15. Otchevo. Why. Text by Mikhail Lermontov. 16. Pesnya zolotoy-ribhi. Song of the Golden Fish. Text by Mikhail Lermontov. 17. Pesnya starika. Old Man's Song. Text by Aleksey Koltsov. 18. Slishu li golor tvoy. When I hear thy voice. Text by Mikhail Lermontov. 19. Gruzinskaya pesnya. Georgian Song. Text by Alexander Pushkin. 20. Son. The Dream. Text by Mikhail Mikhailov after Heinrich Heine.
  

  • 2. Oboymi, pozelui. Embrace, kiss.
    Daniil Stoda, tenor. Larissa Gergieva, piano.
    EMI 7243 5 74232 2 9 A709

• Symphony no. 1 in C major.
  1. *Large - Allegro vivo. 2. Scherzo; Vivo. 3. Andante. 4. **Finale: Allegro moderato.
  *uses folk song and liturgical chant **uses folk song
  Philharmonia Orchestra. Herbert von Karajan, conductor.
  EMI Classics 7243 5 66595 2 0 A308

• Symphony no. 2 in D minor.
  1. Allegro ma non troppo. 2. *Scherzo alla cosacca: Allegro maa non troppo, ma con fuoco e energetico. 3. Romanza: Andante. 4. Finale: Polonaise.
  *trio based on a Russian folk song, The Snow Melts.
  Russian Symphony Orchestra. Igor Golovschin, conductor.
  Naxos 8.550793 A1470

Balbastre, Claude. (1724-1799)

• Ah! ma voisine, es-tu fâchée? (Noël for organ)
  Marie-Claire Alain, organ (at the cathedral of Saint-Théocrit, Uzès)
  ERATO ECD 88161 A1491

• Où s'en vont ces gais bergers? (Noël for organ)
  Marie-Claire Alain, organ (at the cathedral of Saint-Théocrit, Uzès)
  ERATO ECD 88161 A1491

• Tous les bourgeois de Châtre. (Noël for organ)
  Marie-Claire Alain, organ (at the cathedral of Saint-Théocrit, Uzès)
  ERATO ECD 88161 A1491

• Pygmalion. (Jean-Philippe Rameau. RTC 52.)

  • Quatre pièces de l'opéra-ballet "Pygmalion." Arranged for the harpsichord by Claude Balbastre.
    1. Ouverture. 2. Pantomime. Introduction to Scene V. 3. Giga. 2e Pantomime très vive. (Scene V) 4. Contredanse en rondeau.
    Kenneth Gilbert, harpsichord.
    NOVALIS 150 018-2 A668

Balfe, Michael William. (1808-1870)

• The Bohemian Girl, opera in 3 acts. Libretto by Alfred Bunn.
  note: based on the ballet La Gipsy by Jules-Henri Vernoy de Saint-Georges, in turn based on the novel La Gitanilla by Miguel de Cervantes.
  1. Overture. Act I: 2. Up with the banner. (chorus) ... 9. Waltz. (orchestra) ... 11. Galop. (orchestra) 12. What sounds break on the ear? (chorus) Act II. 13. Silence, silence! The lady moon. (Gipsies) 14. I dreamt I dwelt in marble halls. (Arline) ... 25. Hold! Hold! (Count) Act III. 26. Introduction. The past appears to me but a dream. (Arline) 27. When other lips and other hearts. (Thaddeus) 28. Through the world wilt thou fly, love. (Thaddeus, Arline) ... 34. Oh! what full delight. (Arline and chorus)
  Nova Thomas (Arline, daughter of Count Arnheim), soprano; Patrick Power (Thaddeus, a Polish fugitive), tenor; Jonathan Summers (Count Arnheim), baritone; Bernadette Cullen (Queen of the Gipsies), contralto; John del Carlo (Devilshoof, Chief of the Gipsies), bass; Timothy German (Florestein, nephew of the count), tenor.
  Dialogue spoken by members of the Radio Telefis Eireann Repertory Company.
  Radio Telefis Eireann Philharmonic Choir. Colin Mawby, director. National Symphony of Ireland. Richard Bonynge, conductor.
  Decca 473 077-2 A1770

• The harp that once through Tara's halls. Text by Thomas Moore.
  note: from his Irish Melodies
  John McCormack, tenor. Edwin Schneider, piano.
  EMI CLASSICS 0777 7 64654 2 5 A1542

Banchieri, Adriano. (1568-1634)

• Dialogo secondo. Edited by Timothy Roberts.
  note: published in L'organo suonarino, 1605.
  Timothy Roberts, organ.
  Gabrieli Players. Paul McCreesh, director.
  (First Vespers of the Annunciation of the Blessed Virgin as it might have been celebrated in St. Mark's, Venice in 1643)
  ARCHIV PRODUKTION D 284220 A513

• Suonata prima. Edited by Timothy Roberts.
  note: published in L'organo suonarino, 1605.
  Timothy Roberts, organ.
  Gabrieli Players. Paul McCreesh, director.
  (First Vespers of the Annunciation of the Blessed Virgin as it might have been celebrated in St. Mark's, Venice in 1643)
  ARCHIV PRODUKTION D 284220 A513

Bantock, Granville. (1868-1946)

• Fifine at the Fair. A Defence of Inconstancy. Tone Poem no. 3.
  Royal Philharmoniuc Orchestra. Vernon Handley, conductor.
  hyperion CDA66630 A1167

• Two Heroic Balladas. 1. Cuchullan's Lament. 2. Kishmul's Galley.
  Royal Philharmoniuc Orchestra. Vernon Handley, conductor.
  hyperion CDA66630 A1167

• Pagan Symphony. Et ego in Arcadia vixi.
  Royal Philharmoniuc Orchestra. Vernon Handley, conductor.
  hyperion CDA66630 A1167

Barber, Samuel. (1910-1981)

• Andromache's Farewell, for soprano and orchestra, op. 39. Text by Euripides from his drama, The Trojan Women, translated into English.
  Martina Arroyo, soprano.
  The New York Philharmonic Orchestra. Thomas Schippers, conductor.
  Masterworks Portrait MPK 46727 A962

• Ballade, op. 46.
  Daniel Pollack, piano.
  Naxos 8.559015 A475

• Canzonetta, for oboe and string orchestra, op. 48.
  Julia Girdwood, oboe.
  Scottish Chamber Orchestra. José Serebrier, conductor.
  ASV CD DCA 737 A1769

• Commando March, for military band.
  The Cleveland Symphonic Winds. Frederick Fennell, conductor.
  TELARC CD-80099 A1473

• Concerto for cello and orchestra, op. 22.
  Zara Nelsova, cello.
  New Symphony Orchestra. Samuel Barber, conductor.
  Pearl GEM 0151 A1322

• Concerto for violin and orchestra, op. 14.
  Hilary Hahn, violin.
  The Saint Paul Chamber Orchestra. Hugh Wolff, conductor.
  SONY CLASSICAL SK 89029 A579

• Despite And Still, op. 41/1-5.
  1. A Last Song. Text by Robert Graves. 2. My Lizard. Text by Theodore Roethke. 3. In The Wilderness. "Christ Of His gentleness." Text by Robert Graves. 4. Solitary Hotel. Text by James Joyce from Ulysees. 5. Despite And Still. ""Have You Not Read the Words In My Head." Text by Robert Graves.
  
  • 4. Solitary Hotel. Text by James Joyce from Ulysees.
    Thomas Allen, baritone. Roger Vignoles, piano.
    Virgin Classics Digital CDC 5 45033 2 A1837

• Dover Beach, op. 3. Text by Matthew Arnold.
  Thomas Allen, baritone.
  Endellion String Quartet: Andrew Watkinson, violin. Ralph de Souza, violin. Garfield Jackson, viola. David Waterman, cello.
  Virgin Classics Digital CDC 5 45033 2 A1837

• Dover Beach, op. 3. Text by Matthew Arnold.
  Dietrich Fischer-Dieskau, baritone.
  The Julliard String Quartet: Robert Mann and Earl Carlyss, violins; Raphael Hillyer, viola. Claus Adam, cello.
  Masterworks Portrait MPK 46727 A962

• First essay for orchestra, op. 12.
  Baltimore Symphony Orchestra. David Zinman, conductor.
  ARGO 436 288-2 A958

• Second essay for orchestra, op. 17.
  Baltimore Symphony Orchestra. David Zinman, conductor.
  ARGO 436 288-2 A958

• Excursions, op. 20.
  Daniel Pollack, piano.
  Naxos 8.559015 A475

• Hermit Songs, op.29/1-10, for voice and piano. Texts by anonymous Irish monks and scholars of the 8th to 13th centuries, translated by W. H. Auden and others.
  1. At St. Patrick's Purgatory. 2. Church Bell at Night. 3. St. Ita's Vision. 4. The Heavenly Banquet. 5. The Crucifixion (from the Speckled Book) 6. Sea-Snatch. 7. Promiscuity, 8. The Monk and His Cat: Pangur, white Pangur. 9. The Praises of God: How foolish the man. 10. The Desire for Hermitage.
  Leontyne Price, soprano. Samuel Barber, piano.
  Masterworks Portrait MPK 46727 A962
  6. Sea-Snatch.
  Samuel Ramey, bass. Warren Jones, piano.
  SONY CLASSICAL SK68339 A1097

• Two Interludes, op. 20/I-II.
  I. II.
  

  • Interlude I. Adagio, ma non troppo.
    Daniel Pollack, piano.
    Naxos 8.559015 A475

• Knoxville: Summer of 1915, op. 24. Text by James Agee.
  Eleanor Steber, soprano.
  Dumbarton Oaks Orchestra. William Strickland, conductor.
  Masterworks Portrait MPK 46727 A962

• The Lovers, for baritone, mixed chorus, and orchestra, op. 43/1-9. Poems from Pablo Neruda's "Twenty Poems of Love and a Song of Despair."
  note: world premiere recording
  I. Body of a Woman. (baritone solo) II. Lithe girl, brown girl. (Men's Chorus, Women's Voices) III. In the hot depth of this summer. (Women's Voices) IV. Close your eyes. (Chorus) V. The Fortunate Isles. (Chorus with incidental Soprano Solo) VI. Sometimes. (Baritone Solo) VII. We have lost even this twilight. (Chorus) VIII. Tonight I Can Write. (Baritone Solo) IX. Cemetery of kisses (Chorus); based on "Twenty Poems of Love and a Song of Despair" by Pablo Neruda.
  Dale Duesing, baritone.
  The Chicago Symphony Chorus. Margaret Hillis, director and founder.
  The Chicago Symphony Orchestra. Andrew Schenck, conductor.
  KOCH INTERNATIONAL CLASSICS 3-7125-2 H1 A1863

• Medea, orchestral suite in 7 movements, op. 23.
  note: version 2, the expanded orchestral version (1947) of version 1 (1946), titled "Serpent of the Heart" and in performance (1947) titled "Cave of the Heart."
  1. Parados. 2. Choros, Medea, Jason. 3. The Young Princess, Jason. 4. Choros. 5. Medea. 6. Kantika Agonias. 7. Exodus.
  New Symphony Orchestra. Samuel Barber, conductor.
  Pearl GEM 0151 A1322

• Music for a Song by Shelley, op. 7.
  Baltimore Symphony Orchestra. David Zinman, conductor.
  ARGO 436 288-2 A958

• Nocturne, op. 33.
  Daniel Pollack, piano.
  Naxos 8.559015 A475

• Overture to Richard Sheridan's play "A School for Scandal," op. 5.
  Baltimore Symphony Orchestra. David Zinman, conductor.
  ARGO 436 288-2 A958

• Prayer for Kierkegaard, for Mixed Chorus, Soprano Solo and Orchestra with incidental Tenor Solo, Alto Solo Ad Libitum, op. 30/1-5. Prayers of Søren Kierkegaard selected from his journals "The Unchangeableness of God" and "Christian Discourses."
  1. O Thou who art unchangeable, grave and remote. 2. Lord Jesus Christ who suffer'd. Andante con moto tranquillo. 3. Father in heaven. Un poco mosso. 4. Allegro molto. 5. Father in heaven. Quietly.
  Sarah Reese, soprano.
  The Chicago Symphony Chorus. Margaret Hillis, director and founder.
  The Chicago Symphony Orchestra. Andrew Schenck, conductor.
  KOCH INTERNATIONAL CLASSICS 3-7125-2 H1 A1863

• String Quartet no. 1, op. 11/1-3.
  1. Molto Allegro e appassionato. 2. Adagio. 3. Molto Allegro - Presto.
  Endellion String Quartet: Andrew Watkinson, violin. Ralph de Souza, violin. Garfield Jackson, viola. David Waterman, cello.
  Virgin Classics Digital CDC 5 45033 2 A1837

  • 2. Adagio. Arrangement by Samuel Barber of the Second Movement for string orchestra.
    Stuttgart Chamber Orchestra. Karl Munchinger, conductor.
    London 430 411-2 A96

  • 2. Adagio. Arrangement by Samuel Barber of the Second Movement for string orchestra.
    Saint Louis Symphony Orchestra. Leonard Slatkin, conductor.
    Telarc CD-80059 A121

  • 2. Adagio. Arrangement by Samuel Barber of the Second Movement for string orchestra.
    Baltimore Symphony Orchestra. David Zinman, conductor.
    ARGO 436 288-2 A958
    • Agnus Dei. Arrangement by Samuel Barber of the Adagio for strings.
      The Sixteen. Harry Christophers, conductor.
      Decca 80004531-02 A1170

• Serenade, for string quartet, op. 1.
  1. Un poco adagio - Allegro con spirito. 2. Andante con moto. 3. Dance (Allegro giocoso)
  Endellion String Quartet: Andrew Watkinson, violin. Ralph de Souza, violin. Garfield Jackson, viola. David Waterman, cello.
  Virgin Classics Digital CDC 5 45033 2 A1837

• Three Sketches.
  Daniel Pollack, piano.
  Naxos 8.559015 A475

• Sonata for piano in E flat minor, op. 26.
  1. Allegro energico. 2. Allegro vivace e leggero. 3. Adagio mesto. 4. Fuga - Allegro con spirito.
  Vladimir Horowitz, piano.
  RCAVICTOR 60377-2-RG A471

• Sonata for piano in E flat minor, op. 26.
  1. Allegro energico. 2. Allegro vivace e leggero. 3. Adagio mesto. 4. Fuga - Allegro con spirito.
  Peter Lawson, piano.
  Virgin CLASSICS 7243 5 61928 2 9 A2023

• Sonata for piano in E flat minor, op. 26.
  1. Allegro energico. 2. Allegro vivace e leggero. 3. Adagio mesto. 4. Fuga - Allegro con spirito.
  Daniel Pollack, piano.
  Naxos 8.559015 A475

• Three Songs, op. 2/1-3.
  1. The Daisies. "In the scented bud of the morning O." Text by James Stephens. 2. With rue my heart is laden. (from A. E. Housman's "A Shropshire Lad.") 3. Bessie Bobtail. "As down the road she wambled slow." Text by James Stephens.
  Thomas Allen, baritone. Roger Vignoles, piano.
  Virgin Classics Digital CDC 5 45033 2 A1837
  • 3. Bessie Bobtail. "As down the road she wambled slow."
    Samuel Ramey, bass. Warren Jones, piano.
    SONY CLASSICAL SK68339 A1097

• Three Songs (from James Joyce's Chamber Music), op.10/1-3.
  1. Rain has fallen all the day. 2. Sleep now, o sleep now, o you unquiet heart. 3. I hear an army charging upon the land.
  Thomas Allen, baritone. Roger Vignoles, piano.
  Virgin Classics Digital CDC 5 45033 2 A1837

  • 3. I hear an army. Text by James Joyce.
    Samuel Ramey, bass. Warren Jones, piano.
    SONY CLASSICAL SK68339 A1097

• Four Songs, op. 13/1-4.
  1. A Nun takes the veil, "I have desired to go." Text by Gerard Manley Hopkins. 2. The Secrets of the Old. "I have old women's secrets now." Text by William Butler Yeats. 3. Sure on the Shining Night (from James Agee's Permit Me Voyage) 4. Nocturne. "Close my darling both your eyes." (from Frederic Prokosch's The Carnival)
  • 3. Sure on the Shining Night. Text by James Agee.
    Thomas Allen, baritone. Roger Vignoles, piano.
    Virgin Classics Digital CDC 5 45033 2 A1837

  • 3. Sure on the Shining Night. Text by James Agee.
    Samuel Ramey, bass. Warren Jones, piano.
    SONY CLASSICAL SK68339 A1097

  • 4. Nocturne. Text by Frederic Prokosch.
    Thomas Allen, baritone. Roger Vignoles, piano.
    Virgin Classics Digital CDC 5 45033 2 A1837

• 3 Songs, op. 45/1-3.
  1. Now Have I Fed And Eaten Up The Rose. (James Joyce, after the German of Gottfried Keller, "Jetzt habe ich gespeist und aß die Rose auf") 2. A Green Lowland Of The Pianos. (Czeslaw Milosz, after the Polish of Jerzy Harasymowicz) 3. O Boundless, Boundless Evening. (Christopher Middleton, after the German of Georg Heym, "O weiter, weiter Abend")
  Thomas Allen, baritone. Roger Vignoles, piano.
  Virgin Classics Digital CDC 5 45033 2 A1837

• Souvenirs, suite, for piano duet. 28/1-6. (1951)
  1. Waltz. 2. Schottische. 3. Pas de deux. 4. Two-step. 5. Hesitation Tango. 6. Galop.
  

  • 1. Waltz.
    Malinova Sisters, piano duet.
    KOCH INTERNATIONAL CLASSICS 3-7600-2 A1435

• Souvenirs, suite for piano solo, op. 28/1-6. Arranged by Samuel Barber.
  1. Waltz. 2. Schottische. 3. Pas de deux. 4. Two-step. 5. Hesitation Tango. 6. Galop.
  Daniel Pollack, piano.
  Naxos 8.559015 A475

• Souvenirs, suite for orchestra, op. 28/1-6. Arranged by Samuel Barber. (1953)
  1. Waltz. 2. Schottische. 3. Pas de deux. 4. Two-step. 5. Hesitation Tango. 6. Galop.
  London Symphony Orchestra. José Serebrier, conductor.
  ASV CD DCA 737 A1769

• Symphony no. 1, op. 9.
  Baltimore Symphony Orchestra. David Zinman, conductor.
  ARGO 436 288-2 A958

• Symphony no. 2, op. 19.
  note:1950 revision
  New Symphony Orchestra. Samuel Barber, conductor.
  Pearl GEM 0151 A1322

• Wondrous Love: variations on a shape-note hymn, for organ, op. 34. (1959)
  James E. Jordan, Jr., organ. Aeolian-Skinner organ of the Church of the Advent, Boston, Massachusetts.
  Gloria Dei Cantores GDCD 009 A2014